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Hermes trismegistus --- Kitab 'ard miftah an-nujum --- Edition critique
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Arabic language --- Grammar --- Terminology --- Indexes --- Dictionaries --- French --- Sībawayh, ʿAmr ibn ʿUthmān, --- French. --- Arabic language - Grammar - Terminology - Indexes --- Arabic language - Dictionaries - French --- Sībawayh, ʿAmr ibn ʿUthmān, - 8th cent. - al-Kitāb - Indexes --- Sībawayh, ʿAmr ibn ʿUthmān, - 8th cent. - al-Kitāb
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This Element looks at Old Delhi's Daryaganj Sunday Book Market, popularly known as Daryaganj Sunday Patri Kitab Bazaar, as a parallel location for books and a site of resilience and possibilities. The first section studies the bazaar's spatiality - its location, relocation, and respatialisation. Three actors play a major role in creating and organising this spatiality: the sellers, the buyers, and the civic authorities. The second section narrativizes the biographies of the booksellers of Daryaganj to offer a map of the hidden social and material networks that support the informal modes of bookselling. Amidst order and chaos, using their specialised knowledge, Daryaganj booksellers create distinctive mechanisms to serve the diverse reading public of Delhi. Using ethnography, oral interviews, and rhythmanalysis, this Element tells a story of urban aspirations, state-citizen relations, official and unofficial cultural economies, and imaginations of other viable worlds of being and believing.
Booksellers and bookselling --- Street vendors --- Secondhand trade --- Bazaars (Markets) --- Spatial behavior. --- Daryaganj Sunday Patri Kitab Bazaar --- History.
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Following Levita's statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an unprecedented comparison with the oldest Eastern and Ashkenazic sources to evaluate if the scribe paid more attention to aesthetic details than to the textual contents. In an unexpected way, the Masoretic notes of Elijah ha-Naqdan, even written in figurative forms, show a close philological link with the Masorah of the eastern Tiberian sources and prove that the presence of figurative elements neither represents a loss nor a distortion of Masoretic knowledge, but rather illustrates a development in the Masoretic tradition.
Masorah
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Judaism
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Religion
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Philosophy & Religion
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Masora
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Massora
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Massorah
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Masorah.
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Elijah ben Berechiah,
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Knowledge
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Elijah ben Berakhiah,
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Elijah b. Berakhiah,
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Elijah,
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Hebrew biblical manuscripts.
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Micrography.
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Biblioteca apostolica vaticana.
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Bible.
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Bibel
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Masoretischer Text
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Criticism, Textual.
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Altes Testament
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Masoretentext
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Massoretentext
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Konsonantentext
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Biblia
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Heilige Schrift
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Bible
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<
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Arabic literature --- BPB1009 --- 509.02 --- 535 --- Sciences History (500 - 1500) --- Sciences Optics --- Optique --- Ibn al-hayṯam, al-ḥasan ibn al-ḥasan (0965?-1039). kitāb fī al-manāẓir --- Ibn al-hayṯam, al-ḥasan ibn al-ḥasan (0965?-1039) --- 11e siècle --- Critique et interprétation
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The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī’s Kitāb al-Aghānī al-Kabīr ( The Grand Book of Songs ) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
Music --- Music. --- History and criticism. --- Abū al-Faraj al-Iṣbahānī, --- Kitāb al-aghānī (Abū al-Faraj al-Iṣbahānī) --- 500-1400 --- Arab countries. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Abū al-Faraj al-Iṣbahānī, --- Kitāb al-aghānī (Abū al-Faraj al-Iṣbahānī)
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Wycliffite's theology and learning examined in the context of their physical appearance in contemporary books and manuscripts.
284.3
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284.3 Hussieten. Hus. Wycliff. Taborieten. Calixtenen. Utramquisten. Horebieten
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Hussieten. Hus. Wycliff. Taborieten. Calixtenen. Utramquisten. Horebieten
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Christian heresies.
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Reformation.
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Lollards.
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Wycliffe, John,
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Influence.
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Bibel
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Lollarden-Bibel
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Poor priests
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Wiclifites
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Wyclifites
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Protestant Reformation
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Reformation
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Church history
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Counter-Reformation
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Protestantism
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Heresies, Christian
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Heresies and heretics
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Heresy
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Theology, Doctrinal
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Christian sects
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History
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Vicliffe, John,
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Viklef, Jan,
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Viklef, John,
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Viklif, Jan,
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Wickliffe, John,
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Wiclif, Johann von,
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Wiclif, John,
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Wicliffe, John,
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Wyclif, John,
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Wyclyf, John,
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Wykliffe, Johannes von,
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Lollard Bible
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Wyclif-Bibel
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Wyclif Bible
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Mittelenglisch
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Übersetzung
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Biblia
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Heilige Schrift
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Bible
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<
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This is a comparative study dealing with the maritime practices which prevailed in the Byzantine and Islamic worlds around the Mediterranean from 7-10 centuries C.E. and consists of seven chapters. The first chapter describes the physical and legal significance of the ship, computation of capacity, and the importance of naming commercial vessels. Chapter Two examines issues of ownership and possession of a vessel, the employment conditions of the crew, and the passengers' status on board ship. Carriage of cargo by sea and forms of contracts, liability of the lessor, shipping fees, and breach of contract are covered in Chapter Three. Jettison, average, and contribution are treated in Chapter Four. Chapter Five treats the laws of collision and the rules governing the salvage of jetsam, are surveyed in Chapter Six. The final chapter explains the legal differences between Byzantine and Islamic mercantile law and outlines the principles of the sea loan, chreokoinonia , and qirad.
Law, Medieval --- Maritime law (Islamic law) --- Maritime law (Roman law) --- Maritime law --- Law, Maritime --- Marine law --- Merchant marine --- Merchant ships --- Navigation --- Navigation laws --- Shipping --- International law --- Commercial law --- Law of the sea --- Roman law --- Islamic law --- Medieval law --- History --- Law and legislation --- Kitāb Akriyat al-Sufun wa-al-Nizāʻ bayna Ahlihā. --- Rhodian sea-law. --- Treatise concerning the leasing of ships and claims between contracting parties --- Nomos Rodiōn nautikos --- Lex Rhodia --- Law, Medieval. --- Droit maritime --- Droit maritime (droit islamique) --- Droit maritime (droit romain) --- Droit médiéval --- Histoire --- Jusqu'à 1500 --- Grèce --- Rhodes (Grèce ; île) --- Kitab Akriyat al-Sufun wa-al-Niza bayna Ahliha.
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The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.
Book history --- Graphic arts --- anno 1200-1299 --- Arab States --- Bestiaries --- Animals in art. --- Illumination of books and manuscripts, Arab. --- Islamic illumination of books and manuscripts. --- Illumination of books and manuscripts, Medieval --- History and criticism. --- Naʻt al-ḥayawān --- Geschichte 1200-1300. --- 091 =927 --- 091:61 --- 091.31:7.04 --- 091 "12" --- Handschriftenkunde. Handschriftencatalogi--Arabisch --- Handschriften i.v.m. geneeskunde --- Verluchte handschriften: iconografie --- Handschriftenkunde. Handschriftencatalogi--13e eeuw. Periode 1200-1299 --- 091 "12" Handschriftenkunde. Handschriftencatalogi--13e eeuw. Periode 1200-1299 --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:61 Handschriften i.v.m. geneeskunde --- 091 =927 Handschriftenkunde. Handschriftencatalogi--Arabisch --- Animals in art --- Illumination of books and manuscripts, Arab --- Islamic illumination of books and manuscripts --- Illumination of books and manuscripts, Islamic --- Muslim illumination of books and manuscripts --- Illumination of books and manuscripts --- Painting, Medieval --- Arab illumination of books and manuscripts --- Illumination of books and manuscripts, Arabic --- Illustrated books --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- History and criticism --- Naʻt al-ḥayawān --- Kitāb Naʻt al-ḥayawān --- Kitāb Nuʻūt al-ḥayawān --- Book on the characteristics of animals --- Arab states --- Kitāb Naʻt al-ḥayawān --- Manuscrits à peintures arabes --- Manuscrits à peintures islamiques --- Enluminure --- Animaux --- Bestiaires --- Pays arabes --- Dans l'art --- Moyen-âge --- Nat al-hayawan --- Manuscrits à peintures arabes --- Manuscrits à peintures islamiques --- Moyen-âge
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