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The new media environment has challenged the role of professional journalists as the primary source of politically relevant information. After Broadcast News puts this challenge into historical context, arguing that it is the latest of several critical moments, driven by economic, political, cultural and technological changes, in which the relationship among citizens, political elites and the media has been contested. Out of these past moments, distinct 'media regimes' eventually emerged, each with its own seemingly natural rules and norms, and each the result of political struggle with clear winners and losers. The media regime in place for the latter half of the twentieth century has been dismantled, but a new regime has yet to emerge. Assuring this regime is a democratic one requires serious consideration of what was most beneficial and most problematic about past regimes and what is potentially most beneficial and most problematic about today's new information environment.
Mass media --- Broadcast journalism --- Press and politics --- Popular culture --- Democracy --- Political aspects --- #SBIB:309H1025 --- #SBIB:309H271 --- Broadcast news --- News broadcasting --- Broadcasting --- Journalism --- Press --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Mediaboodschappen met een informatieve functie --- Politieke communicatie: toepassingsgebieden --- RecreationPolitical aspects --- Culture --- Social Sciences --- Political Science --- Mass media - Political aspects - United States --- Broadcast journalism - Political aspects - United States --- Press and politics - United States --- Popular culture - Political aspects - United States --- Democracy - United States
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" Bienvenue dans le désert du Réel "... (;'C'est ainsi que Morpheus, dans le film Matrix, introduisait un Néo stupéfié à la "vraie réalité " d'un monde dévasté : un ground zero planétaire. Slavoj Zizek se propose d'analyser les investissements pulsionnels et idéologiques qui ont façonné notre nouvel ordre mondial depuis l'effondrement des tours du world Trade (center, le 11 septembre 2001 à New York. La tâche critique consiste aujourd'hui à replacer l'événement dans le contexte des antagonismes du capitalisme mondial. Le vrai choc des civilisations pourrait, dans cette perspective, se révéler n'être qu'un choc à l'intérieur de chaque civilisation. I : alternative idéologique opposant l'univers libéral, démocratique et digitalisé, à une radicalité prétendument " islamiste " ne serait en définitive qu'une fausse opposition, masquant notre incapacité à percevoir les vrais enjeux politiques contemporains. Le seul moyen de nous extraire de l'impasse nihiliste à laquelle nous réduit cette fausse alternative est une sortie de la démocratie libérale, de son idéologie multiculturaliste , tolérante et postpolitique.
September 11 Terrorist Attacks, 2001 --- World politics --- Political science --- Attentats du 11 septembre 2001, Etats-Unis --- Politique mondiale --- Science politique --- Influence --- Philosophy --- Philosophie --- Culture et psychanalyse --- Démocratie --- Terrorisme --- Globalization --- September 11 Terrorist Attacks, 2001. --- War on Terrorism, 2001-2009. --- Mass media --- Popular culture --- Political aspects. --- Political aspects --- Social aspects --- United States --- Politics and government --- Foreign relations --- Social conditions --- Globalization - Political aspects. --- Mass media - Political aspects - United States. --- Popular culture - Political aspects - United States. --- Mass media - Social aspects - United States. --- Popular culture - United States. --- United States - Politics and government - 2001-2009. --- United States - Foreign relations - 2001 --- -United States - Social conditions - 1980 --- -September 11 Terrorist Attacks, 2001 --- -Terrorisme
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Commentators and artists attempting to represent the events of September 11, 2001, struggle to create meaning in the face of such powerful experiences. This collection of essays offers critical insights into the discourses that shape the memory of 9/11 in the narrative genres of comics, literature, film, and theatre. It examines historical, political, cultural, and personal meanings of the disaster and its aftermath through critical discussions of Marvel and New Yorker comics, American and British novels, Hollywood films, and the plays of Anne Nelson.
Comic books, strips, etc. --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in literature --- September 11 Terrorist Attacks, 2001, in motion pictures --- September 11 Terrorist Attacks, 2001, in mass media --- Popular culture --- History and criticism --- Political aspects --- History --- 11 septembre 2001, Attentats du (États-Unis) --- Culture de masse --- Au cinéma --- Dans la littérature --- Au théâtre --- Dans les médias --- Aspect politique --- Au cinéma. --- Dans la littérature. --- Au théâtre. --- Dans les médias. --- Comic books, strips, etc. - History and criticism --- September 11 Terrorist Attacks, 2001 - Caricatures and cartoons --- Popular culture - Political aspects - United States - History - 21st century
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