Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The 'Three Colours Trilogy 'by Krzysztof Kieslowski (1941-1996) is generally regarded as a major triumph of European cinema. An examination of how the ideals of the French Revolution--liberty, equality and fraternity--have meaning in modern life, the trilogy combines visual elegance, narrative complexity, and virtuoso performances to extraordinary effect. In this highly personal appreciation of the trilogy, Geoff Andrew analyzes how Kieslowski used his command of the cinema to open up the inner lives of his characters and to chart the way in which these lives are ruled by unseen forces. For Andrew, the trilogy is a poignant, thrilling hymn to the resilience of compassion in the face of adversity. Tracing the links between the trilogy and Kieslowski's earlier work, he argues that 'Blue '(1993), 'White', and 'Red '(both 1994) are the summation of Kieslowski's art. This book, which concludes with one of the last interviews Kieslowski ever gave, is a tribute to an exceptional filmmaker.

Trois couleurs, blanc. --- Trois couleurs, bleu. --- Trois couleurs, rouge. --- Kieslowski, Krzysztof, --- Geoff Andrew --- Trois couleurs --- 791.471 KIESLOWSKI --- Motion pictures --- Cinéma --- History --- Histoire --- Kieślowski, Krzysztof, --- film --- filmgeschiedenis --- Kieslowski Krzysztof --- Polen --- Kieslowski, Krzysztof

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Selon Jean-Louis Leutrat, "les larmes sont un sujet éminemment cinématographique" . Connues pour leur faculté de purification, d'échange et d'union, les larmes permettent aux personnages de communiquer leurs désirs d'être accueillis les uns dans les autres. Mais de même, dans certains films, un combat constant entre les larmes et la séparation sert de moteur narratif et de référent visuel. Ces larmes peuvent être parfois dans l'incapacité de surgir. Une dynamique propre aux larmes permet ainsi de mieux saisir cette tension entre le besoin des personnages d'établir une union et une stratégie dominante de la séparation. Chez Douglas Sirk, Krzysztof Kieslowski et Ingmar Bergman, Dévoilement, communion et conversion sont les trois étapes de la dynamique engendrée. Dans cette dynamique, et dans la mise en crise des larmes, un transfert des larmes devient indispensable et se matérialise de différentes manières chez les trois cinéastes dont les œuvres offrent à cette donnée filmique une dimension visuelle et dramatique supplémentaire.

Larmes --- Pleurs --- Au cinéma. --- Cinéma -- Thèmes, motifs --- Au cinéma --- Thèmes, motifs --- Sirk, Douglas --- Kieslowski, Krzysztof --- Bergman, Ingmar --- Emotions in motion pictures. --- Tears --- Motion pictures --- Aesthetics. --- Sirk, Douglas, --- Kieślowski, Krzysztof, --- Bergman, Ingmar, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Entretiens dans lesquels le metteur en scène polonais analyse son travail sur les textes, son interprétation de Shakespeare, sa conception du travail des acteurs, l'Holocauste dans son travail, etc.

Theater --- Aesthetics --- Théâtre --- Esthétique --- Production and direction --- Production et mise en scène --- Warlikowski, Krzysztof, --- Theatre --- Production et mise en scene --- Esthetique --- Théâtre --- Esthétique --- Production et mise en scène --- Theatrical science --- regisseurs --- theater --- opera's (genre) --- Warlikowski, Krzysztof --- Warlikowski, Krzysztof (1962-....) --- Théâtre (genre littéraire) --- Théâtre polonais --- Entretiens --- Théâtre (genre littéraire) --- Théâtre polonais

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The book provides a comprehensive summary of the existing approaches to the prose poem and offers an original conception of it, remaining close to the poetic texts by following the intricate line of development of the prose poem, in Modern Polish and European literary history and literary genre theory.

Agnieszka --- atemporality --- Case --- cycle --- Genre --- genre theory --- Jakob --- Kluba --- Krzysztof --- lyricism --- Nycz --- Poem --- Poland --- Polish --- Prose --- prose poetry --- Ryszard --- Smólski --- Study --- subjectivity --- Ziguras

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A multi- and interdisciplinary collection of essays addressing ethical, political and aesthetic questions raised in the ten-film cycle Decalogue (1989) by Polish filmmaker Krzysztof Kieslowski.

Television programs --- Religion on television --- Moral and ethical aspects --- Television --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Television broadcasting --- Electronic program guides (Television) --- Television scripts --- Religion on television. --- Moral and ethical aspects. --- Kieślowski, Krzysztof, --- Keslevskiĭ, Kshishtof, --- Criticism and interpretation. --- Dekalog (Television program) --- Décalogue (Television program) --- Decalogo (Television program) --- Biblical intertext. --- Decalogue. --- Embodied experience. --- Krzysztof Kieslowski. --- dialogue. --- ethics in film. --- film cycle. --- moral unrest.