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Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade" mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons," interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation," underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
Beyoncé --- Chanteuses américaines --- Féministes noires américaines --- Féminisme et musique --- Gender --- Pop music --- Sexuality --- Singing --- Black feminism --- Book
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"The beginning of the 21st century brought forth a number of social media platforms that have allowed activists to increase their audience exponentially and with relative ease. Under hashtags such as #BlackLivesMatter, #MeToo to the Arab Spring and the Occupy movements, digital social activision mobilized people and movements like almost never before. In #HashtagActivism: Networked Counterpublics in the Digital Age the authors examine how and why Twitter hashtags have become an important platform for historically disenfranchised populations to advance counter narratives and advocate for social change. We contend that members of these marginalized groups, in the tradition of counterpublics, are using Twitter hashtags to build diverse networks of dissent and shape the cultural and political knowledge fundamental to contemporary identity-based social movements. Given shifting understandings and ongoing conversations about the role of social media in 21st century democracy, and considering recent high-profile public debates about racial violence, feminist inclusivity, and sexual identity, #Hashtag Activism will provide readers with a model of how to study political identity and meaning-making processes within digital spaces while highlighting compelling cases of counterpublic activism and dissent"--
Hashtags (Metadata) --- Social media. --- Social media --- Sociology of the family. Sociology of sexuality --- Racism --- Black feminism --- Internet --- Book --- Action groups
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Ce mémoire propose une analyse postcoloniale du roman The Gilda Stories de Jewelle Gomez, dont l’héroïne est une vampire noire, lesbienne et féministe. Ce travail explore les changements apportés par Gomez à la figure traditionnelle du vampire, ainsi que l'évolution des vampires noires et des vampires amérindiennes dans la fiction. Le fil conducteur de ce mémoire est le pouvoir et la manière dont Gomez utilise la figure du vampire pour explorer ce thème.
Jewelle Gomez --- The Gilda Stories --- postcolonialism --- black female vampires --- Native American vampires --- black feminism --- power --- Arts & sciences humaines > Littérature
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History of civilization --- Sociology of the family. Sociology of sexuality --- History as a science --- Feminism --- Women --- Manners and customs --- Emancipation of women --- Feminist movement --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Historiography --- History --- Emancipation --- Femmes --- Féminisme --- Féministes --- Histoire --- Historiographie --- Race --- Gender --- Female homosexuality --- Black feminism --- Book --- Courses
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This examines the emergence of feminist movements from the Civil Rights/Black Liberation movement, the Chicano movement, and the white left in the 1960s and 1970s. The author argues that the 'second wave' was comprised of feminisms: organizationally distinct movements that influenced each other in complex ways. The making of second wave feminisms resulted from decisions that feminists made about their political choices given constraints that affected their activism. These constraints were placed on them by structural inequalities that militated against unity among feminists from different racial/ethnic communities; by loyalties that feminists, particularly feminists of color, felt to other members of their movement communities; and by the necessity of making political decisions within a competitive and complex extra-institutional oppositional milieu.
African American women --- Hispanic American women --- Second-wave feminism --- Women, White --- History --- Community organization --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- anno 1900-1999 --- United States --- Feminism --- 20th century --- Women --- White women --- Social Sciences --- Sociology --- United States of America --- Latinas --- Second feminist wave --- Women's movements --- Black feminism --- Book
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The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today's struggles.
Political philosophy. Social philosophy --- Social change --- United States --- Féminisme --- Noires américaines --- Feminism --- African American women --- African American feminists --- Histoire --- Conditions sociales --- History --- Social conditions --- Combahee River Collective --- Combahee River Collective. --- Histoire. --- Conditions sociales. --- United States of America --- Interviews --- Marxism --- Racism --- Black feminism --- Intersectionality --- Féminisme --- Noires américaines
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This volume examines the activism and theories of the black feminist lawyer Florynce 'Flo' Kennedy (1916-2000) by focusing specifically on her influence on the Black Power and feminist movements.
African American women lawyers --- Kennedy, Florynce, --- Afro-American women lawyers --- Women lawyers, African American --- Women lawyers --- Kennedy, Flo, --- Kennedy, Florynce R., --- Kennedy, Florynce Rae, --- Sociology of the family. Sociology of sexuality --- Kennedy, Florynce --- anno 1900-1999 --- United States --- African American feminists --- African American radicals --- United States of America --- Racism --- Radical feminism --- Sexism --- Black feminism --- Biography --- Book
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A complex articulation of the ways blackness and nonnormative gender intersect—and a deeper understanding of how subjectivities are formed. A deep meditation on and expansion of the figure of the Negro and insurrectionary effects of the “X” as theorized by Nahum Chandler, The Problem of the Negro as a Problem for Gender thinks through the problematizing effects of blackness as, too, a problematizing of gender. Through the paraontological, the between, and the figure of the “X” (with its explicit contemporary link to nonbinary and trans genders) Marquis Bey presents a meditation on black feminism and gender nonnormativity. Chandler’s text serves as both an argumentative tool for rendering the “radical alternative” in and as blackness as well as demonstrating the necessarily trans/gendered valences of that radical alternative. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Race --- African Americans --- Social aspects --- Philosophy. --- Intellectual life. --- Race identity. --- Chandler, Nahum Dimitri. --- Du Bois, W. E. B. --- Political and social views. --- Negritude --- African American intellectuals --- Physical anthropology --- Ethnic identity --- Gender identity --- Gender --- African American --- black feminism --- gender nonnormativity --- nonbinary --- transgender --- cis gender --- race identity --- Black
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In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.
American literature --- Speculative fiction --- People with disabilities in literature. --- Race in literature. --- Gender identity in literature. --- Handicapped in literature --- Physically handicapped in literature --- Fiction --- African American authors --- History and criticism. --- Women authors --- Thematology --- Sociology of literature --- Race --- Disability --- Gender --- Writers --- Theory --- Women --- Blackness --- Black feminism
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Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women's sexuality "haunt" contemporary postcolonial African scholarship which-by maintaining a culture of avoidance about women's sexuality-generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concept of "hauntology" and "ghostly matters" to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women. In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how "ghosts" from the colonial past are countered by discursive engagements with explicit representations of women's sexuality and bodies that emphasize African women's power and autonomy.
Body image in women --- Postcolonialism --- Women --- Imagery (Psychology) --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Imagination --- Visualization --- Psychology --- #SBIB:39A5 --- #SBIB:39A9 --- #SBIB:316.346H29 --- Kunst, habitat, materiële cultuur en ontspanning --- Medische antropologie / gezondheid / handicaps --- Positie van de vrouw in de samenleving: andere topics --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Africa --- SOCIAL SCIENCE / Media Studies. --- LITERARY CRITICISM / African. --- SOCIAL SCIENCE / Women's Studies. --- Body --- Racism --- Images of women --- Black feminism --- Book --- Imaging
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