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la 4e de couverture indique : la collection du Whitney Museum of American Art de New York offre une véritable anthologie de l'art américain du XXe siècle.Cette collection comporte les pièces maîtresses du Pop art.

Pop'art --- Art --- Whitney museum of American art (New York, N.Y.) --- Pop art --- Whitney museum of American art (New York, NY)

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Architectural practice. --- Buildings --- Architecture --- Constructions --- Additions --- Pratique --- Agrandissements --- Office for Metropolitan Architecture. --- Whitney Museum of American Art. --- 72.039 --- 72 KOOLHAAS, REM --- Edifices --- Halls --- Structures --- Architect and client --- Architectural services --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- Architectuur. Bouwkunst--KOOLHAAS, REM --- Practice --- Vocational guidance --- New York (N.Y.). --- Whitney Museum of American Art, New York --- Whitney Studio Galleries --- OMA --- Office of Metropolitan Architecture --- O.M.A. --- O.M.A./Koolhaas --- OMA/AMO Rem Koolhaas --- 72 KOOLHAAS, REM Architectuur. Bouwkunst--KOOLHAAS, REM --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Office for metropolitan architecture --- Whitney Museum of American Art at Philip Morris [New York, N.Y.] --- Architectural practice --- architectuur --- Office for Metropolitan Architecture [Rotterdam] --- OMA. --- Office for metropolitan architecture (Rotterdam) --- Whitney Museum of American Art --- Construction --- Urbanisme --- Villes --- Effets des innovations technologiques --- Built environment

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Dartington Hall was a social experiment of kaleidoscopic vitality, set up in Devon in 1925 by a fabulously wealthy American heiress, Dorothy Elmhirst (née Whitney), and her Yorkshire-born husband, Leonard. It quickly achieved international fame with its progressive school, craft production and wide-ranging artistic endeavours. Dartington was a residential community of students, teachers, farmers, artists and craftsmen committed to revivifying life in the countryside. It was also a socio-cultural laboratory, where many of the most brilliant interwar minds came to test out their ideas about art, society, spirituality and rural regeneration. To this day, Dartington Hall remains a symbol of countercultural experimentation and a centre for arts, ecology and social justice. Practical Utopia presents a compelling portrait of a group of people trying to live out their ideals, set within an international framework, and demonstrates Dartington's tangled affinities with other unity-seeking projects across Britain and in India and America.

Utopias. --- Collective settlements. --- Great Britain. --- Communal settlements --- Communistic settlements --- Communism --- Cooperation --- Socialism --- Collective farms --- Communal living --- Ideal states --- States, Ideal --- Utopian literature --- Political science --- Voyages, Imaginary --- Dystopias --- Collective settlements --- Utopias --- History. --- Elmhirst, Dorothy Payne Whitney Straight. --- Elmhirst, L. K. --- Dartington College of Arts --- Dartington Hall (Totnes, England)

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Abell, Thornton --- Beadle, Alfred N. --- Bernardi, Theodore --- Dailey, Alan A. --- Davidson, Julius Ralph --- Emmons, Frederick E. --- Jones, A. Quincy --- Knorr, Don --- Nomland, Kemper --- Nomland, Kemper, Jr. --- Rapson, Ralph --- Rex, John --- Smith, Whitney R. --- Soriano, Raphael --- Architecture moderniste --- Eames, Charles --- Eames, Ray --- Ellwood, Craig --- Koenig, Pierre --- Neutra, Richard --- Saarinen, Eero --- Californie --- Neutra, Richard Joseph --- Jones, Archibald Quincy --- Architect-designed houses --- Architectural drawing --- United states --- Los angeles (calif.) --- 1945-1970

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Showcasing works from all of his major series, the book surveys the full sweep of Stella's career, from his artistic beginnings in high school and college to today. The plates section comprises more than 100 works, including paintings, sculptures, reliefs, and works on paper. Notable inclusions are his seminal Black Paintings, recent high-relief aluminum works, and a selection of drawings, maquettes, and digital renderings--many of which are reproduced here for the first time--that offer fresh insight into Stella's thinking and process. Essays discuss topics such as the artist's early years at Phillips Academy in Andover and Princeton University, and his late-career architectural pieces created with the aid of computer software. An interview with Stella conducted by American painter Laura Owens allows Stella to illuminate his artistic practice in his own words. Additional resources include a chronology with extensive bibliographic and exhibition references

preparatory studies --- Sculpture --- Painting --- mixed media --- sculpture [visual work] --- painting [image-making] --- Minimal --- Stella, Frank --- Art, American --- 7.07 --- 7.038 --- 75.07 --- 76.07 --- Beeldende kunst ; 20ste eeuw ; Frank Stella --- Hard Edge Painting --- Post-painterly abstraction --- Abstract Expressionisme ; Color Field Painting --- Stella, Frank °1936 (°(Malden (Massachusetts, Verenigde Staten) --- Tentoonstellingscatalogi ; New York ; Whitney Mus. of American Art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Schilderkunst ; schilders --- Grafische kunst ; grafische kunstenaars A-Z --- Exhibitions --- sculpture [visual works] --- Monographie