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History --- Study and teaching --- Philosophy --- Historia --- Tid. --- Time --- Teori, filosofi. --- Philosophy. --- History - Study and teaching - Philosophy
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"Contemporary Debates in Philosophy of Biology brings together original essays on some of the most hotly debated questions in this lively and fast-moving field. Each of the ten sections introduces a specific issue within philosophy of biology and offers suggestions for further reading. Pairs of newly commissioned essays by leading scholars discuss the central questions in an engaging head-to-head debate. Together, the essays provide an accessible introduction to philosophy of biology, and a springboard to further discussion. Showcasing original arguments for well-defined positions, as well as clear and concise statements of sophisticated philosophical views, this volume is an excellent resource for professional philosophers, biologists, and students alike"--Jacket.
Philosophy of science --- Biology --- Evolution (Biology) --- Philosophy. --- Biologi --- Biological Evolution. --- Biologie. --- Biology. --- Biophilosophie. --- Evolutionsbiologie. --- Philosophie. --- Selection, Genetic. --- Teori, filosofi. --- Vitalism --- Philosophy
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The present volume is targeted at an interdisciplinary audience, i.e. partly at literary scholars/narratologists interested in time theory outside their field, and partly at scholars outside literary studies who in turn would like to learn more about such concepts created in narrative theory. The anthology assembles both English-speaking and German contributions to a narrative theory of time constructs which have thus far not been translated into English, but have - directly or indirectly - inspired the theoretical discourse across disciplines. The common methodological focus of the articles assembled here concerns the way in which the experience of chronological structure and ordering in (experienced or imagined) phenomena can be traced back to a logic of time "constructs". Narrative time constructs - that is: models of chronological ordering which we generate while processing narratively encoded information - constitute a particularly rich body of examples. How we experience time is directly linked to how we narrate information, and how we re-construct principles of temporal ordering in the narrated content. The logic of narrative time constructs has therefore been of interest not only to narrative theory, but also to philosophy and cognitive science, and more recently to computational approaches toward modelling human time experience.
Philosophy of nature --- Fiction --- Thematology --- Literary rhetorics --- Time in literature --- Narration (Rhetoric) --- Time --- Philosophy --- 82-3 --- Proza. Fictie. Narratologie --- Time in literature. --- Literature. --- Narration (Rhetoric). --- Time. --- Tid i litteraturen. --- Narratologi. --- Tid --- Zeit. --- Motiv. --- Temporalität. --- Literatur. --- Philosophy. --- teori, filosofi. --- Time -- Philosophy. --- Languages & Literatures --- Literature - General --- 82-3 Proza. Fictie. Narratologie --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Teori, filosofi. --- Time - Philosophy --- Anthology. --- Narrative Theory. --- Time Constructs. --- Temps --- Narration --- Temps (philosophie) --- Dans la littérature
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Postdigital Aesthetics presents a constellation of contributors who seek to unpack, explore and critically reflect on the questions raised by the notion of the postdigital and its relation to our computational everyday lives. Through a number of interventions, each chapter subjects the concept and ideas that surround our ideas of an aesthetic of the postdigital to critical examination to understand the new asterism of material digital culture in the twenty-first century. From Minecraft to post-internet art, each contributor offers an original perspective on network culture and its distinctive aesthetics and politics, and the relations between art, computation and design.--
Mass media --- Technology --- Technology and the arts --- Technological innovations. --- Aesthetics --- Digital media --- Photography --- Philosophy. --- Aesthetics. --- Digital techniques --- Technological innovations --- Technology and the arts. --- Digitala medier --- Teknologi --- Ästhetik. --- Computerkunst. --- Design. --- Kunst. --- Neue Medien. --- Teori, filosofi. --- Estetiska aspekter. --- Mass media - Technological innovations. --- Technology - Aesthetics
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Souvent je me demande, moi, pour voir, qui je suis - et qui je suis au moment où, surpris nu, en silence, par le regard d'un animal, par exemple les yeux d'un chat, j'ai du mal, oui, du mal à surmonter une gêne. Pourquoi ce mal ? J'ai du mal à réprimer un mouvement de pudeur. Du mal à faire taire en moi une protestation contre l'indécence. Contre la malséance qu'il peut y avoir à se trouver nu, le sexe exposé, à poil devant un chat qui vous regarde sans bouger, juste pour voir. Malséance de tel animal nu devant l'autre animal, dès lors, on dirait une sorte d'animalséance l'expérience originale, une et incomparable de cette malséance qu'il y aurait à paraître nu en vérité, devant le regard insistant de l'animal, un regard bienveillant ou sans pitié, étonné ou reconnaissant. Un regard de voyant, de visionnaire ou d'aveugle extra-lucide. C'est comme si j'avais honte, alors, nu devant le chat, mais aussi honte d'avoir honte. Réflexion de la honte, miroir d'une honte honteuse d'elle-même, d'une honte à la fois spéculaire, injustifiable et inavouable. Au centre optique d'une telle réflexion se trouverait la chose - et à mes yeux le foyer de cette expérience incomparable qu'on appelle la nudité. Et dont on croit qu'elle est le propre de l'homme, c'est-à-dire étrangère aux animaux, nus qu'ils sont, pense-t-on alors, sans la moindre conscience de l'être. Honte de quoi et nu devant qui ? Pourquoi se laisser envahir de honte ? Et pourquoi cette honte qui rougit d'avoir honte ? Devant le chat qui me regarde nu, aurais-je honte comme une bête qui n'a plus le sens de sa nudité ? Ou au contraire honte comme un homme qui garde le sens de la nudité ? Qui suis-je alors ? Qui est-ce que je suis ? A qui le demander sinon à l'autre ? Et peut-être au chat lui-même ?
Animals (Philosophy) --- Human beings --- Animal nature --- French philosophy --- 20th-21st centuries --- Animal nature of human beings --- Philosophical anthropology --- Philosophy --- Metaphysics --- Animal. --- Animalité. --- Animals (Philosophy). --- Animaux (Philosophie). --- Conscience. --- Djur --- Homme --- Homme. --- Honte. --- Nudité. --- Philosophie. --- Teori, filosofi. --- Animal nature. --- Human beings - Animal nature --- Acqui 2006
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"The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer's experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the 'archive effect' as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin." -- Publisher's description
Stock footage. --- Archival materials. --- Experimental films --- Context effects (Psychology) --- Time in motion pictures. --- Motion pictures and history. --- Experimental films. --- Motion pictures. --- Time --- History and criticism. --- Stock footage --- Archival materials --- Time in motion pictures --- Motion pictures and history --- film --- filmgeschiedenis --- experimentele film --- archieven --- found footage --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- videogames --- 791.43 --- History and motion pictures --- Moving-pictures and history --- History --- Motion pictures --- Materials, Archival --- Archives --- Manuscripts --- Found footage (Motion pictures, television, etc.) --- Library film --- Library shots (Motion pictures, television, etc.) --- Motion picture stock materials --- Stock materials (Motion pictures, television, etc.) --- Stock shots (Motion pictures, television, etc.) --- Stockshots (Motion pictures, television, etc.) --- Television programs --- Video recordings --- Associations, Contextual (Psychology) --- Context (Psychology) --- Contexts (Psychology) --- Contextual associations (Psychology) --- Contextualism (Psychology) --- Effects, Context (Psychology) --- Psychology --- History and criticism --- Context effects (Psychology). --- 24.34 genres of film art. --- Geschichtsbild. --- Informationsvermittlung. --- Video. --- Dokumentärfilm --- Arkivmaterial i filmen. --- Dokumentärfilm. --- Teori, filosofi. --- Archiv. --- Bibel
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