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"The Star Trek franchise represents one of the most successful emanations of popular media in our culture. The number of books, both popular and scholarly, published on the subject of Star Trek is massive with more and more titles being printed every year. Very few, however, have looked at Star Trek in terms of the dialectics of humanism and post-humanism, the pervasiveness of advanced technology, and the complications of gender identity. In Drones, Clones and Alpha Babes, author Diana Relke sheds light on how the Star Trek narratives influence and are influenced by shifting cultural values in the United States, using these as portals to the sociopolitical and sociocultural landscapes of the U.S., pre- and post-9-11. From her Canadian perspective, Relke focuses on Star Trek's uniquely American version of liberal humanism, extends it into a broader analysis of ideological features, and avoids a completely positive or negative critique, choosing instead to honour the contradictions inherent in the complexity of the subject."
Star Trek television programs --- Television --- Humanism. --- Social aspects. --- Social aspects.
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Drones, Clones, and Alpha Babes considers the dialectics of humanism and post-humanism, the pervasiveness of advanced technology, and the complications of gender identity inherent in the Star Trek series franchise. Relke sheds light on how the Star Trek narratives influence and are influenced by shifting cultural values in the United States, using these as portals to the sociopolitical and sociocultural landscapes of pre-and post 9-11 United States.
Star Trek television programs --- Humanism --- Philosophy. --- Political aspects. --- Social aspects. --- History
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From early examples such as Star Trek and Sapphire and Steel to more contemporary shows including Life on Mars and The Vampire Diaries, time has frequently been used as a device to allow programme makers to experiment stylistically and challenge established ways of thinking. Time on TV provides a range of exciting, accessible, yet intellectually rigorous essays that consider the many and varied ways in which telefantasy shows have explored this subject, providing the reader with a greater understanding of the importance of time to the success of genre on the small screen.
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This book examines how contemporary media marketing has become the new myth-making and has reinforced the particular mythology of the gargantuan Star Trek franchise, across its current lifespan of more than 50 years. The author argues that the tools of promotional material and transmedia merchandising shape viewers' experiences of the hit television series, reinforcing its mythology that both recycles the narratives of classical heritage and looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960's series, the later additions such as Voyager and Discovery or J. J. Abrams' "reboot" films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base.
Star Trek television programs --- Star Trek films --- Myth in motion pictures. --- History and criticism. --- History and criticism.
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Star Trek television programs. --- Moment spaces. --- Space sciences. --- Interstellar travel. --- Espace-temps. --- Voyages interstellaires. --- Univers. --- Star trek (Television program) --- Star Trek --- Universe.
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"Depuis près de 50 ans, Star Trek compte des millions de fans à travers le monde. Mais cet univers de science-fiction n'est pas qu'un simple délassement. Il propose un idéal social reposant sur une organisation juridique et des règles de droit très élaborées, qui servent notamment de guide pour explorer des mondes étranges et découvrir de nouvelles civilisations dans la galaxie. Au fil des séries et des films, plusieurs dizaines d'intrigues constituent autant de cas susceptibles de donner lieu à une jurisprudence dans des domaines très variés du droit. Le capitaine Kirk peut-il ainsi déroger à la Directive première, clef de voûte légale de l'exploration spatiale, sans encourir la réprobation de Spock et les foudres de ses supérieurs ? L'androïde Data, qui sert sur l'Enterprise sous les ordres du capitaine Picard, est-il une personne ou une chose ? Le lieutenant Jadzia Dax, officier scientifique de la station Deep Space 9, peut-elle être déclarée pénalement responsable pour un crime qu'aurait commis le symbiote qu'elle porte en elle ? B'Elanna Torres, ingénieur en chef sur l'U S S. Voyager, doit-elle répondre devant un juge de simples pensées hostiles ? Du fin fond de l'espace, nos héros et nos héroïnes de Starfleet doivent affronter des situations aussi complexes qu'inédites, parfois dangereuses, et c'est bien souvent par l'application d'une règle de droit qu'ils trouvent une solution équitable et, si possible, sans violence."--Cover, page 4.
Star Trek (série télévisée) --- Science-fiction --- Droit --- Star Trek television programs. --- Justice, Administration of, on television. --- Law on television. --- Culture and law. --- Rule of law. --- Science fiction. --- Droit. --- Law on television --- Culture and law --- Rule of law --- Law --- Culture et droit --- Règle de droit --- Philosophy --- A la télévision --- Philosophie --- Star trek (Television program) --- Law and legislation.
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In Speculative Blackness, Andre M. Carrington analyzes the highly racialized genre of speculative fiction-including science fiction, fantasy, and utopian works, along with their fan cultures-to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Carrington's argument about authorship, fandom, and race in a genre that has been both marginalized and celebrated offers a black perspective on iconic works of science fiction. He examines the career of actor Nichelle Nichols, who portrayed the character Uhura in the original Star Trek television series and later became a recruiter for NASA, and the spin-off series Star Trek: Deep Space Nine, set on a space station commanded by a black captain. He recovers a pivotal but overlooked moment in 1950s science fiction fandom in which readers and writers of fanzines confronted issues of race by dealing with a fictitious black fan writer and questioning the relevance of race to his ostensible contributions to the 'zines. Carrington mines the productions of Marvel comics and the black-owned comics publisher Milestone Media, particularly the representations of black sexuality in its flagship title, Icon. He also interrogates online fan fiction about black British women in Buffy the Vampire Slayer and the Harry Potter series. Throughout this nuanced analysis, Carrington theorizes the relationship between race and genre in cultural production, revealing new understandings of the significance of blackness in twentieth-century American literature and culture.
American fiction --- Science fiction, American --- Race in literature. --- African Americans in mass media. --- African Americans in popular culture --- African American authors --- History and criticism. --- Race in literature --- African Americans in mass media --- History and criticism --- Science fiction [American ] --- Brandon, Carl Joshua --- Carr, Terry --- Star Trek television programs --- Barnes, Steven --- Icon (comic books) --- American fiction - African American authors - History and criticism --- Science fiction, American - History and criticism
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