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Der Heilige Sebastian hat viele Wandlungen durchlaufen: vom römischen Lokalheiligen zum kirchenweiten Schutzpatron, vom würdigen Offizier zum schönen Jüngling, vom verehrten Fürsprecher zur universalen Ikone. Wenige christliche Heilige üben eine solche Faszination aus – eine Faszination, die über etablierte christliche Vorstellungen und Ausdrucksweisen weit hinausgeht. Das Buch unternimmt eine spannende theologische Spurensuche und bringt die unbekannten, vernachlässigten Facetten des außergewöhnlichen Heiligen ans Licht.
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This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types. These are the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.
Sociology of the family. Sociology of sexuality --- French literature (outside France) --- French literature --- LGBTQIA+ (lesbian, gay, bi, trans, queer, intersex and asexual) --- katholicisme --- katholieke kerk --- Genet, Jean --- Sebastian [s.] --- Flaubert, Gustave --- Eekhoud, Georges --- France --- Belgium
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This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types. These are the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.
Sociology of the family. Sociology of sexuality --- French literature (outside France) --- French literature --- LGBTQIA+ (lesbian, gay, bi, trans, queer, intersex and asexual) --- katholicisme --- katholieke kerk --- Genet, Jean --- Sebastian [s.] --- Flaubert, Gustave --- Eekhoud, Georges --- France --- Belgium
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Fonds Suzan Daniel (FSD)
schuttersgilde --- guilds --- Art --- Sebastian [s.] --- Sebastian, --- Sébastien, --- Art, Belgian. --- Art, Dutch. --- Sebastian --- Sint-Sebastiaan (heilige) --- Sint-Sebastiaan (x) --- martelaars --- Dutch art --- Ploeg (Group of artists) --- Sebastian Saint --- Sebastian. --- Sébastien, --- Art, Belgian --- Art, Dutch --- heiligenverering --- iconografie --- iconografisch materiaal --- #GGSB: Kerkelijke biografieen --- #GGSB: Religieuze kunst --- Belgian art --- Sint-Martens-Latem (Group of artists) --- XX (Group of artists) --- Zwarte Panter (Group of artists) --- Sebastiano, --- Sebastianus, --- Sebastião, --- Sevastīan, --- Art. --- Exhibitions --- historische figuren --- christelijke iconografie --- religieuze kunst --- Exposition --- Expositions --- Sebastian (Saint) ca. 265-288 --- Nieuwe Ploeg (Group of artists) --- Christian religion --- Iconography --- Kerkelijke biografieen --- Religieuze kunst --- Sebastianus m. Romae --- Sebastian, - Saint - Art - Exhibitions --- Sebastian, - Saint - Exhibitions --- Christian special devotions --- Christian church history --- Sociology of cultural policy --- Folklore --- heiligen --- Sint-Sebastiaan (heilige). --- Sebastien (saint) --- Martyrs chretiens --- Iconographie --- Sebastian, - Saint
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