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This book contains eight essays on Vico written by Pietro Piovani between 1968 and 1976. It is the only collection of writings on Vico designed by the author, for a publication in Spanish. Although the single essays had the widest circulation and impact since their writing, this is the first time that the collection as it was conceived by the author it is published in Italian.
G. Vico --- Historicism --- Italian philosophy
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Der erste Band der Meinong Studien vereinigt historische Beiträge zur Meinong-Forschung im engeren Sinn mit solchen, die Meinongsche Themen und Gedanken in systematischer Absicht wieder aufnehmen. Die angestellten Untersuchungen widmen sich der vor-gegenstandstheoretischen Periode Meinongs (Chrudzimski), seinen frühen erkenntnistheoretischen Untersuchungen (Manotta), seinen Theorien der Vorstellungsproduktion (Raspa) und der Annahmen (Dölling), konfrontieren seine Lehren mit jenen Franz Brentanos (Rollinger), Sartres und Russells (Hochberg) und analysieren die Fragen der Konsistenz des Meinongschen Universums der Gegenstände (Simons), seiner Theorie der Größen und Messung (Guigon), seiner (und Ernst Mallys) Objekt-theoretischen Grundlegung der Logik (Tegtmeier) sowie dem Verhältnis von Semantik und Ontologie aus der Perspektive einer heutigen Konzeption.
Philosophy, Austrian --- Philosophie autrichienne --- Meinong, A. --- Philosophy, Italian. --- Italian philosophy --- Meinong, Alexius, --- Meinong, --- Critique et interprétation
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The traditional and lively interest in Meinong's philosophy and related topics among Italian philosophers gives rise to this volume of MEINONG STUDIES. As more than an introduction, Venanzio Raspa presents an enlightening historical presentation of Meinong's reception in Italy from his lifetime to the present day. Riccardo Martinelli offers a reconstruction of the Meinongian theory of musical objects of higher order. Francesca Modenato gives the outlines of Meinong's object theory as a theory of the pure object, separating it from ontology and associating it rather with gnoseology. From a less historical than systematic-analytic perspective, Andrea Bottani deals with incomplete objects, Mario Alai investigates the problem of propositions concerning non-existent objects, and Carola Barbero proposes a realistic theory of the emotions aroused by reading literary texts. As themes related to Meinongian ones, Alberto Voltolini discusses the concept of existence as a property, Francesco Orilia validates an intuition of Meinong by adopting an approach called 'fact infinitism', and Guido Bonino deals with Gustav Bergmann's interpretation of Meinong's ontology. Das traditionelle und lebhafte Interesse italienischer Philosophen an Meinongs Philosophie und damit zusammenhängenden Themen gibt Anlaß für diesen Band der MEINONG STUDIEN. Weit über die Anforderungen an ein Eineitung hinausgehend, präsentiert Venanzio Raspa eine erhellende Studie der Rezeption Meinongs in Italien von seinen Lebzeiten bis zum heutigen Tag. Riccardo Martinelli rekonstruiert Meinongs Theorie musikalischer Objekte höherer Ordnung und Francesca Modenato umreißt Meinongs Objekttheorie (als Theorie reiner Objekte), welche sie eher der Gnoseologie denn der Ontologie zuordnet. Aus einer weniger historischen als systematisch-analytischen Perspektive befassen sich Andrea Bottani mit unvollständigen Objekten, Mario Alai mit der Frage nicht-existierende Objekte betreffender Aussagen, und Carola Barbero präsentiert eine realistische Theorie von Emotionen, die durch die Lektüre literarischer Texte erweckt werden. Als Meinong-bezogene Themen diskutiert Alberto Voltolini den Begriff der Existenz als Eigenschaft, Francesco Orilia bestätigt in seinem 'Fakteninfinitismus' genannten Zugang eine Meinongsche Intuition, und Guido Bonino befaßt sich mit Gustav Bergmanns Interpretation der Meinongschen Ontologie.
Philosophy, Italian. --- Italian philosophy --- Meinong, A. --- Meinong, Alexius, --- Meinong, --- Philosophie italienne
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italian philosophy --- biopolitics --- national philosophy --- political theology --- Philosophy --- Filosofía --- Philosophie --- Italia --- Italy
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Co-Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Italian Studies, 2018.The rediscovery of the thought of Giambattista Vico (1668-1774) - especially his New science - is a post-Revolutionary phenomenon. Stressing the elements that keep society together by promoting a sense of belonging, Vico's philosophy helped shape a new Italian identity and intellectual class. Poet and philosopher Giacomo Leopardi (1798-1837) responded perceptively to the spreading and manipulation of Vico's ideas, but to what extent can he be considered Vico's heir?Through examining the reasons behind the success of the New science in early nineteenth-century Italy, Martina Piperno uncovers the cultural trends, debates, and obsessions fostered by Vico's work. She reconstructs the penetration of Vico-related discourses in circles and environments frequented by Leopardi, and establishes and analyses a latent Vico-Leopardi relationship. Her highly original reading sees Leopardi reacting to the tensions of his time, receiving Vico's message indirectly without a need to draw directly from the source. By exploring the oblique influence of Vico's thought on Leopardi, Martina Piperno highlights the unique character of Italian modernity and its tendency to renegotiate tradition and innovation, past and future.
Knowledge, Theory of. --- Imagination. --- Cycles. --- Vico, Giambattista, --- Leopardi, Giacomo, --- Criticism and interpretation. --- Italy --- Intellectual life --- italian philosophy --- Giambattista Vico --- new science --- Giacomo Leopardi --- post-revolutionary italy
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Political science --- Science politique --- Early works to 1800 --- Ouvrages avant 1800 --- Livy --- Italian philosophy --- 15th-16th centuries --- Machiavelli, Niccolo --- Rome --- History --- Republic, 510-265 B.C. --- Historiography --- Italy --- 16th century
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Philosophy, Italian --- -Italian philosophy --- Husserl, Edmund --- -Husserl, Edmund --- Husserl, Edmond --- Husserl, Edmund, --- Philosophy, Italian - 20th century. --- Husserl (edmund), philosophe allemand, 1859-1938 --- Italie --- Critique et interpretation --- Etude et enseignement --- Philosophie
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Philosophy, Renaissance --- Philosophy, Italian --- Humanism --- -Philosophical anthropology --- -Image of God --- -Theology --- -Christian theology --- Theology --- Theology, Christian --- Christianity --- Religion --- God --- God, Image of --- Image (Theology) --- Theological anthropology --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Persons --- Philosophy of mind --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- Italian philosophy --- Philosophy, Modern --- Renaissance philosophy --- History --- History of doctrines --- -Middle Ages, 600-1500 --- -Image --- Philosophy, Renaissance. --- Philosophy, Italian. --- Image of God --- History. --- -History --- -Philosophy, Renaissance --- -Italian philosophy --- Christian theology --- Image
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This collection of essays seeks to explore Agamben's work from philosophical and literary perspectives thereby underpinning its place within larger debates in continental philosophy.
1 AGAMBEN, GIORGIO --- Filosofie. Psychologie--AGAMBEN, GIORGIO --- Agamben, Giorgio, --- Agamben, Giorgio --- Filosofie. --- 1 AGAMBEN, GIORGIO Filosofie. Psychologie--AGAMBEN, GIORGIO --- Philosophy, Italian. --- Italian philosophy --- Agamben, G. --- Agamben, Giorgo, --- PHILOSOPHY / Criticism. --- Literature --- Continental philosophy. --- Philosophy. --- Philosophy, Continental --- Philosophy, Modern --- Literature and philosophy --- Philosophy and literature --- Theory
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