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Daughter of the poet Théophile Gautier, Judith Gautier (1845-1917) grew up among Europe's literary avant-garde, quickly establishing her own career as a writer. An unapologetic admirer of Richard Wagner from an early age, she described her moment of revelation on playing through the overture to The Flying Dutchman as 'vertigo of the spirit'. Her enthusiasm led to several works on the composer, including a translation of his poem for Parsifal, during the composition of which an intense intimacy developed between them (gently, but firmly, defused by Cosima). Reissued here is the 1910 English translation by Effie Dunreith Massie of Gautier's highly charged account of her first two visits to Wagner and Cosima in Switzerland in 1869 and 1870. Gautier describes the idyllic atmosphere and offers the reader an effusive pen-portrait of Wagner's complex personality. The work also features facsimile pages of Wagner's letters to Gautier, showing part of the score for Parsifal.

Composers --- Wagner, Richard, --- Friends and associates. --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,

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The American music critic and lecturer William James Henderson (1855-1937) wrote for The New York Times and The New York Sun, provided the libretto for Walter Damrosch's opera Cyrano (1913) and authored fiction, poetry, sea stories and a textbook on navigation. He also taught at the New York College of Music and the Institute of Musical Art. Taking up the cause of Wagner with considerable understanding, he published this substantial work in 1902, barely twenty years after the composer's death. It is an illuminating account of Wagner's life and artistic aims, complemented by an insightful analysis of each of his music dramas from Rienzi to Parsifal. Its purpose, states Henderson, 'is to supply Wagner lovers with a single work which shall meet all their needs'. With Ernest Newman's Study of Wagner (1899), also reissued in this series, it reflects the composer's contemporary popularity.

Composers --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד,

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The German actress Minna Planer (1809-66) was Wagner's first wife. Though it lasted until her death, their marriage, never an easy one, was punctuated by long periods of separation, and during its early years Minna was the main breadwinner. William Ashton Ellis (1852-1919) abandoned his medical career to devote himself to his Wagner studies. Best known for his translations of Wagner's prose works, he published in 1909 this collection of letters from the composer, translated from the originals in Baron Hans von Wolzogen's Richard Wagner an Minna Wagner (1908). Concerned predominantly with domestic and business affairs, many of them complaining at Minna's lack of support, the letters offer an intriguing and intimate view of this larger-than-life composer. Spanning the period 1858-63, Volume 2 covers their uneasy, brief reconciliation in Paris, Wagner's concerns over Minna's failing health, and her return to Dresden in 1862, which marked their final separation.

Composers --- Wagner, Richard, --- Wagner, Minna, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Wagner, Minna Planer, --- Planer, Christine Wilhelmine,

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Psychanalyse --- Psychoanalyse --- Wagner, Richard --- Wagner, Richard, --- cultuur en religie. --- 78.21.1 Wagner --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Cultuur en religie. --- Wagner (richard), 1813-1883 --- Revues --- Interpretation

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Die spätesten Nachlassschriften von 1888 zeugen von immenser sprachlicher und gedanklicher Radikalisierung. Der Antichrist soll die gesamte „Umwerthung aller Werthe“ sein; in Ecce homo betreibt Nietzsche eine Genealogie seines eigenen Denkens und eröffnet neue Dimensionen der Selbstreflexion. Nietzsche contra Wagner resümiert Nietzsches schon weit zurückreichende Wagner-Kritik, während die Dionysos-Dithyramben die Lyrik zu erneuern streben. The last posthumous manuscripts from 1888 bear witness to an enormous stylistic and intellectual radicalization. The Antichrist purports to be a total “reevaluation of all values.” In Ecce homo, Nietzsche explores the genealogy of his own thinking, opening up new dimensions of self-reflection. Nietzsche contra Wagner sums up the many years of Nietzsche’s continuing critique of Wagner, while the Dionysian Dithyrambs seek to breathe new life into lyric poetry.

Christianity --- Nietzsche, Friedrich Wilhelm, --- Wagner, Richard, --- Nietzsche, Friedrich Wilhelm --- Wagner, Richard --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Rihm, Wolfgang. --- Nietzsche, Friedrich --- Nietzsche, Friederich --- 19th century. --- Nietzsche, Friedrich. --- commentary. --- cultural history.