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Que cache le roman policier ? Peu importe son pays d'origine, son époque, sa "typologie", le roman policier comme genre littéraire porte une part d'ombre irréductible, diffuse et changeante. Ce "frisson métaphysique" du roman policier, tel que l'envisage cet ouvrage en empruntant l'expression à Umberto Eco, constitue sans doute la raison profonde pour laquelle ce genre littéraire fascine autant depuis près de deux siècles. Alliant approches critiques larges et études de cas précis, la réflexion interdisciplinaire que propose ce recueil permet de saisir comment le roman policier, à commencer par quelques-uns de ses grands classiques, britanniques et américains notamment, fait vibrer le coeur et l'esprit d'une certaine résonance métaphysique. Cet ouvrage vise ainsi à rendre compte, s'il en est encore besoin, du roman policier comme d'un divertissement populaire de qualité.
Suspense (narration). --- Suspense in literature. --- Detective and mystery stories.
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De Hitchcock à Eastwood, Scorsese, Copola ou Tarantino, les plus grands réalisateurs du cinéma américain ont choisi le policier et le thriller pour s'exprimer. Classiques des années 60 (Bonnie & Clyde, Bullit, L'Affaire Thomas Crown...), sagas révolutionnaires des années 70 (Le Parrain, Dirty Harry...), serial killers de la période contemporaine (Le Silence des agneaux, Seven...), ce genre fertile a produit des films d'exception. 768 pages - 1 300 films - 1 200 photos et affiches (éditeur)
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Roger impresses Jay with his dumpsters finds. Then Jay goes dumpster diving and comes up with a hot new computer game. He doesn't know it's infected with a sinister virus. And he certainly doesn't know that someone saw him find it!
Mystery -- Fiction. --- Scavengers -- Fiction. --- Suspense -- Fiction.
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Suspense fiction --- Police --- Politicians --- London (England)
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Cette étude entend aborder le genre littéraire de l'uchronie à travers le prisme de la théorie de la tension narrative, appliquée à l'analyse de deux romans, "La part de l'autre" d’Eric-Emmanuel Schmitt et "Aucun homme n'est une île" de Christophe Lambert.
Uchronie --- tension narrative --- suspense --- histoire contrefactuelle --- Arts & sciences humaines > Littérature
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"This work examines themes, techniques, and the filmmaking process in 15 of Hitchcock's best known films. It explores the auteur's treatments of psychoanalysis, voyeurism, and collective fears during the Cold War. Also presented are key stories behind several Hitchcock classics. The book includes numerous photographs and an extensive bibliography"--Provided by publisher.
Suspense in motion pictures, television, etc. --- Suspense au cinéma --- Hitchcock, Alfred, --- Criticism and interpretation. --- Suspense au cinéma --- Suspense in motion pictures, television, etc --- CDL --- 791.471 HITCHCOCK --- Suspense in motion pictures --- Motion pictures --- Television programs --- Video recordings --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred
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The use of suspense in ancient literature attracts increasing attention in modern scholarship, but hitherto there has been no comprehensive work analysing the techniques of suspense through the various genres of the Classical literary canon. This volume aspires to fill such a gap, exploring the phenomenon of suspense in the earliest narrative writings of the western world, the literature of the ancient Greeks. The individual chapters focus on a wide range of poetic and prose genres (epic, drama, historiography, oratory, novel, and works of literary criticism) and examine the means by which ancient authors elicited emotions of tense expectation and fearful anticipation for the outcome of the story, the development of the plot, or the characters' fate. A variety of theoretical tools, from narratology and performance studies to psychological and cognitive approaches, are exploited to study the operation of suspense in the works under discussion. Suspenseful effects are analysed in a double perspective, both in terms of the artifices employed by authors and with regard to the responses and experiences of the audience. The volume will be useful to classical scholars, narratologists, and literary historians and theorists.
Classical literature --- Greek literature, Hellenistic --- History and criticism. --- Suspense in literature --- History and criticism
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This book introduces readers to linguistic stylistic analysis and combines both literary and linguistic analysis to explore suspense in crime fiction. Employing critical linguistics, discourse analysis and functional grammar, it demonstrates that suspense in plot-based stories is created through non-linear, causative presentation of the narrative. The author investigates how plot sequence is manipulated to ensure the reader cannot resolve the order of events until the end of the tale. From two-dimensional circumstantial detection in mystery stories to three-dimensional re-evaluation of offender orientation, she uses a linguistic-based stylistic framework to analyse offender motive. She also employs a ‘discourse-based’ frame analysis to examine the plot structure of crime stories for micro context and set-up scenarios, demonstrating that it is the unravelling of these devices that creates the suspense in murder mysteries and thrillers alike. Finally, she shows how grammaticization of the offending-self reveals an embedded diegetic space in the offender engagement discourse, provoking an intellectual and affective response and reshaping our overall outlook of the crime in the story. This book will appeal to researchers and students from literary and non-literary backgrounds looking for theoretical and practical advice on the linguistic stylistic approach to reading texts.
Stilistics --- Grammar --- Pragmatics --- Fiction --- Suspense (narration) --- Analyse du discours. --- Sémantique. --- Langage --- Style.
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