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The German mezzo-soprano and celebrated singing teacher Mathilde Marchesi (1821-1913) presents an illuminating account of her life in these memoirs. First published in 1897, the book reflects the significant role that Marchesi played in vocal education during the nineteenth and early twentieth centuries. Having begun her career as a performer, from 1854 she devoted herself to teaching at the Vienna Conservatory and also in Paris and Cologne. She instructed many of the pre-eminent female singers of the age, including Nellie Melba, Mary Garden and Emma Calvé. Also renowned for bringing the Italian bel canto vocal technique into the twentieth century, Marchesi occupied a prominent position in musical history. Featuring musical excerpts and a number of other illustrations, these memoirs record her outstanding achievements and strong opinions. The work also includes a brief introduction by the French composer Jules Massenet.

Voice teachers --- Singers --- Marchesi, Mathilde, --- Singing teachers --- Music teachers --- Vocal coaches --- Marchesi, Mathilde Graumann, --- Marchesi de Castrone, Mathilde, --- Castrone, Mathilde Marchesi de, --- Castrone-Marchesi, Mathilde de, --- Graumann, Mathilde,

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Arbey, mathilde (1890-1966) --- Miniot, maurice --- Arbey, mathilde (1890-1966) --- Miniot, maurice

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Les fiancailles et le mariage de Philippe et Mathilde ont bénéficié d'un éclairage médiatique exceptionnel, à la hauteur de l'événement. Six auteurs aux points de vue différents (deux historiens, deux anthropologues, un politologue et un professionnel des médias) tentent de décrypter la signification politique, historique et sociale du mariage princier dans la Belgique d'aujourd'hui. Comment les médias ont-ils traité le sujet ? Comment la population a-t-elle vécu les cérémonies ? Au-delà de l'image lisse et nette, quelles valeurs et quels intérêts sont en jeu dans ce mariage d'exception ?

Mariages royaux et nobles --- Monarchie --- Mathilde (reine des Belges ; 1973-....)

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The German poet Mathilde Wesendonck (1828-1902), author of the texts of the Wesendonck Lieder, was the wife of Wagner's patron, the wealthy silk merchant Otto Wesendonck. From 1852 until 1858, the Wagners lived next to the Wesendoncks in Zurich and an intense relationship developed between Wagner and Mathilde, subsequently reflected in the impossible love at the heart of his opera Tristan und Isolde. Prepared by the American musicologist Gustav Kobbé (1857‒1918), who provides a helpful connecting narrative, this 1905 translation of a selection of 'the most intimate and striking' of Wagner's impassioned letters to Mathilde charts the course of the opera's creation. Written between 1853 and 1863, the letters show Wagner thinking aloud not only about Tristan but also the planning of Parsifal. As Mathilde's letters to Wagner were destroyed, the exact nature of their relationship and of her inspiration musically will never be fully established.

Composers --- Wagner, Richard, --- Wesendonck, Mathilde, --- Relations with women. --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Wesendonk, Mathilde, --- Wesendonck, Mathilde Luckemeyer, --- Luckemeyer, Mathilde, --- Vezendonk, Matilʹda, --- Wesendonck, Agnes, --- Wesendonk, Agnes, --- Luckemeyer, Agnes,

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Christian women saints --- Saintes chrétiennes --- Biography --- Biographie --- Mathilde, --- Germany --- Allemagne --- History --- Histoire --- -Christian saints, Women --- Women Christian saints --- Christian saints --- Women saints --- Mathilde Queen, consort of Henry I, Emperor of Germany --- -Christian women saints --- Biography. --- Matilda, --- -Biography --- Saintes chrétiennes --- Christian saints, Women --- Mathilde --- Christian women saints - Germany - Biography --- ALLEMAGNE --- HISTOIRE --- 10E SIECLE --- BIOGRAPHIES