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God --- Dieu --- Attributes. --- History of doctrines --- Attributs --- Histoire des doctrines --- Maximus, --- God (Christianity) --- 276 =75 MAXIMUS CONFESSOR --- -#GROL:SEMI-276-05 Maxi --- Metaphysics --- Misotheism --- Monotheism --- Religion --- Theism --- Griekse patrologie--MAXIMUS CONFESSOR --- -Maximus Confessor, Saint --- -Contributions in concept of God --- #GROL:SEMI-276-05 Maxi --- Hagios Maximos, --- Maksim, --- Makʻsime Aġmsarebeli, --- Massimo Confessore, --- Massimo il Confessore, --- Maxim, --- Maxime le Confesseur, --- Maximos Confessor, --- Maximos, --- Maximos ho Gkraikos, --- Maximos ho Homologētēs, --- Maximus Confessor, --- Maximus of Constantinople, --- Sfântul Maxim, --- Maximus Confessor --- Maximus --- Maxime le Confesseur --- Maximus der Bekenner --- Maximus the Confessor --- Massimo il Confessore --- Maksim Ispovednik --- Maksim Spoznavalec --- Maximos Homologetes --- Maxim Mărturisitorul --- God (Christianity) - History of doctrines - Early church, ca. 30-600.

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Holy Spirit --- Sin, Original --- Papacy --- Saint-Esprit --- Péché originel --- Papauté --- Procession --- History of doctrines --- History --- Histoire des doctrines --- Histoire --- Maximus, --- 276 =75 MAXIMUS CONFESSOR --- -Papacy --- -Sin, Original --- -Depravity --- Original sin --- Fall of man --- Holy See --- See, Holy --- Popes --- Holy Ghost --- Paraclete --- Pneumatology (Theology) --- Spirit, Holy --- God (Christianity) --- Theology, Doctrinal --- Spirit --- Trinity --- Griekse patrologie--MAXIMUS CONFESSOR --- -History of doctrines --- Maximus Confessor, Saint --- -Griekse patrologie--MAXIMUS CONFESSOR --- Péché originel --- Papauté --- Procession&delete& --- Hagios Maximos, --- Maksim, --- Makʻsime Aġmsarebeli, --- Massimo Confessore, --- Massimo il Confessore, --- Maxim, --- Maxime le Confesseur, --- Maximos Confessor, --- Maximos, --- Maximos ho Gkraikos, --- Maximos ho Homologētēs, --- Maximus Confessor, --- Maximus of Constantinople, --- Sfântul Maxim, --- Maximus Confessor --- Maximus --- Maxime le Confesseur --- Maximus der Bekenner --- Maximus the Confessor --- Massimo il Confessore --- Maksim Ispovednik --- Maksim Spoznavalec --- Maximos Homologetes --- Maxim Mărturisitorul --- Holy Spirit - Procession - History of doctrines --- Sin, Original - History of doctrines --- Papacy - History of doctrines --- Maximus, - Confessor, Saint, - approximately 580-662

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With the disappearance of the eyewitness generation and the globalization of Holocaust memory, this book interrogates key concepts in Holocaust and trauma studies through an assessment of contemporary German-language Jewish authors.

German literature --- Holocaust, Jewish (1939-1945), in literature. --- Jewish authors --- History and criticism. --- Aesthetics. --- Benjamin Stein. --- Contemporary German-Language Jewish Literature. --- Cultural Studies. --- Ethics. --- Eva Menasse. --- Eyewitness Generation. --- Globalization. --- Holocaust Representation. --- Holocaust. --- Hyper-Mediation. --- Literary Studies. --- Maxim Biller. --- Media. --- Memory. --- Nazi Past. --- Renegotiating Postmemory. --- Transgenerational Memory. --- Transnational Memory. --- Vladmir Vertlib.

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Studies in Syntactics. The purpose of this book is to explore the structure of the text as such using a metalanguage derived from quantitative poetics. Grigori Utgof’s thesis is that texts should be studied statistically. The main problems addressed in his research are the problem of successivity on the formal (syntactic) plane of artistic texts, and the problem of syntactic dissimilarity. Largely prompted by Yuri Tynianov’s famous statement – „The unity of the work is not a closed, symmetrical intactness, but an unfolding, dynamic integrity. Between its elements is not the static sign of equality and addition, but the dynamic sign of correlation and integration. The form of the literary work must be recognized as a dynamic phenomenon“ (The Problem of Verse Language; translated by Michael Sosa and Brent Harvey) – Grigori Utgof demonstrates the inherent nonidentity of the intratextual order, and proceeds to the problem of measuring some translated texts’ dissimilarities. In particular, his book is an inquiry into the structure of the following eight texts: Приглашение на казнь / Invitation to a Beheading by Vladimir Nabokov, and the novel’s Estonian translation Kutse tapalavale [Invitation to the Block] by Rein Saluri; “За гремучую доблесть грядущих веков...” by Osip Mandel’shtam, and two translations of this poem into English: “In the Name of the Higher Tribes of the Future” by Robert Lowell and “For the Sake of the Resonant Valor of Ages to Come…” by Vladimir Nabokov; “Облако в штанах” (“Cloud in Trousers”) by Vladimir Mayakovsky; “Ballada [Ballade]” by Czesław Miłosz in Natalya Gorbanevskaya’s translation (“Баллада”)

Grammar, Comparative and general --- Literature, Modern --- Translating and interpreting. --- Syntax. --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Syntax --- Translating --- Linguistics --- Philology --- Grammar, Comparative and general Syntax --- Maxim Šapir --- Robert Lowell --- Vladimir Mayakovsky --- neostructuralism --- Vladimir Nabokov --- Mikhail Gasparov --- Yuri Tynianov --- Czesław Miłosz --- Natalya Gorbanevskaya --- 20th century literature --- Osip Mandel’shtam --- Rein Saluri --- Dmitri Nabokov --- Capital punishment --- Channel One Russia --- Decapitation --- Invitation to a Beheading --- Lucius Quinctius Cincinnatus --- The Day (Kiev) --- We (novel)

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Das Buch hat die Darstellung deutsch-jüdischer Identität in ausgewählten Prosatexten des zeitgenössischen, deutsch-jüdischen Autors Maxim Biller zum Thema. Seit 1989 ist jüdisches Leben in Deutschland «sichtbarer» und heterogener geworden. Das liegt maßgeblich an der veränderten Selbstrepräsentation vieler jüngerer Juden. In und mit seinen Texten Der gebrauchte Jude (2009), Esra (2003), Die Tochter (2000) und seinen Kurzgeschichten (1990/1994) bricht Maxim Biller – der kontroverseste Vertreter der sogenannten Zweiten Generation – mit den Tabus, die den Diskurs über deutsch-jüdische Identität nach wie vor bestimmen. Wie, warum und mit welchen Effekten er das macht, analysiert die Autorin mithilfe von Michel Foucaults Diskurstheorie und Judith Butlers Theorie der Performativität.

Biller, Maxim, --- Criticism and interpretation. --- Germany --- Germany. --- Ethnic relations --- In literature. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Deguo --- 德国 --- Gėrman --- Герман Улс --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Bu̇gd Naĭramdakh German Uls --- Doitsu Renpō Kyōwakoku --- Federalʹna Respublika Nimechchyny --- Gėrman --- Germanii︠a︡ --- Jirmānīya --- Kholboony Bu̇gd Naĭramdakh German Uls --- República de Alemania --- República Federal de Alemania --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Europe --- Literary studies: post-colonial literature --- Communication studies --- 21st century history: from c 2000 --- -Society & culture: general --- Billers --- Codrai --- Diaspora --- Diskurse --- Diskurstheorie --- Maxim --- Negative Symbiose --- Performativität --- Prosa --- Zweite Generation