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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.

Iconography --- Mary Magdalene --- Christian art and symbolism --- Christian women saints in art --- Art et symbolisme chrétiens --- Saintes chrétiennes dans l'art --- Mary Magdalene, --- Art --- 225-055.2 --- 246 "04/14" --- 246 "15/17" --- Vrouwen in het Nieuwe Testament --- Christelijke kunst en symbolisme--Middeleeuwen --- Christelijke kunst en symbolisme--Nieuwe Tijd --- Maddalena, --- Madeleine, --- Magdaghinē, --- Magdalene, --- Maria Maddalena, --- Maria Magdalena, --- Mariam Magdaghenatsʻi, --- Marie Madeleine, --- Mary Magdalen, --- 225-055.2 Vrouwen in het Nieuwe Testament --- Maryam al-Majdalīyah, --- Art et symbolisme chrétiens --- Saintes chrétiennes dans l'art --- Art. --- Christian art and symbolism. --- ART / Subjects & Themes / Religious --- Saints. --- Persons --- Maria Magdalena --- Iconographie --- Mary Magdalene, - Saint - Art --- Mary Magdalene, - Saint

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Literature, Medieval. --- Littérature médiévale --- Mary Magdalene, --- Mary Magdalene --- Literature [Medieval ] --- Literatuur [Middeleeuwse ] --- Middeleeuwse literatuur --- 225-055.2 --- 235.3*12 --- Vrouwen in het Nieuwe Testament --- Hagiografie: legenden --- 235.3*12 Hagiografie: legenden --- 225-055.2 Vrouwen in het Nieuwe Testament --- Literature, Medieval --- European literature --- Medieval literature --- Maddalena, --- Madeleine, --- Magdaghinē, --- Magdalene, --- Maria Maddalena, --- Maria Magdalena, --- Mariam Magdaghenatsʻi, --- Marie Madeleine, --- Mary Magdalen, --- Maryam al-Majdalīyah, --- In art. --- In literature. --- Christian church history --- anno 500-1499 --- In literature --- In art --- Maria Magdalena --- Mary Magdalene, - Saint - In literature --- Mary Magdalene, - Saint

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Parades --- Military ceremonies, honors and salutes --- Walloons --- History. --- Social life and customs. --- Mary Magdalene, --- Cult --- Belgium --- History --- Social life and customs --- Processions --- Marie-madeleine (sainte) --- Folklore wallon --- Belgique --- Wallonie --- Culte --- Maria Magdalena --- Jumet

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Examining innovations in Mary Magdalene imagery in northern art 1430 to 1550, Penny Jolly explores how the saints widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists and audiences responses to increasing religious tensions, expanding art markets, and changing roles for women. Using cultural ideas concerning the gendered and pregnant body, Jolly reveals how dress confirms the Magdalenes multivalent nature. In some paintings, her gowns opening laces betray her wantonness yet simultaneously mark her as Christs spiritually pregnant Bride; elsewhere undress reconfirms her erotic nature while paradoxically marking her penitence; in still other works, exotic finery expresses her sanctity while celebrating Antwerps textile industry. New image types arise, as when the saint appears as a lovesick musician playing a lute or as a melancholic contemplative, longing for Christ. Some depictions emphasize her intercessory role through innovative pictorial strategies that invite performative viewing or relate her to the mythological Pandora and Italian Renaissance Neoplatonism. Throughout, the Magdalenes ambiguities destabilize readings of her imagery while engaging audiences across a broad social and religious spectrum.

Painting --- pregnancy --- Iconography --- Mary Magdalene --- anno 1400-1499 --- anno 1500-1599 --- Painting, Flemish --- Painting, Northern European --- Women saints in art. --- Sin in art. --- Clothing and dress in art. --- Themes, motives. --- Mary Magdalene, --- Clothing and dress in art --- Sin in art --- Women saints in art --- Northern European painting --- Flemish painting --- Costume in art --- Themes, motives --- Maddalena, --- Madeleine, --- Magdaghinē, --- Magdalene, --- Maria Maddalena, --- Maria Magdalena, --- Mariam Magdaghenatsʻi, --- Marie Madeleine, --- Mary Magdalen, --- Maryam al-Majdalīyah, --- Maria Magdalena --- Nederlandse school --- zonde

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This book focuses on the 'Gospel of Mary' in the context of a broader analysis of early Christian dialogue gospels - a popular literary genre used to present Jesus as conversing with select disciples and answering a series of questions on life, death and the cosmos at the conclusion of his earthly career. Jesus' teachings in these texts can vary greatly, from affirming the resurrection of the flesh to denying it completely. This book highlights the diversity of perspective within this genre, bringing together New Testament, 'gnostic' and (proto-)orthodox texts. Yet each text is based on the premise that it contains new or clarified teaching from the risen or glorified Lord, often in the form of a final revelation concerned with the disciples' eschatological salvation. This book offers a fresh and in-depth analysis of the 'Gospel of Mary' in the context of the dialogue gospel genre, concentrating on the narrative frame, the eschatological teachings, and the relationship between the two.

Mary Magdalene, --- Gospel of Mary --- Criticism, interpretation, etc. --- 229*41 --- 229*41 Apocriefe evangeliën: Transitus Mariae; Pseudo-Matthaeus --- 229*41 Apocriefe evangeliën van Barnabas, Bartholomaeus, Philippus, Nicodemus, Matias, Jozef de timmerman, van de Ebionieten, de Hebreeën, de Egyptenaren --- Apocriefe evangeliën: Transitus Mariae; Pseudo-Matthaeus --- Apocriefe evangeliën van Barnabas, Bartholomaeus, Philippus, Nicodemus, Matias, Jozef de timmerman, van de Ebionieten, de Hebreeën, de Egyptenaren --- Maddalena, --- Madeleine, --- Magdaghinē, --- Magdalene, --- Maria Maddalena, --- Maria Magdalena, --- Mariam Magdaghenatsʻi, --- Marie Madeleine, --- Mary Magdalen, --- Maryam al-Majdalīyah, --- Kata Mariam apokryphon evangelion --- Evangelion kata Mariam --- Evangelion kata Marihamm --- Gospel according to Mary --- Evangile de Marie --- Maria Magdalena --- Mary Magdalene, - Saint.