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As digital environments become increasingly individualised, instant, ubiquitous, and disintermediated, this book demonstrates the continuing relevance of intermediaries at the intersection of design, creativity, community engagement, and corporate social responsibility. The authors examine intermediaries as enablers of mutual benefit and offer a proactive, interventionist, and holistic approach to intermediation practice that steps beyond design thinking. By means of case studies that employ the 3C project design methodology—Community, Culture, Commerce—the authors provide an accessible introduction to intermediation at the nexus of theory and practice and signpost new opportunities for researchers and practitioners in the post-COVID environment. Dr John “Jock” McQueenie brings creativity to social inclusion and corporate social investment. As a professional intermediary, Jock has been brokering unconventional partnerships by designing and implementing 3Cs projects for over 20years in a wide range of sectors, industries and regions throughout Australia and Aotearoa/NZ. His two most recent projects were designed as part of a Professional Doctorate (Doctor of Creative Industries) at Queensland University of Technology, Brisbane, Australia. Marcus Foth is a Professor of Urban Informatics in the School of Design, Queensland University of Technology. For more than two decades, Marcus has led ubiquitous computing and design research into interactive digital media, screen, mobile and smart city applications. Marcus founded the Urban Informatics Research Lab in 2006 and the QUT Design Lab in 2016. Greg Hearn is a Research Professor in the School of Design at QUT. His research examines social, business and future workforce issues in the adoption of innovation. He is a lead researcher in the Advanced Robotics for Manufacturing Hub and a Chief Investigator in the ARC Training Centre for Collaborative Robotics in Advanced Manufacturing.

Industries. --- Design. --- Communication and traffic. --- Technical education. --- Media Industries. --- Technology and Design education.

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“With an impressive number of sources, Tereza achieves an encyclopaedic overview of the audio documentary production, or feature. Her work has the potential to become a pillar of specialized literature, dealing with the present field of radio.“ —Jan Gogola, Documentarist, Tomas Bata University, Czechia “You pick up European Radio Documentary to learn how the audio feature has evolved and is celebrated. You put it down challenged and provoked as to how to nourish creativity not just in one’s own audio making but also through the power of coming together.“ —Diarmuid McIntyre, Producer & Founder of the HearSay Festival, Ireland “Based upon extensive research and in-depth interviews, Tereza tells the story of passionate explorers of the most discrete of all media - radio. Written with bravura, humour, impertinence, and clear historical insight.“ —Edwin Brys, Royal Institute for Theatre, Cinema and Sound, Belgium “In a period with audio bits, TV snippets and hasty competitions, Tereza makes us familiar with this sounding globe, which we must preserve like our planet on the whole.“ —Helmut Kopetzky, Author & Producer, Germany “Tereza characterized the generational change which had been difficult to implement over the past decades. To date, no one has undertaken such task in such complexity.“ —Andrea Hanáčková, Documentarist, Palacký University, Czechia This book studies the history and significance of radio documentaries in Europe, and the institutions that are specialized on this genre. Focused on the 50-year history of the International Feature Conference (an annual gathering of radio documentarians from around the world), the book discusses the Prix Europa, Prix Italia, the Third Coast International Audio Festival, and the HearSay Audio Arts Festival. The book tells the story of people who chose sound as their lifestyle and who spread their passion worldwide. Tereza Reková is an award-winning producer, screenwriter, and podcaster. She is one of the current leading Czech representatives of documentary makers who reflect on their work theoretically – she teaches Radio Studies at JAMU and inspires young creators to work with audio. .

Art festivals --- Radio broadcasting. --- Communication and traffic. --- Communication. --- Radio. --- Media Industries. --- Media and Communication.

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Journalism. --- Communication and traffic. --- Social media. --- Media Industries. --- Social Media. --- Resilience (Personality trait) --- Journalism --- Affective and dynamic functions

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"Magaudda and Bonini present a look into digital platforms that will change the conversation about how platforms operate. Instead of assuming that platforms are neutral, Magaudda and Bonini show that platforms are embedded in networks of people. As a result, they show how platforms have become the new gatekeepers for cultural content. This book will change the way we think about platforms for years to come." —David Arditi, Associate Professor of Sociology at the University of Texas at Arlington, USA "Magaudda and Bonini are two of the most prolific and thoughtful scholars on the topic of music and technology. In this book they provide insight into how streaming platforms are shaping music production and consumption cultures. This book will help us better grasp how we can intervene in creating a music ecosystem that benefits everyone.” —Robert Prey, Assistant Professor at the Center for Media and Journalism Studies, University of Groningen, Netherlands Grounded in more than a decade of field research, this book uses empirical examples, quantitative data, and qualitative interviews with young music consumers as well as music industry professionals to understand how the platforms behind music production, distribution and listening work in our digital society. Bringing together the perspectives from science and technology studies, media studies, and the political economy of digital platforms, the book outlines the process of mutual construction between music digital platforms and the cultural value of music in today’s society, and also reflects on the complicated relationship between the power of platforms and the agency of listeners. Tiziano Bonini is Associate Professor in Sociology of Culture and Communication at the University of Siena. He has co-edited the book Radio Audiences and Participation in the age of network society (with B. Monclus, Routledge, 2015) and co-authored the book Algorithms of Resistance (with E. Treré, MIT Press, 2024). Paolo Magaudda is Associate Professor in Sociology of Culture and Communication at the University of Padova. He is author of History of Digital Media (with G. Balbi, Routledge, 2018) and Youth People and The Smartphone (with M. Drusian and C.M. Scarcelli, Palgrave 2022). .

Music and the Internet. --- Music trade. --- Popular music. --- Streaming audio. --- plattformer --- musikkulturer --- musikk --- algoritmer --- internett --- Service industries. --- Communication and traffic. --- Popular Music. --- Entertainment Industry. --- Media Industries.

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Mass media --- Communication and traffic --- Communications industries --- Mass communication --- Traffic --- Communication --- Transportation --- Media, Mass --- Media, The --- media industries --- media institutions --- political communication --- interactive technologies --- social media --- media studies --- Mass communications