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Monteverdi and the end of the Renaissance
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ISBN: 0193151510 Year: 1987 Publisher: Oxford : Clarendon Press,

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Pierre Henry
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ISBN: 2213007926 9782213007922 Year: 1980 Publisher: Paris : Arthème Fayard,


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Schumann und Eichendorff: Studien zum Liederkreis Opus 39
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ISBN: 3883775223 Year: 1997 Publisher: München Text + Kritik

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Brahms's A German requiem : reconsidering its biblical, historical, and musical contexts
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ISBN: 1580469868 9781580469869 9781787446724 1787446727 1787449688 Year: 2020 Publisher: Rochester : University of Rochester Press,

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"Examines in detail the contexts of Brahms's masterpiece and demonstrates that--contrary to recent consensus--it was performed and received as an inherently Christian work during the composer's life"--


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Franz Schubert: Todesmusik
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ISBN: 388377572X Year: 1997 Publisher: München Text + Kritik

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Marin Marais
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ISBN: 2213027773 9782213027777 Year: 1991 Publisher: Paris : Arthème Fayard,

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Lettres sur la danse
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ISBN: 2859560424 9782859560423 Year: 1978 Publisher: Paris : Editions Ramsay,

Heinrich Schenker: une introduction
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ISBN: 2870095066 9782870095065 Year: 1993 Volume: *35 Publisher: Sprimont Mardaga


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Vivaldi et le concerto
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ISBN: 213038806X 9782130388067 Year: 1985 Volume: 2220 Publisher: Paris PUF


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Saint-Saëns and the stage : operas, plays, pageants, a ballet and a film
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ISBN: 9781108426381 9781108550925 9781108445092 Year: 2019 Publisher: Cambridge Cambridge University Press

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The stage works of Saint-Saens range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Saens's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Saens with his contemporaries is a colourful and important part of the story. --

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