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This first miscellany volume to be published by the Church of England Record Society contains eight edited texts covering aspects of the history of the Church from the Reformation to the early twentieth century. The longest contribution is a scholarly edition of W.J. Conybeare's famous and influential article on nineteenth-century "Church Parties"; other documents included are the protests against Archbishop Cranmer's metropolitical powers of visitation, the petitions to the Long Parliament in support of the Prayer Book, and Randall Davidson's memoir on the role of the archbishop of Canterbury in the early twentieth century. Stephen Taylor is Professor in the History of Early Modern England, University of Durham. Contributors: PAUL AYRIS, MELANIE BARBER, ARTHUR BURNS, JUDITH MALTBY, ANTHONY MILTON, ANDREW ROBINSON, STEPHEN TAYLOR, BRETT USHER, ALEXANDRA WALSHAM

283 --- Anglikaanse Kerk. American Episcopal Church --- Church of England --- Anglican Church --- Anglikanskai︠a︡ t︠s︡erkovʹ --- Ecclesia Anglicana --- Kirche von England --- United Church of England and Ireland --- History --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- Church history --- HISTORY / Europe / General. --- Archbishop Cranmer. --- Church Parties. --- Church of England. --- Early twentieth century. --- History. --- Long Parliament. --- Prayer Book. --- Randall Davidson. --- Reformation.

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Prolific and personable, innovative and contentious, Cyril Scott (1879-1970) was considered to be one of the most promising young talents in modern British music at the turn of the twentieth century. He was a member of the 'Frankfurt Group' (together with Percy Grainger, Norman O'Neill, Roger Quilter and Balfour Gardiner), his music was performed by some of the leading conductors of the time in Britain and on the Continent, and his friends included highly influential figures in European literature, art and politics. Apart from his music, Scott was the author of many books on alternative medicine, psychology, Occultism, Theosophy and comparative religion. He also wrote fiction, autobiography, and poetry. Scott embodied a unique time in a particularly unique way. His aesthetic ideas informed both his professional creative practice and his manner of living. He was not merely a composer, but an artist in the broadest possible sense of the term. This book provides the first comprehensive account of Scott's life and influences as well as an outline and contextualization of his aesthetic thinking. It traces his changing conception of the function of art and the role of the artist from his formative exposure to Symbolism through his friendship with the German poet Stefan George, to his exploration of Western and Eastern esoteric traditions, showing how the prevailing cross-pollination of ideas allowed him to develop a fully integrated rationale for his art and life. The story of Scott's development guides the reader through some of the most fascinating intellectual discourses of late-nineteenth and early-twentieth-century Europe. Sarah Collins' current research focuses on British music aesthetics and criticism in the late-nineteenth and early-twentieth centuries. She has a particular interest in the interaction between turn-of-the-century conceptions of the function of criticism, theories of critical intuition and questions of moral philosophy. She lectured at the University of Queensland from 2006 and joined the faculty of Monash University in 2012.

Composers -- Europe -- Biography. --- Music -- Europe -- 19th century -- History and criticism. --- Music -- Europe -- 20th century -- History and criticism. --- Scott, Cyril, 1879-1970. --- Music --- Music, Dance, Drama & Film --- Composers --- Scott, Cyril, --- Scott, Cyril Meir, --- Skott, S. --- Skott, Siril Meĭr, --- Scott, S., --- Aesthetics. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Aesthetic thinking. --- Art and life. --- British music. --- Comparative religion. --- Cyril Scott. --- Early-twentieth-century Europe. --- Frankfurt Group. --- Late-nineteenth-century Europe. --- Occultism. --- Percy Grainger. --- Stefan George. --- Symbolism. --- Theosophy. --- Western and Eastern esoteric traditions.

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As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda.

Musical criticism --- Composition (Music) --- Composers --- Music critics --- History. --- Dukas, Paul, --- Dukas, Paul, ǂd 1865-1935 --- Criticism and interpretation. --- Critics --- Musicians --- Music journalists --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Hermeneutics (Music) --- Music criticism --- Journalism --- Composition --- History and criticism --- Di︠u︡ka, Polʹ, --- Dukas, Paul Abraham, --- French music. --- L'Apprenti sorcier. --- Parisian musical culture. --- Paul Dukas. --- artistic agenda. --- composer. --- critic. --- early twentieth century. --- fin-de-siècle. --- intellectual. --- MUSIC / Genres & Styles / Classical.

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This book looks at the textual attempts to construct a national cuisine made in Spain at the turn of the last century. At the same time that attempts to unify the country were being made in law and narrated in fiction, Mariano Pardo de Figueroa (1828-1918) and José Castro y Serrano (1829-96), Angel Muro Goiri (1839 - 1897), Emilia Pardo Bazán (1851-1921) and Dionisio Pérez (1872-1935) all tried to find ways of bringing Spaniards together through a common language about food. In line with this nationalist goal, all of the texts examined in this book contain strategies and rhetoric typical of nineteenth-century nation-building projects. The nationalist agenda of these culinary texts comes as little surprise when we consider the importance of nation building to Spanish cultural and political life at the time of their publication. At this time Spaniards were forced to confront many questions relating to their national identity, such as the state's lackluster nationalizing policies, the loss of empire, national degeneration and regeneration and their country's cultural dependence on France. In their discussions about how to nationalize Spanish food, all of the authors under consideration here tap into these wider political and cultural issues about what it meant to be Spanish at this time. Lara Anderson is Lecturer in Spanish Studies at the University of Melbourne.

Cooking, Spanish --- Cookery, Spanish --- Spanish cooking --- History --- Food writing --- Cooking --- Cookbooks --- Thebussem, --- Muro, Angel. --- Pardo Bazán, Emilia, --- Perez, Dionisio, --- Cook-books --- Cookery --- Recipe books --- Books --- Cuisine --- Food preparation --- Food science --- Home economics --- Dinners and dining --- Food --- Gastronomy --- Table --- Cooking writing --- Food journalism --- Authorship --- Muro, Angel --- Muro Carratalá, Angel --- Doctor Thebussem, --- Figueroa, Mariano Pardo de, --- Pardo de Figueroa, Mariano, --- Culinary Nationalization. --- Culinary Texts. --- Cultural Dependence. --- Cultural Identity. --- Early Twentieth Century. --- Identity. --- Late Nineteenth Century. --- National Building. --- Nationalism. --- Politics. --- Social Change. --- Spanish Cuisine. --- Spanish Food. --- Tradition.

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In this first full-length study of the symphony in late nineteenth and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Saëns, César Franck, Édouard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how French symphonists reconciled Beethoven's legacy with the musical culture, intellectual environment, and political milieu of fin-de-siècle France, pursuing issues of musical form and also moving beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand), specializing in French music of the nineteenth and twentieth centuries.

Symphony. --- Music. --- Composers. --- muziekgeschiedenis. --- Composers --- Music --- Symphony --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Songwriters --- Musicians --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- History and criticism --- Saint-Saens, Camille. --- Dukas, Paul. --- Franck, Cesar. --- Lalo, Edouard. --- Indy, d', Vincent. --- Chausson, Ernest. --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- History and criticism. --- Beethoven's Symphonic Legacy. --- Camille Saint-Saëns. --- Cultural History. --- César Franck. --- Early Twentieth Century. --- Fin-de-siècle France. --- French Symphony. --- Intellectual Environment. --- Late Nineteenth Century. --- Music Form. --- Musical Technique. --- Paul Dukas. --- Political Milieu. --- Vincent d'Indy. --- Édouard Lalo.