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Yes, it looks like you've been anything but an iconophile in this business, where words stack up as much on one side as pictures on the other.Robert Morris, "Professional Rules"This collection of articles explores the work of Robert Morris through the prism of writing, thus offering a new reading of a central work of the visual arts since the sixties, in turn associated with minimalism, conceptualism or land art again.Although Morris is often called a theorist, his written work involves a wide variety of genres, from art criticism to fiction and autobiography. Apart from this practice of language, the written word inserted in his prints, sculptures, performances and installations weaves a tight network between text and plastic work. This book brings together contributions from art historians, literary scholars, philosophers, but also filmmakers and writers.
Semiotics and art --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Morris, Robert, --- Criticism and interpretation. --- Art and semiotics --- Art --- Morris (Robert) --- visual arts --- philosophy --- aesthetics
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An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.
Choreographers --- Dancers --- Forti, Simone. --- Morris, Simone --- Whitman, Simone --- ARTS/Art History/General --- ARTS/General --- Danse --- Chorégraphie --- Années 1960 --- Forti, Simone --- Morris, Robert --- Choreographers. --- Dancers. --- Koreografer. --- United States. --- Ballet --- History
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Conceptual --- Art styles --- Kosuth, Joseph --- Morris, Robert --- Barry, Robert --- Darboven, Hanne --- Kawara, On --- Weiner, Lawrence --- Art & Language --- anno 1900-1999 --- Conceptual art --- Art conceptuel --- Exhibitions. --- Expositions --- Artiste --- Art & language --- Anti-form --- An-esthetisme --- Art, American --- Art, Modern --- On Kawara --- 20e siècle --- Exhibitions --- Conceptual art - United States - Exhibitions --- Art, American - 20th century - Exhibitions --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions
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philosophy of art --- art [fine art] --- public spaces --- art theory --- Iconography --- Art --- Raynaud, Patrick --- Buren, Daniel --- Morris, Robert --- Mullican, Matt --- Iconografie --- Kunst --- kunst --- kunsttheorie --- openbare ruimten --- kunstfilosofie --- Art dans la rue --- Art public --- Art urbain --- Espaces publics --- Public art --- art [discipline] --- kunst in de openbare ruimte
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L'art du XXIe siècle est né sous le signe de l'émotion : le pathos et le rire, les stimulations sensorielles et l'empathie sont aujourd'hui les modes d'adresse privilégiés par les artistes. Au travers d'une analyse très documentée de la scène artistique contemporaine, Catherine Grenier met en lumière le passage "du concept à l'affect" dont témoignent des œuvres qui réaniment les forces vives de la tragédie, du drame ou de la comédie. Enfants terribles de la modernité, héritiers de Goya et de Shakespeare, les artistes convoqués par l'auteur répondent aux pulsions dépressives de notre temps par une interpellation directe du spectateur. Le trauma, la Vanité, le grotesque, l'animalité, l'immaturité sont les zones d'exploration dans lesquelles l'art nous invite à renouer avec une forme de connaissance sensible : la connaissance pathétique. Source : quatrième de couverture
Emotions in art --- Empathy in art --- Art, Modern --- Art --- Critique d'art --- Boltanski, Christian --- Cattelan, Maurizio --- Doig, Peter --- Goya, Francisco De --- Huyghe, Pierre --- Messager, Annette --- Morris, Robert --- 21e siècle --- 1945-.... --- Critique et interprétation --- 1990-.... --- Messager, Annette, --- Boltanski, Christian, --- Doig, Peter, --- Huyghe, Pierre, --- Cattelan, Maurizio, --- Critique et interprétation. --- Art, Modern - 21st century
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Beeldhouwkunst --- Catalogues d'expositions --- Sculpture --- Tentoonstellingscatalogi --- Exposition --- Hasselt --- kunst --- twintigste eeuw --- installaties --- land art --- beeldhouwkunst --- Aycock Alice --- Barry Robert --- Comte Pierre --- Dekkers Ger --- De Maria Walter --- Dibbets Jan --- Flanagan Barry --- Gilliam Scott --- Harris Suzanne --- Heizer Michael --- Huebler Douglas --- Long Richard --- Matta-Clark Gordon --- Mooney John --- Morris Robert --- Oppenheim Dennis --- Pierce James --- Simonds Charles --- Smithson Robert --- Sonfist Alan --- Willats Stephen --- Vazan Bill --- 73.036 --- 712.01 --- Natuur --- Land art --- Histoire du cinéma --- avant-gardefilm --- Kubelka Peter --- Films expérimentaux --- film --- experimentele film --- underground --- 791.43 --- CDL --- Exhibitions --- Experimental films --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- Film --- Exhibitions. --- Expositions --- Experimental films - Exhibitions --- CINEMA --- FILMOGRAPHIE --- HISTOIRE
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A partir de la présentation de près de 70 oeuvres, de Man Ray à Jeff Wall en passant par Ugo Mulas, cette exposition explore le sens de la photographie aujourd'hui à travers ses techniques, ses matériaux, les sources d'inspiration des photographes, etc.
Photography --- Photographie --- Philosophy --- Philosophie --- Photographes --- Musée national d'art moderne-Centre de création industrielle $c Paris --- fotografie --- twintigste eeuw --- eenentwintigste eeuw --- fotografietheorie --- fotografische techniek --- Beuys Joseph --- Brassaï --- Campeau Michel --- Citroen Paul --- Garnell Jean-Louis --- Gerz Jochen --- Gordon Douglas --- Hermanowicz Mariusz --- Hilliard John --- Karquel Gaston --- Kertész André --- Lerner Nathan --- Man Ray --- Morell Abelardo --- Morris Robert --- Mulas Ugo --- Oppenheim Denis --- Paolini Giulio --- Paradeis Florence --- Rautert Imm --- Robakowski Jozef --- Roche Denis --- Saudek Jan --- Tosani Patrick --- Wall Jeff --- Welling James --- 77.01 --- Exhibitions --- Musée national d'art moderne-Centre de création industrielle --- Analyse de l'art --- Pop art --- Postmodernisme --- Art conceptuel --- Art contemporain --- Avant-garde
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video art --- Film --- Hard-edge --- History --- earthworks [sculpture] --- Conceptual --- environmental art --- Art --- performance art --- Action painting --- art history --- art [fine art] --- Pop [fine arts styles] --- Art styles --- happenings --- Minimal --- Vostell, Wolf --- Whitman, Robert --- Rauschenberg, Robert --- Stout, Myron --- Brecht, George --- Kaprow, Allan --- Dine, Jim --- Newman, Barnett --- Mondriaan, Piet --- Morris, Robert --- Young, La Monte --- Duchamp, Marcel --- Pollock, Jackson --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- anno 1970-1979 --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- United States --- New York City --- art [discipline] --- United States of America
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Contextualité --- Artiste --- Environnement, art plastique --- Land art --- Art, Modern --- Earthworks (Art) --- Environment (Art) --- Nature (Aesthetics) --- Themes, motives --- Smithson, Robert --- Penone, Giuseppe --- Long, Richard --- Laib, Wolfang --- Goldsworthy, Andy --- Gette, Paul-Armand --- Fulton, Hamish --- De Maria, Walter --- Beuys, Joseph --- 20e siècle --- Environnement (Art) --- Rapport culture-nature --- Colette Garraud --- kunst en natuur --- Hamilton Finlay Ian --- Fulton Hamish --- Gette Paul-Armand --- Goldsworthy Andy --- Laib Wolfgang --- Nash David --- Clareboudt Jean --- Holt Nancy --- Turrell James --- Nils-Udo --- Installation-art --- Photographie --- Sculpture --- Finlay, Ian Hamilton --- Laib, Wolfgang --- Landart --- Art --- Nature (Esthétique) --- Themes, motives. --- Thèmes, motifs --- Smithson, Robert, 1938-1973 --- 7.038 --- beeldhouwkunst --- Beuys Joseph --- Blocher Sylvie --- De Maria Walter --- fotografie --- Graham Dan --- installaties --- kunst --- land art --- Long Richard --- Merz Mario --- Morellet François --- Morris Robert --- Oppenheim Dennis --- Penone Giuseppe --- Smithson Robert --- twintigste eeuw --- Art and nature --- Nature and art --- Aesthetics --- Assemblage (Art) --- Earth art --- Earth scale art --- Conceptual art --- Subjects --- Goldsworthy, Andy, --- 700 --- kunst algemeen --- art généralités --- Art, Modern - 20th century - Themes, motives --- Goldsworthy, Andy, 1956 --- -Gette, Paul-Armand
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ruimtelijke kunst --- Art styles --- Minimal --- minimal art --- Beeldende kunst 20ste eeuw Minimal Art --- Minimalisme --- Andre, Carl --- Flavin, Dan --- Judd, Donald --- Lewitt, Sol --- Morris, Robert --- Licht neon --- 7.038 --- edited by James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Halley Peter --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Siegel Jeanne --- Smith Tony --- Smithson Robert --- Sontag Susan --- Stella Frank --- Tillim Sydney --- Truitt Anne --- Wagstaff Jr. Samuel J. --- kunst 20e eeuw --- 7.036 --- Kunstgeschiedenis 1950 - 2000 --- kunstgeschiedenis - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e eeuw-vroege 20e eeuw --- Minimal art --- Baer, Jo --- Novros, David --- Mogensen, Paul --- Truitt, Anne --- Humphrey, Ralph --- Smith, Tony --- Bladen, Ronald --- McCracken, John Harvey --- Bell, Larry --- Maria, de, Walter --- Beeldende kunst ; 20ste eeuw ; Minimal Art --- Licht ; neon --- Kunstgeschiedenis ; 1950 - 2000 --- History --- Painting --- Art --- Sculpture --- installations [visual works] --- art history --- art [fine art] --- painting [image-making] --- sculpting --- Stella, Frank --- Smithson, Robert --- Ryman, Robert --- Hesse, Eva --- Marden, Brice --- Martin, Agnes --- Mangold, Robert Peter --- LeWitt, Sol --- Chicago, Judy --- anno 2000-2099 --- anno 1900-1999 --- United States --- Art [Modern ] --- 20th century --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Baer, Josephine Gail --- art [discipline] --- MODERN ARTS --- MINIMALISM --- 20th CENTURY
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