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ISBN: 2130417981 9782130417989 Year: 1988 Volume: 635 Publisher: Paris: PUF,
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ISBN: 9783518295731 Year: 2010 Publisher: Berlin : Suhrkamp,
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ISBN: 9781474236379 Year: 2015 Publisher: London ; New Delhi ; New York ; Syndey : Bloomsbury,
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"The Bloomsbury companion to aesthetics" presents a practical study guide to emerging topics and art forms in aesthetics and the philosophy of art. Placing contemporary discussion in its historical context, this companion begins with an introduction to the history of aesthetics. Surveying the central topics, terms and figures and noting the changes in the roles the arts played over the centuries, it also tackles methodological issues, asking what the proper object of study in aesthetics is, and how we should go about studying it. Written by leading analytic philosophers in the field, chapters on "Core issues and art forms" cover four major topics : the definition of art and the ontology of art work ; aesthetic experience, aesthetic properties, and aesthetic and artistic value ; specific art forms including music, dance, theatre, the visual arts as a whole, and the various forms of popular art ; new areas in aesthetics and the philosophy of art, such as environmental aesthetics and global standpoint aesthetics, as well as other new directions the field is taking towards everyday aesthetics. Featuring a list of research resources and an extensive chronology of works dating from the fifth century BC to the 21st century, "The Bloomsbury companion to aesthetics" provides an engaging introduction to contemporary aesthetics.
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Year: 1955 Publisher: Paris : Gallimard,
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Year: 1953 Publisher: Paris : Gallimard,
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ISBN: 9788869762598 Year: 2021 Publisher: Paris : Mimésis,
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Cet ouvrage d'esthétique comparée et de philosophie de l'art dégage l'idée sensible (Merleau-Ponty) comme le fonds ardent de toute expérience. La peinture, la poésie, la photographie, le jeu avec l'apparaître lui servent de main courante. On y rencontre Rembrandt, Tiepolo, Paul-Armand Gette avec ses muses et Polichinelle, entre autres. Les premiers mots de son prélude sont les suivants : "L'expérience esthétique n'attend pas le Dimanche de la vie.Elle n'est pas une récapitulation dans le concept. Elle ne cesse d'arriver. S'il fallait lui réserver un jour, ce serait plutôt le Vendredi. Le Vendredi, c'est le jour de Vénus, Veneris Dies. Il a lieu tous les jours. Plus que le Vendredi de la vie, c'est le Vendredi de l'exister - ou de l'être".
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Year: 1975 Publisher: Paris : PUF - Presses Universitaires de France,
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Year: 1971
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