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This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin’s Iwatsutsuji (1676) and Ihara Saikaku’s Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire. .

Music --- Japan --- Oriental literature. --- History of Music. --- History of Japan. --- Asian Literature. --- History and criticism. --- History. --- Asian literature --- Criticism

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An Erinnerungsorten in der Musik kulminiert ein Ausschnitt von Musikgeschichte in einem Moment der Gegenwart und verweist als bedeutsames Zeichen in die Zukunft. Die Bedeutung manifestiert sich darin, dass die Orte eine identitätsstiftende Funktion für bestimmte Gemeinschaften haben, die so unterschiedlich sind wie die Orte selbst. Denn nicht nur reale oder begehbare, sondern auch imaginierte und metaphorische Orte dienen dem gemeinsamen, gegenwärtigen Erinnern an Musikgeschichte. Auf der Basis einer gründlichen Bestandsaufnahme zum Begriff des Erinnerungsortes widmet sich die Autorin mit historiographischer Genauigkeit und aufschlussreichen kulturgeschichtlichen Bezügen fünf höchst unterschiedlichen Erinnerungsorten in der Musik: Beethovens neunter Symphonie, der Rock and Roll Hall of Fame, Mozart und Graz, dem Genre HipHop, der Philharmonie und dem Jüdischen Museum in Berlin. Untersucht werden die Mechanismen ihrer Konstruktion, Beständigkeit und Beweglichkeit, die abhängig sind von individueller Erinnerung sowie institutionellen und gesellschaftspolitischen Kontexten. Inwiefern Musik, um nicht in Vergessenheit zu geraten, der medialen Verankerung und materiellen Verortung bedarf, wird in diesem Buch erkenntnisreich dargestellt. Why do we remember certain music from the past and attribute meaning to it, while other protagonists from the history of music slip into obscurity? Armed with this question, the author embarks upon a journey to sites of memory in music, visiting Beethoven’s Ninth Symphony, the Rock and Roll Hall of Fame, Mozart and Graz, the genre of hip hop, the philharmonic and the Jewish Museum in Berlin.

Music theory. --- SOCIAL SCIENCE / General. --- Cultural memory. --- culture of remembrance. --- history of music. --- media studies. --- Music --- Musical theory --- Theory of music --- Theory

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To date there has been no plotting of punk scholarship which speaks to ‘time’, yet there are some clear bodies of work pertaining to particular issues relevant to it, including ageing and/or the life course and punk, memory and/or nostalgia and punk, ‘punk history’, and archiving and punk. Punk, Ageing and Time is therefore a timely (pun intended) book. What this edited collection does for the first time is bring together contemporary investigations and discussions specifically around punk and ageing and/or time, covering areas such as: punk and ageing; the relationship between temporality and particular concepts relevant to punk (such as authenticity, DIY, identity, resistance, spatiality, style); and punk memory, remembering and/or forgetting. Multidisciplinary in nature, this book considers areas which have received very little to no academic attention previously. Laura Way is Senior Lecturer in Sociology at the University of Roehampton, UK. She is currently engaged in research projects with young fathers and local Travellers, and ongoing research concerning marginalised identities and punk. Laura’s monograph – Punk, Gender and Ageing: Just Typical Girls (2020) – was the first to focus solely on the experiences of older punk women. She is a qualified teacher in lifelong learning and an experienced qualitative researcher, particularly in the areas of creative and participatory methods, and collaborative, community-based work. Laura is an editor of Sociological Research Online and sits on the editorial board for Punk & Post-Punk journal. Matt Grimes is Senior Lecturer in Music Industries and Radio at Birmingham City University, UK. Matt’s doctorate explored ageing, identity and the ideological significance of anarchism in the life courses of ageing adherents of anarcho-punk. He is currently writing up this research for his forthcoming monograph with Palgrave Macmillan, Ageing, Identity, Memory and British Anarcho-Punk: 'Life We Make' (Palgrave Macmillan). He has published on the subjects of anarcho-punk, anarcho-punk ‘zines, punk pedagogy, popular music and spirituality, DIY/Underground music cultures/subcultures, counter-cultural movements, and radio for social change. He is the Punk Scholars Network’s general secretary and associate editor for Punk & Post-Punk journal. Matt is also a lifelong supporter of Millwall FC.

Aging --- Punk culture. --- Social aspects. --- Civilization --- History, Modern. --- Oral history. --- Collective memory. --- Music --- Cultural History. --- Modern History. --- Oral History. --- Memory Studies. --- History of Music. --- History. --- History and criticism.

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This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin’s Iwatsutsuji (1676) and Ihara Saikaku’s Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire. .

Music --- Asian literature --- History --- History of Asia --- geschiedenis --- literatuur --- muziek --- Japan --- Asia --- Oriental literature. --- History of Music. --- History of Japan. --- Asian Literature. --- History and criticism. --- History.

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An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.

Musical groups. --- Pro Arte Quartet. --- Ensembles (Musical performance groups) --- Groups, Musical performance --- Musical performance ensembles --- Musical performance groups --- Quatuor Pro Arte --- belgium. --- cello. --- composition. --- ensemble. --- history of music. --- music. --- musicians. --- strings. --- twentieth century. --- university of wisconsin. --- viola. --- violin.