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French literature --- Literary rhetorics --- retoriek --- Rhetoric --- History --- Français (Langue) --- Rhétorique --- Retorik --- 20th century --- Congresses --- Historiography --- Rhetoric - France - History
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The Greek rhetorician Dionysius of Halicarnassus was active in Augustan Rome. For a long time, modern scholars have regarded him as a rather mediocre critic, whose works were only interesting because of the references to earlier scholars and the citations of literary fragments. By interpreting Dionysius’ views within the context of his rhetorical programme, this book shows that Dionysius was in fact an intelligent scholar, who combined theories and methods from various language disciplines and used them for his own practical purposes. His rhetorical writings not only inform us about the linguistic knowledge of intellectuals at the end of the first century BC, but also demonstrate the close connections between philology, technical grammar, philosophy, music studies and rhetoric.
Rhetoric, Ancient. --- Greek language --- Greek literature --- Rhétorique ancienne --- Grec (Langue) --- Littérature grecque --- Grammar. --- Grammaire --- Dionysius, --- Rhetoric, Ancient --- Criticism and interpretation --- Grieks. --- Filologie. --- Grekiska språket --- grammatik. --- retorik. --- Dionysios från Halikarnassos, --- Criticism and interpretation. --- analys och tolkning. --- Grammatik. --- Retorik. --- Rhétorique ancienne --- Littérature grecque --- Ancient rhetoric --- Classical languages --- Greek rhetoric --- Latin language --- Latin rhetoric --- Grammar --- Rhetoric --- Denys, --- Dionigi, --- Dionisio, --- Dionizjusz, --- Dionysios, --- Halicarnassus, Dionysius of --- Διονύσιος, --- Pseudo-Dionysius, --- Denys d'Halicarnasse --- Dionigi di Alicarnasso --- Dionysius Halicarnaseus --- Dionysius van Halicarnassus --- Dionysius, - of Halicarnassus - Criticism and interpretation --- Dionysius, - of Halicarnassus
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"In the Middle Ages, liturgies, books, song, architecture and poetry were performed as collaborative activities in which performers and audience together realized their work anew. Essays by leading scholars analyse how the medieval arts invited and delighted in collaborative performances designed to persuade. The essays cast fresh light on subjects ranging from pilgrim processions within Chartres Cathedral, to polyphonic song, and the 'rhetoric of silence' perfected by the Cistercians. Rhetoric is defined broadly in this book to encompass its relationship to its sister arts of music, architecture, and painting, all of which use materials and media in addition to words, sometimes altogether without words. Contributors have concentrated on those aspects of formal rhetoric that are performative in nature, the sound, gesture, and facial expressions of persuasive speech in action. Delivery (performance) is shown to be at the heart of rhetoric, that aspect of it which is indeed beyond words"--Provided by publisher.
Literary rhetorics --- anno 500-1499 --- Rhetoric, Medieval. --- Rhétorique médiévale --- Mittelalter --- Künste --- Rhetorik --- Konst --- Retorik --- Performativität (Kulturwissenschaften) --- Kunst. --- Künste. --- Literatur. --- Mittelalter. --- Musik. --- Rhetorik. --- historia --- Kunst --- Musik --- Literatur --- Geschichte 500-1500. --- Geschichte 0600-1500. --- Performativität (Kulturwissenschaften). --- Rhétorique médiévale --- Historia --- Rhetoric, Medieval --- Logic --- Art --- Rhetorique du moyen-age
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