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"Ghosts and the supernatural appear throughout modern culture, in any number of entertainment, commercial, and other contexts. Popular media's commodified representations of ghosts can be quite different from what people believe about them, based on tradition or direct experience. Belief and tradition and the popular or commercial nevertheless continually feed off each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists broaden the discussion of ghost lore by examining it from multiple angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously. They draw on contemporary scholarship that emphasizes the basis of belief in experience and the usefulness of ghost stories. And they look closely at the narrative role of such lore in matters such as socialization and gender. Together, they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts."--Publisher's description
Electronic books. --- Ghosts. --- Haunted places. --- Social Science. --- Supernatural. --- Ghosts --- Supernatural --- Haunted places --- Anthropology --- Social Sciences --- Folklore --- Haunted localities --- Localities, Haunted --- Places, Haunted --- Phantoms --- Specters --- Spectres --- Religion --- Miracles --- Occultism --- Apparitions --- Ghost tours
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This anthology reflects the current interest in the concept of space as a revitalising approach to literary, social, mental, political and discursive phenomena. The contributions, which examine novels, films, art, and cultures, invite the reader to consid
Haunted places. --- Spatial behavior. --- Space in literature. --- Behavior, Spatial --- Proxemic behavior --- Space behavior --- Spatially-oriented behavior --- Psychology --- Space and time --- Haunted localities --- Localities, Haunted --- Places, Haunted --- Occultism --- Outer space --- Social aspects. --- Ghost tours --- Espace --- Comportement spatial. --- Espace et temps. --- Aspect social. --- Dans la littérature.
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Hong Kong Horror Cinema offers new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market.
Horror films --- Spookfests (Motion pictures) --- Motion pictures --- Haunted house films --- Monster films --- History and criticism.
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Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres.
Motion pictures --- Horror films --- Spookfests (Motion pictures) --- Haunted house films --- Monster films --- Psychological aspects.
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Vampires --- Horror television programs. --- Television programs --- Haunted house television programs --- Monster television programs
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Since the early 2000s, Norway has produced a regular stream of horror cinema including Cold Prey, Troll Hunter, Thelma and The Innocents. 'Norwegian Nightmares' investigates the origins of this horror wave and charts its unique characteristics in relation to the chiefly American influences that inspired it. Norwegian nature and wilderness, in particular an obsession with dark and deadly water, give shape and national identity to Norway's tradition of horror cinema. Andresen studies the cinematic journey to the dark side of a wealthy, ostensibly peaceful and harmonious social democracy on the fringes of the Arctic.
Horror films. --- Spookfests (Motion pictures) --- Motion pictures --- Haunted house films --- Monster films --- Horror films
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Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror.
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This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has 'trans'-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.
Horror films --- History and criticism. --- Horror films. --- Spookfests (Motion pictures) --- Motion pictures --- Haunted house films --- Monster films
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During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions-most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead, Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of
Ghosts --- -Phantoms --- Specters --- Spectres --- Apparitions --- Haunted places --- History --- Greece --- Religion. --- History. --- Ghosts -- Greece -- History. --- Greece -- Religion. --- Supernatural. --- Social Sciences --- Parapsychology & Occult Sciences --- -History --- Phantoms
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Four seekers have arrived at the rambling old pile known as Hill House: Dr. Montague, an occult scholar looking for solid evidence of psychic phenomena; Theodora, his lovely and lighthearted assistant; Luke, the adventurous future inheritor of the estate; and Eleanor, a friendless, fragile young woman with a dark past. As they begin to cope with chilling, even horrifying occurrences beyond their control or understanding, they cannot possibly know what lies ahead. For Hill House is gathering its powers - and soon it will choose one of them to make its own.
Haunted houses --- Ghost stories --- Horror tales --- Horror --- Horror fiction --- Horror stories --- Scary stories --- Scary tales --- Tales, Horror --- Terror --- Terror tales --- Fiction --- Ghosts
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