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Book
Beyoncé in formation : remixing Black feminism
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ISBN: 9781477318393 9781477317716 1477317716 9781477317723 1477317724 9781477317709 1477317708 1477318399 Year: 2018 Publisher: Austin : University of Texas Press,

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Abstract

Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade" mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons," interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation," underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.


Book
#HashtagActivism : networks of race and gender justice
Authors: --- ---
ISBN: 9780262356503 0262356503 9780262043373 0262043378 Year: 2020 Publisher: Cambridge, Massachusetts : The MIT Press,

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"The beginning of the 21st century brought forth a number of social media platforms that have allowed activists to increase their audience exponentially and with relative ease. Under hashtags such as #BlackLivesMatter, #MeToo to the Arab Spring and the Occupy movements, digital social activision mobilized people and movements like almost never before. In #HashtagActivism: Networked Counterpublics in the Digital Age the authors examine how and why Twitter hashtags have become an important platform for historically disenfranchised populations to advance counter narratives and advocate for social change. We contend that members of these marginalized groups, in the tradition of counterpublics, are using Twitter hashtags to build diverse networks of dissent and shape the cultural and political knowledge fundamental to contemporary identity-based social movements. Given shifting understandings and ongoing conversations about the role of social media in 21st century democracy, and considering recent high-profile public debates about racial violence, feminist inclusivity, and sexual identity, #Hashtag Activism will provide readers with a model of how to study political identity and meaning-making processes within digital spaces while highlighting compelling cases of counterpublic activism and dissent"--


Dissertation
"Power is the Frightening Thing": Vampires in Jewelle Gomez's The Gilda Stories
Authors: --- --- ---
Year: 2020 Publisher: Liège Université de Liège (ULiège)

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Ce mémoire propose une analyse postcoloniale du roman The Gilda Stories de Jewelle Gomez, dont l’héroïne est une vampire noire, lesbienne et féministe. Ce travail explore les changements apportés par Gomez à la figure traditionnelle du vampire, ainsi que l'évolution des vampires noires et des vampires amérindiennes dans la fiction. Le fil conducteur de ce mémoire est le pouvoir et la manière dont Gomez utilise la figure du vampire pour explorer ce thème.

The feminist history reader
Author:
ISBN: 0415318092 0415318106 9780415318099 9780415318105 Year: 2006 Publisher: London ; New York : Routledge,

Separate roads to feminism : Black, Chicana, and White feminist movements in America's second wave
Author:
ISBN: 0521529727 0521822602 1316038289 0511815204 9780511815201 9780521822602 9780521529723 Year: 2004 Publisher: Cambridge : Cambridge University Press,

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This examines the emergence of feminist movements from the Civil Rights/Black Liberation movement, the Chicano movement, and the white left in the 1960s and 1970s. The author argues that the 'second wave' was comprised of feminisms: organizationally distinct movements that influenced each other in complex ways. The making of second wave feminisms resulted from decisions that feminists made about their political choices given constraints that affected their activism. These constraints were placed on them by structural inequalities that militated against unity among feminists from different racial/ethnic communities; by loyalties that feminists, particularly feminists of color, felt to other members of their movement communities; and by the necessity of making political decisions within a competitive and complex extra-institutional oppositional milieu.


Book
How we get free : black feminism and the Combahee River Collective
Author:
ISBN: 9781608468553 Year: 2017 Publisher: Chicago, Illinois : Haymarket Books,

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The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today's struggles.


Book
Florynce "Flo" Kennedy : the life of a black feminist radical
Author:
ISBN: 1469647532 146964231X 9781469625119 1469625113 9781469623924 1469623927 9781469647531 9781469647524 1469647524 9781469623917 1469623919 9781469642314 9798890856715 Year: 2015 Publisher: Chapel Hill : The University of North Carolina Press,

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This volume examines the activism and theories of the black feminist lawyer Florynce 'Flo' Kennedy (1916-2000) by focusing specifically on her influence on the Black Power and feminist movements.


Book
The Problem of the Negro as a Problem for Gender
Author:
ISBN: 145296582X 1452966141 1517911958 Year: 2020 Publisher: Minneapolis University of Minnesota Press

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A complex articulation of the ways blackness and nonnormative gender intersect—and a deeper understanding of how subjectivities are formed. A deep meditation on and expansion of the figure of the Negro and insurrectionary effects of the “X” as theorized by Nahum Chandler, The Problem of the Negro as a Problem for Gender thinks through the problematizing effects of blackness as, too, a problematizing of gender. Through the paraontological, the between, and the figure of the “X” (with its explicit contemporary link to nonbinary and trans genders) Marquis Bey presents a meditation on black feminism and gender nonnormativity. Chandler’s text serves as both an argumentative tool for rendering the “radical alternative” in and as blackness as well as demonstrating the necessarily trans/gendered valences of that radical alternative. Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.


Book
Bodyminds reimagined : (dis)ability, race, and gender in black women's speculative fiction
Author:
ISBN: 0822371839 0822370883 0822370735 9780822370888 9780822370734 9780822371830 Year: 2018 Publisher: Durham : Duke University Press,

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In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.


Book
Postcolonial hauntologies : African women's discourses of the female body
Author:
ISBN: 9781496211897 1496211898 9781496214898 1496214897 9781496214874 1496214870 9781496214881 1496214889 Year: 2019 Publisher: Lincoln : University of Nebraska Press,

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Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women's sexuality "haunt" contemporary postcolonial African scholarship which-by maintaining a culture of avoidance about women's sexuality-generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concept of "hauntology" and "ghostly matters" to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women. In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how "ghosts" from the colonial past are countered by discursive engagements with explicit representations of women's sexuality and bodies that emphasize African women's power and autonomy.

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