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Routes commerciales --- Mamelukes --- Trade routes --- Commerce --- History --- Égypte --- Empire islamique --- Islamic Empire --- Gesellschaft. --- Soziales Netzwerk. --- Sozialordnung. --- Kulturaustausch. --- History. --- Commerce. --- Mameluckenreich. --- History of Asia --- History of Africa --- anno 1200-1499 --- anno 1500-1599 --- Mediterranean --- Red Sea --- Syria --- Lebanon --- Israel --- Palestine --- Egypt

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Using a novel approach to consider the available literature and research, this book focuses on the psychology of social media based on the assumption that the experience of being in a social media has an impact on both our identity and social relationships. In order to 'be online', an individual has to create an online presence - they have to share information about themselves online. This online self is presented in different ways, with diverse goals and aims in order to engage in different social media activities and to achieve desired outcomes. Whilst this may not be a real physical presence, that physicality is becoming increasingly replicated through photos, video, and ever-evolving ways of defining and describing the self online. Moreover, individuals are using both PC-based and mobile-based social media as well as increasingly making use of photo and video editing tools to carefully craft and manipulate their online self. This book therefore explores current debates in Cyberpsychology, drawing on the most up-to-date theories and research to explore four main aspects of the social media experience (communication, identity, presence and relationships). In doing so, it considers the interplay of different areas of psychological research with current technological and security insight into how individuals create, manipulate and maintain their online identity and relationships. The social media are therefore at the core of every chapter, with the common thread throughout being the very unique approach to considering diverse and varied online behaviours that may not have been thus far considered from this perspective. It covers a broad range of both positive and negative behaviours that have now become integrated into the daily lives of many westernised country's Internet users, giving it an appeal to both scholarly and industry readers alike.

Internet --- Online social networks --- Social media --- Behavior. --- Media Modeling. --- Media psychology. --- SNSs. --- Social Networking. --- Online-Community --- PSYCHOLOGY / Applied Psychology. --- Psychological aspects. --- Onlinecommunity --- Online community --- Onlinegemeinde --- Virtuelle Gemeinschaft --- Soziales Netzwerk --- Benutzer --- Social Media --- User-generated media --- Communication --- User-generated content --- Electronic social networks --- Social networking Web sites --- Virtual communities --- Social networks --- Sociotechnical systems --- Web sites --- DARPA Internet --- Internet (Computer network) --- Wide area networks (Computer networks) --- World Wide Web --- Communities, Online (Online social networks) --- Communities, Virtual (Online social networks) --- Online communities (Online social networks) --- Online-Community.

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"Unconcealed" describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website

Conceptual art --- Art, European --- Art museums --- Art galleries, Commercial --- Art --- Collectors and collecting --- collecties --- verzamelaars --- Maenz Paul --- Fischer Konrad --- Darboven Hanne --- minimal art --- minimalisme --- Siegelaub Seth --- Lippard Lucy R. --- Sperone Gian Enzo --- Wide White Space --- König Walther --- Op losse schroeven --- When attitudes become form --- Kosuth Joseph --- Huebler Douglas --- Greenwood Nigel --- Wendler Jack --- Ludwig Peter --- Ströher Karl --- Speck Reiner --- Hahn Wolfgang --- Herbig Jost --- Hock Wolfgang --- Matthys Roger --- Peeters Hubert --- Goeminne André --- Perlstein Sylvain --- Fiszman I9si --- Daled herman --- Herbert Annick --- Becht Frits --- Becht Agnes --- van Eelen Herman --- van Eelen Henriëtte --- Visser Martin --- Visser Mia --- Palumbo Peter --- Gordon Max --- Power Ted --- Power Alan --- Rausmüller Urs --- Marzona Egidio --- Baldassare Angelo --- Panza Giuseppe --- Ammann Jean-Christophe --- Charlier Jacques --- De Decker Anny --- Fuchs Rudi --- Harrison Charles --- Honnef Klaus --- Logsdail Nicholas --- Preisig Rolf --- Serota Nicholas --- Szeemann Harald --- Tremlett David --- Daled Herman --- Conceptual art. --- Art museums. --- Art galleries, Commercial. --- Collectors and collecting. --- 7.038 --- Andre Carl --- Art & Language --- Broodthaers Marcel --- Buren Daniel --- concept art --- conceptuele kunst --- Dibbets Jan --- galeries --- Gilbert & George --- kunst --- LeWitt Sol --- Lippard Lucy R --- Long Richard --- Merz Mario --- twintigste eeuw --- Weiner Lawrence --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Commercial art galleries --- Print galleries --- Prints --- Galleries and museums --- Art styles --- anno 1970-1979 --- anno 1960-1969 --- Europe --- Art conceptuel --- Histoire --- Histoire. --- Art, European. --- Ausstellung. --- Concept-art. --- Kunstbetrieb. --- Kunstgalerie. --- Kunsthandel. --- Künstler. --- Soziales Netzwerk. --- Serota, Nicholas. --- 1900-1999. --- Geschichte 1967-1977. --- Europa. --- Europe. --- Art, Primitive --- Conceptual art - Europe --- Art, European - 20th century --- Conceptual art - Europe - Exhibitions --- Art museums - Europe --- Art galleries, Commercial - Europe --- Art - Collectors and collecting - Europe