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Sculpture --- anno 1200-1499 --- Burgundy --- Sculpture, French --- -Sculpture, Gothic --- -Sculpture, French --- -Sculpture, Medieval --- -Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Sculpture, Gothic --- -Sculpture --- Gothic sculpture --- Sculpture, French - - Burgundy - France --- -Sculpture, Gothic - - Burgundy - France --- Sculpture gothique --- Bourgogne (france) --- 15e siècle --- France
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Sculpture, Gothic --- Doorways, Gothic --- Portails gothiques --- Doorways --- Architecture, Gothic --- Gothic sculpture --- Sculpture, Medieval --- Portals --- Architecture --- Doors --- Porches --- Details --- Gothic architecture --- Christian antiquities --- Church architecture
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Church decoration and ornament --- -Sculpture, Gothic --- -Gothic sculpture --- Sculpture, Medieval --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- History --- -Church decoration and ornament --- Sculpture, Gothic --- -History --- Gothic sculpture --- Sculpture --- Wroclaw (Poland) --- 14th century --- Sculpture gothique --- Wroclaw (pologne)
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Doorways --- Sculpture, French --- Sculpture, Gothic --- Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Portals --- Architecture --- Doors --- Porches --- Themes, motives --- Details --- Cathédrale de Chartres. --- Notre-Dame (Cathedral : Chartres, France) --- Chartres, France. --- Notre-Dame de Chartres (Cathedral) --- Chartres Cathedral
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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts
Sculpture, Gothic --- Sculpture, Medieval --- Church architecture --- Sculpture gothique. --- Architecture gothique --- Christian art and symbolism --- Church doorways --- Themes, motives. --- Gothic sculpture --- Sculpture, Gothic - England --- Church architecture - England --- Church architecture - Europe
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"Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--
Violence --- Martyre --- Art médiéval --- Art, Medieval --- Dans l'art. --- Thèmes, motifs. --- Violence in art. --- Gothic painting. --- Gothic sculpture. --- courtly literature. --- gender. --- legal and juridical history. --- martyrdom. --- materiality. --- philosophy. --- response theory. --- rites of punishment. --- somaesthetics. --- theology. --- tortures. --- violence. --- visual culture.
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Church doorways --- Architecture, Gothic --- Sculpture, Gothic --- Portails d'églises --- Architecture gothique --- Sculpture gothique --- Themes, motives --- Thèmes, motifs --- Notre-Dame de Reims (Cathedral) --- Reims (France) --- Buildings, structures, etc --- Constructions --- Christian art and symbolism --- -Architecture, Gothic --- -Sculpture, Gothic --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Gothic sculpture --- Sculpture, Medieval --- Gothic architecture --- Church architecture --- Doorways --- Cathédrale de Reims --- Domkirche zu Reims --- Kathedrale in Reims --- Reims Cathedral --- Reims. --- -Buildings, structures, etc --- -Themes, motives --- Portails d'églises --- Thèmes, motifs --- -Gothic sculpture --- Art, Christian --- -Reims --- Rheims (France) --- Rhemes (France) --- Reims --- Buildings, structures, etc. --- Church doorways - France - Reims - Themes, motives --- Architecture, Gothic - France - Reims - Themes, motives --- Sculpture, Gothic - France - Reims - Themes, motives --- Christian art and symbolism - Medieval, 500-1500 --- Reims (France) - Buildings, structures, etc
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Sculpture, French --- -Sculpture, Gothic --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Gothic sculpture --- Sculpture, Medieval --- French sculpture --- Conservation and restoration --- -Conservation and restoration --- Abbaye de Saint-Denis (Saint-Denis, France) --- Royal Abbey of Saint-Denis (Saint-Denis, France) --- Saint-Denis, France (Benedictine abbey) --- Abbey of Saint-Denis (Saint-Denis, France) --- Saint-Denis (Abbey : Saint-Denis, France) --- Saint-Denis (France). --- Königsabtei Saint-Denis (Saint-Denis, France) --- Abtei Saint-Denis (Saint-Denis, France) --- Abteikirche St. Denis (Saint-Denis, France) --- Abbaye royale de Saint-Denis (Saint-Denis, France) --- Eglise abbatiale de Saint-Denis (Saint-Denis, France) --- Sculpture, Gothic --- Christian art and symbolism --- Visual Arts --- Art, Architecture & Applied Arts --- Sculpture --- -Gothic sculpture --- Art, Christian --- Art et symbolisme chrétiens --- Sculpture française --- Sculpture gothique --- Conservation et restauration --- Religious art --- Conservation and restoration. --- Symbolism in art
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Manufacturing technologies --- Sculpture --- Christian religion --- Art styles --- anno 1200-1499 --- France --- Column figures (Sculpture) --- Sculpture, Gothic --- Statues-colonnes (Sculpture) --- Sculpture gothique --- Figure sculpture, French --- Christian art and symbolism --- Art and society --- Church doorways --- History --- Sculpture gothique -- France --- Gothic sculpture --- Column-figure sculpture --- Column statues --- Sculpture, Medieval --- Church architecture --- Figure sculpture --- Details --- Sculpture, Gothic - France --- Christian art and symbolism - Medieval, 500-1500 --- Art and society - France - History - To 1500 --- Church doorways - France - History - To 1500
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Sculpture --- Iconography --- anno 500-1499 --- France --- Marginality, Social, in art --- Sculpture, Gothic --- Sculpture, Medieval --- Sculpture, Romanesque --- Marginalité dans l'art --- Sculpture gothique --- Sculpture médiévale --- Sculpture romane --- Themes, motives --- Thèmes, motifs --- -Sculpture, Medieval --- -Sculpture, Romanesque --- -Romanesque sculpture --- Gothic sculpture --- -Themes, motives --- Marginalité dans l'art --- Sculpture médiévale --- Thèmes, motifs --- Romanesque sculpture --- Sculpture, Gothic - France - Themes, motives --- Sculpture, Medieval - France - Themes, motives --- Sculpture, Romanesque - France - Themes, motives
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