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Art, Modern --- Printed ephemera --- Conceptual. --- Ephemeral art --- Site-specific art --- National Gallery of Art (U.S.).
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Met 'TraumA' duikt Triënnale Brugge in de 'uncanny' geschiedenis en realiteit van Brugge. Historische lagen worden blootgelegd, vergeten of verborgen verhaallijnen besproken. Deze editie verkent de dunne lijn tussen droom en trauma, tussen paradijs en hel. Ze speelt in op de verbeelding, op de pracht en de praal, maar ook op het 'unheimliche' dat er ondergronds aanwezig is. Want hoewel Brugge voor velen een droombestemming lijkt, sluimert er in deze picture-perfect-wereld ook armoede, eenzaamheid, vervuiling of angst. 0'Triënnale Brugge 2021: TraumA' brengt aan de hand van artistieke en architecturale ingrepen ook de minder fraaie aspecten naar boven en laat ze deel worden van de beeldvorming van de stad. 'Triënnale Brugge 2021: TraumA' balanceert tussen het aanwezige en het verborgene. Met een parcours van sculpturale, architecturale en organische creaties komt het tegemoet aan een viering van de veelzijdigheid en beweeglijkheid van de stad. Tussen privé en publiek. Tussen droom en nachtmerrie.
Site-specific installations (Art) --- Art, Modern --- kunst --- architectuur --- installaties --- site-specific art --- publieke ruimte --- 7.039 --- Installations (Art) --- Site-specific art --- Art in situ --- Art --- Bruges (Belgique) --- installations [visual works] --- public art --- site-specific works --- architectural sculpture --- Bruges --- Moderne kunst
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"Dès les débuts du XXe siècle, de nombreux artistes délaissent le territoire de l'idéalisme, rejettent en bloc les formes traditionnelles de représentation et désertent les lieux institutionnels pour s'immerger dans l'ordre des choses concrètes. La réalité devient une préoccupation première, avec, pour conséquence, une refonte du "monde de l'art", de la galerie au musée, du marché au concept d'art lui-même. Emergent alors des pratiques et des formes artistiques inédites : art d'intervention et art engagé de caractère activiste, art investissant l'espace urbain ou le paysage, esthétiques participatives ou actives dans les champs de l'économie, des médias, ou du spectacle. L'artiste devient un acteur social impliqué, souvent perturbateur. Quant à l'oeuvre d'art, elle adopte un tour résolument neuf, problématique, plus que jamais en relation avec le monde tel qu'il va. Elle en appelle à la mise en valeur de la réalité brute, au "contexte" justement. L'art devient contextuel"
Site-specific art. --- Interactive art. --- Performance art. --- Arts, Modern --- Site-specific art --- Oeuvres in situ --- Art interactif --- Street art --- Art dans la rue --- Art de performance --- Arts --- Interactive art --- Performance art --- Installation-art --- Performance --- Paysage --- Art contemporain --- Théorie de l'art --- Espace urbain --- Land art --- Arts, Modern - 20th century --- Art dans la rue. --- Art --- Art, Modern
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Site-specific installations are created for a specific location and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums. Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. This book provides an in-depth account of the paradoxical situation when site-specific installations are being preserved and put on display in a museum context. Tatja Scholte offers a conceptual framework for scholars and professionals in order to better understand the transformative nature of site-specific installation art and to support decision-making in museums as to conserving and presenting these artworks over time. The case studies provide insight into the diversity of artistic production over the last forty years. They explore how site-specific installations gain new meanings and forms in a museum context, and, vice versa, how these artworks become agents for change of professional routines and museum strategies.
Installations (Art). --- Site-specific art. --- ART / Collections, Catalogs, Exhibitions / Permanent Collections. --- Site-specific installation, museum, conservation, exhibition, spatial theory. --- Installation art --- Art, Modern --- Environment (Art) --- Site art --- Site-specific arts --- Arts, Modern
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Site-specific art --- Conceptual art --- Artists' preparatory studies --- Artists --- Artists' books --- Oeuvres in situ --- Art conceptuel --- Esquisses (Art) --- Artistes --- Livres d'artistes --- Correspondence. --- Correspondance --- Buren, Daniel --- Themes, motives. --- Aménagement urbain --- Détail d'architecture --- Sculpture --- Théorie de l'art --- Buren, Daniel, --- Artist' preparatory studies --- Conceptual art - France --- Site-specific art - France --- Artists - France - Correspondence --- Buren, Daniel - Exhibitions --- Buren, Daniel, - 1938 --- -Buren, Daniel - Themes, motives --- -Buren, Daniel
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This book makes a compelling case for ‘performance fieldwork’ as a vital new approach to interdisciplinary collaboration. Refocussing the histories and practices of field research, it shows how creative methods and artistic processes can contribute to an embodied and situated knowledge of complex landscapes and environments. The book brings together case studies of innovative research in the fields of ecology, clubbing, heritage, mobility and deep time, which took place in the United Kingdom between 2009 and 2021. These accessible and engaging field notes connect to international and intercultural contexts, with attention to alternative experiences and perspectives throughout. Together, they provide a critically informed ‘toolbox’ of playful and exploratory strategies for working with a diverse range of urban and rural sites – including a river, a museum, a nightclub, a motorway and a cave. This is a timely methodology that reaches across disciplines to demonstrate how performance continually plays out ‘in the field’. David Overend is an award-winning theatre director and Lecturer in Interdisciplinary Studies at the University of Edinburgh, UK. His research focuses on contemporary theatre and performance, often at the intersection with cultural geography. Previous publications include Making Routes: Journeys in Performance 2010-2020 with Laura Bissell (2021), and an edited collection, Rob Drummond Plays with Participation (2021). David has also written numerous articles for journals including Contemporary Theatre Review, New Theatre Quarterly and GeoHumanities. As well as over a decade of site-based performance practice, he has directed for many theatres, including the National Theatre of Great Britain.
Site-specific theater. --- Performing arts. --- Theater. --- Theater—History. --- Human geography. --- Site-Specific Performance. --- Practice-as-Research. --- Contemporary Theatre and Performance. --- Human Geography. --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Show business --- Arts --- Performance art --- Site-specific performance --- Site-specific art --- Theater
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Au croisement de l'art, de la typographie et de l'architecture, les projets présentés dans cet ouvrage donnent une dimension nouvelle au mot écrit et aux caractères. Chiffre géant, sculpture en braille, citations placées au sol et installations poétiques forment autant de points de repère, de réflexion ou de rêverie au sein des espaces urbains. Dans ces villes ponctuées par le lettrage, les noms des victimes de drames s'affichent sur les murs, l'heure se lit sur la façade des immeubles et les plaques d'égout se font oeuvres d'art. L'auteure nous invite ainsi, de New York à Barcelone en passant par Séoul, à un voyage artistique, historique et empreint d'émotions. Quand les installations typographiques s'emparent de l'espace de nos villes, ce sont en effet la mémoire et la poésie qui y rythment nos pas.
Espace public --- Installation-art --- Typographie --- Sang-soo, Ahn --- Chermayeff, Ivan --- Kabakov, Ilya --- Kruger, Barbara --- Lin, Maya --- Martens, Karel --- Scher, Paula --- Smith-miller, Henry --- Hawkinson, Laurie --- Weiner, Lawrence --- language [general communication] --- Art --- public spaces --- texts [documents] --- Architectural inscriptions --- Site-specific installations (Art) --- Site-specific art --- Installations (Art) --- Words in art --- Public art spaces. --- Art, Municipal --- Printing --- Inscriptions architecturales --- Installations in situ (Art) --- Oeuvres in situ --- Mots dans l'art --- Espaces d'art public --- Art urbain --- Imprimerie --- Arts graphiques --- Art in situ --- Art in situ. --- Typographie. --- Typografie --- kunst in de openbare ruimte
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Dubbed The Leather Daddy of Luxury by New York Magazine, Peter Marino is the premier architect of luxury brand spaces worldwide, including for Chanel, Dior, and Louis Vuitton, in cities including Los Angeles, New York, London, Paris, Munich, Singapore and Tokyo. This is the first book to look at the collaborative process by which Marino has commissioned site-specific works for luxury retail spaces from artists including Richard Deacon, Vik Muniz, Vanessa Beecroft, James Turrell, Not Vital, and Jean-Michel Othoniel.
Site-specific installations (Art) --- Art and architecture --- Store decoration --- Stores, Retail --- Artistic collaboration. --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Retail stores --- Shops --- Commercial buildings --- Retail trade --- Shopping centers --- Decoration and ornament --- Interior decoration --- Architecture and art --- Architecture --- Installations (Art) --- Site-specific art --- History --- Design and construction --- Commissioning --- Decoration --- Marino, Peter, --- Artistic collaboration --- Art, Primitive
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Jananne al Ani; Francis Alys; Uri Ancarani; Oreet Ashery; Ed Atkins; Judith Barry; Gretchen Bender; Dara Birnbaum; Black Audio Film Collective; Brad Butler; Olga Chernysheva; James coleman; Minerva; Cuevas; Stan Douglas; Olafur Eliasson; VALIE EXPORT; Harun Farocki; Omer Fast; Morgan Fisher; Hollis Frampton; Melanie Gilligan; Joana Hadjithomas; Gary Hill; Susan Hiller; William Kentridge; Anja Kirchner; Steve McQueen; Jumana Manna; Karen Mirza; Rabih Mroué; Otolith Group; Nam June Paik; Luther Price; Yvonne Rainer; R.V.Ramani; Pipilotti Rist; Ben Rivers; Tyan Trecartin; Trinh T. Minh-Ha; Bill Viola
Motion in art --- Technology and the arts --- Arts and globalization --- Space (Art) --- Motion in art. --- Technology and the arts. --- Arts and globalization. --- 778.5.01 --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Beeldende kunst en bewegend beeld --- Videokunst ; video-installaties --- Beeldende kunst en nieuwe media --- Kunst en technologie --- Kunst en beweging --- Kunst en globalisering --- Experimentele film --- Body Art --- Site specific art --- Space (Art). --- Mouvement --- Technologie et arts --- Art et mondialisation --- Art vidéo --- Dans l'art --- performance art --- installations [visual works] --- art theory --- new media art --- site-specific works --- body arts [discipline] --- moving images --- video art --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Black Audio Film Collective --- Viola Bill --- Trinh T. Minh-ha --- Trecartin Ryan --- Rivers Ben --- Rist Pipilotti --- Ramani R.V --- Rainer Yvonne --- Price Luther --- Paik Nam June --- Otolith group --- Mroué Rabih --- Mirza Karen --- Manna Jumana --- McQueen Steve --- Kirschner Anja --- Kentridge William --- Hiller Susan --- Hill Gary --- Hadjithomas Joana --- Gilligan Melanie --- Frampton Hollis --- Fisher Morgan --- Fast Omer --- Farocki Harun --- VALIE EXPORT --- Eliasson Olafur --- Douglas Stan --- Cuevas Minerva --- Coleman James --- Chernysheva Olga --- Butler Brad --- 791.43 --- 7.038/039 --- 791.41 --- 7.01 --- kunsttheorie --- filmtheorie --- Birnbaum Dara --- Bender Gretchen --- Barry judith --- Atkins Ed --- Ashery Oreet --- Ancarani Yuri --- Alÿs Francis --- al-Ani Jananne --- performances --- lichamelijkheid --- body art --- video-installaties --- installaties --- kunst en film --- kunst --- film --- Kunst --- installaties [kunstwerken] --- videokunst [kunstwerken] --- performances [live] --- plaatsspecifieke werken --- bewegende beelden --- lichaamskunst --- nieuwe mediakunst --- Technologie et arts. --- Art et mondialisation. --- Art vidéo. --- Dans l'art.
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