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Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season.

Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- Satie, Erik, --- Satie, Erik Alfred Leslie, --- Satie, Éric, --- Satie, Alfred Erik Leslie, --- Sati, Ėrik, --- Sati, Ė. --- Erik Satie. --- French composers. --- French music. --- World War I. --- classical music. --- genre. --- music studies. --- musicology. --- nineteenth century French music. --- performance studies. --- piano.

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Christianity in literature --- Epic literature, Ossetic --- Epic poetry, Caucasian --- Heroes in literature --- Ossetes --- Ossetic language --- Āsī language --- Oseti language --- Osi language --- Ossete language --- Ossetian language --- Ūsatī language --- Iranian languages --- Ossetians --- Ossets --- Ethnology --- Iranians --- Caucasian epic poetry --- Caucasian poetry --- Ossetic epic literature --- Ossetic literature --- History and criticism --- Religion --- Etymology&delete& --- Glossaries, vocabularies, etc --- Abaev, V. I. --- Etymology

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Larra, Mariano José de, --- Bibliography --- Criticism and interpretation --- Larra, Mariano José de, --- Larra, Mariano Jose de --- -Larra, Mariano Jose de --- -Bibliography --- Bibliography. --- Criticism and interpretation. --- Duende Satírico, --- Larra, José de, --- De Larra, Mariano José, --- Fígaro, --- Larra (Mariano José de). (Mélanges) --- Larra (Mariano José de). (Versch. onderwerpen) --- Arriala, Ramón de,‏ --- De Arriala, Ramón,‏ --- Larra, Mariano José de, - 1809-1837 - Criticism and interpretation --- Larra, Mariano José de, - 1809-1837 - Bibliography --- Larra, Mariano José de, - 1809-1837

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This special issue presents discussions of the role and meaning of religion for Korean society. Covering wide-ranging time periods, the authors explores with their own cases four major characteristics of Korean religion: Creativity, Greater Responsiveness, Adaptability, and Prophethood. Their topical religious traditions include Neo-Confucianism, Christianity, Buddhism, and Korean new religious movements.

Joseon Korea --- confessional perspective --- moral psychology --- the Four–Seven Debate --- modernization and Buddhism --- Korean Buddhism --- Gukgajochangidohoe (Korean National Prayer Breakfast) --- semantics --- public culture --- Sati-Sisimma --- secularization --- South Korea --- equalization policy --- Tasan Jeong Yag-Yong --- han --- patriotic Buddhism --- critical theory --- respect (chonjon/zunzun) --- Confucianism --- Tongdok --- H? Mok --- Jeong Yag-Jong --- teaching rights of religion --- Candlelight Revolution --- aging monks --- Korean religion --- theistic turn --- Pansori --- spirituality --- integral mission --- popular sovereignty --- controversy on mourning attire --- Western Learning --- metaphysical pathos --- education for monks --- moral metaphysics --- scriptures --- affection (chinchin/qinqin) --- Korean Ganhwa Seon --- Yun Hyu --- Korean Christianity --- Satipa??h?na --- Korean Neo-Confucianism --- counter-illumination --- educational innovation --- religious education --- li-ki metaphysics --- Confucian democracy --- pluralism --- Bible --- li and qi --- bare attention --- ecclesiastical social responsibility --- Shin Hudam --- liberation theology --- religion and constitution --- marriage of monks --- Song Siy?l --- the Jogye Order --- impeachment --- Chan/Seon/Zen --- religiousness of confucianism --- mindful hwadu Sisimma --- religion and state --- minjung --- decreased number of monks --- minjungshinhak --- korean confucianism --- civil society --- prophetic consciousness --- non-confessional perspective --- Chos?n Dynasty --- minjung theology --- performance --- Korean Protestants --- secularization theory --- religion and human rights --- bibliodrama --- all-embracing Buddhism --- three-year mourning --- Buddhism --- Religion and sociology --- Korea --- Religious life and customs. --- Civilization --- Confucian influences. --- Buddhist influences. --- Religion and society --- Religious sociology --- Society and religion --- Sociology, Religious --- Sociology and religion --- Sociology of religion --- Sociology --- Religions