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book (5)

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Book
Living architectures : a film series
Authors: ---
Year: 2013 Publisher: Paris : BêkaPartners,

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A complete edition of Ila Bêka & Louise Lemoine's series of films that "seeks to develop a way of looking at architecture which turns away from the current trend of idealizing the representation of our architectural heritage."


Book
Film and television after DVD
Authors: --- ---
ISBN: 9780415962414 0415962412 9780203894293 9781135896676 9781135896713 9781135896720 9780415878340 0415878349 Year: 2010 Volume: 15 Publisher: London ; New York Routledge

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Book
Cultivating extreme art cinema : text, paratext and home video culture
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ISBN: 1474453554 1474427391 1474427405 9781474427395 9781474427401 1474427375 9781474427371 Year: 2018 Publisher: Edinburgh : Edinburgh University Press,

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Using paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film.

Lecteurs et enregistreurs et technologie laser CD-audio, CD-R(W) minidisc et DVD : fonctionnements et maintenance
Authors: ---
ISBN: 210006536X Year: 2002 Publisher: Paris : Dunod,


Multi
Selling the splat pack : the DVD revolution and the American horror film
Author:
ISBN: 9781474405584 9780748685493 9780748685523 9780748685509 0748685502 0748685499 1474406440 9781474406444 9781322059723 1322059721 Year: 2014 Publisher: Edinburgh : Edinburgh University Press,

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Were brutal American horror movies like the Saw and Hostel films a reaction to the trauma of 9/11? Were they a reflection of 'War on Terror'-era America? Or was something else responsible for the rise of these violent and gory films during the first decade of the twenty-first century? Selling the Splat Pack unravels the history of how the emergence of the DVD market changed cultural and industrial attitudes about horror movies and film ratings. These changes made way for increasingly violent horror films, like those produced by the 'Splat Pack', a group of filmmakers who were heralded in the press as subversive outsiders. Taking a different tack, Mark Bernard proposes that the films of the Splat Pack were products of, rather than reactions against, film industry policy. This book includes an overview of the history of the American horror film from an industry studies perspective, an analysis of how the DVD market influenced the production of American horror films, and an examination of films from Splat Pack members such as Eli Roth, Rob Zombie, James Wan, and Alexandre Aja. By re-examining the history of the American horror film from a business perspective and exploring how DVD influenced the production of American horror films in the early twenty-first century, this thought-provoking book provides students and scholars in Film Studies with an alternative perspective on the Splat Pack."

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