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Playing multipart music : solo and ensemble traditions in Europe : European Voices IV
Authors: ---
ISBN: 3205214102 3205214099 Year: 2022 Publisher: Wien : Böhlau Verlag,

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European Voices IV presents new perspectives on two basic performance styles of traditional music of Europe: 1) Solo playing on single instruments with the possibility for multipart texture, for instance different bagpipes and bowed instruments. 2) Practices of playing in small ensembles with a leading role of the violin and later of wind instruments, widespread in Central and Eastern Europe. 14 renowned ethnomusicologists from eleven countries offer new insights on style, repertoire, ways of musical thinking and performance behaviour. Their studies are based on historical sources as well as of a vivid exchange with local musicians during in-depth ethnographic fieldwork.


Book
The Pro Arte Quartet : a century of musical adventure on two continents
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ISBN: 1787441458 158046906X Year: 2017 Publisher: Rochester : University of Rochester Press,

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An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.


Periodical
Performance practice review.
Author:
ISSN: 21668205 Year: 1988 Publisher: Claremont, CA : [Claremont, CA] : Claremont Graduate School : 1988-<1997> [Claremont Graduate University] : [Claremont Colleges Library]

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Organising music
Authors: ---
ISBN: 9781139644365 9781107040953 9781107421677 9781316247594 1316247597 113964436X 1316251381 9781316251386 1107040957 1316255174 1316234363 1316236250 1316253279 1316249492 1107421675 1316245705 1322561060 9781322561066 Year: 2015 Publisher: Cambridge Cambridge University Press

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Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of 'tales from the field', including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate students and researchers in the fields of organisation studies, music management and the creative industries.


Book
Dirigierende Maschinen : Musik mit technikgestützter Tempovermittlung
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ISBN: 3732865045 3837665046 9783732865048 Year: 2022 Publisher: Bielefeld : transcript Verlag,

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In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.

Musical performance
Author:
ISBN: 9780521783002 0521783003 0521788625 9780511811739 9780521788625 1107129370 1282389378 9786612389375 0511643209 0511077807 0511557094 051181173X 0511202881 0511076231 9780511077807 0511074697 9780511074691 9780511076237 9780511643200 9780511557095 9780511202889 6612389370 9781107129375 9781282389373 Year: 2002 Publisher: Cambridge Cambridge University Press

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This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'.

Introduction to the art of singing
Authors: --- ---
ISBN: 052145428X 052103101X 113908559X 0511518307 0511834438 Year: 1995

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Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola added his own running commentary. The Introduction was recognized as invaluable not only for teachers and their pupils but also for advanced singers and professionals. This present edition, translated with introduction and annotations by the celebrated singer Julianne Baird, makes Agricola's work available in English. Tosi's work was the first basic treatise on singing; Agricola, a pupil of J. S. Bach at the court of Frederick the Great, brought Tosi's work 'up to date'. His commentaries are so extensive that the Introduction stands on its own as an important document in the history of performance practice.


Periodical
Per musi : revista de performance musical.
Author:
ISSN: 23176377 15177599 Year: 2000 Publisher: Belo Horizonte, MG : Pós-Graduação Escola de Música, Universidade Federal de Minas Gerais,


Book
Henryk Wieniawski : composer and virtuoso in the musical culture of the XIX and XX centuries
Authors: ---
ISBN: 8390846268 Year: 2001 Publisher: Poznań : Rhytmos,

The practice of performance : studies in musical interpretation
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ISBN: 0521453747 0521619394 051155236X Year: 1995 Publisher: Cambridge : Cambridge University Press,

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The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.

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