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Diderot, Denis --- Goldoni, Carlo

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Goldoni, Carlo (1707-1793)

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Mirandolina est une aubergiste si gracieuse que tous ses hôtes en tombent amoureux, et prétendent la séduire par leurs titres, comme le Marquis de Forlipopoli, ou par leur argent, comme le Comte d’Albafiorita. Mais le seul qui intéresse Mirandolina, c’est le Chevalier de Ripafratta, qui se prétend ennemi des femmes et du mariage. Alors qu’elle entreprend habilement de vaincre ses préjugés et de le soumettre à ses charmes, ce pourrait pourtant bien être le plus humble de tous, le valet Fabrizio, qui emporte la mise…

Goldoni, Carlo, --- Critique et interprétation --- Goldoni, Carlo --- Critique et interprétation.

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Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a 'double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W.A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.

Librettists. --- Opera --- Music --- History and criticism. --- Goldoni, Carlo,

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Questo volume torna a indagare un tratto peculiare della poetica di Vittorio Alfieri, l’autobiografismo, che informa la produzione letteraria del poeta dai primi scritti giovanili ai capolavori della maturità. Diviso in due parti – Ritratto dello scrittore ideale e Ritratto ideale dello scrittore –, il libro muove dall’analisi delle caratteristiche del letterato virtuoso, la cui immagine è impressa nelle pagine del trattato Del principe e delle lettere, per poi arrivare, seguendo un percorso che attraversa l’intero corpus alfieriano, al ritratto di sé consegnato nell’autobiografia vera e propria, la Vita scritta da esso, composta da Alfieri a coronamento della propria attività poetica. In questo itinerario tra i molteplici ritratti del trageda, talora “dipinti” con i “colori” dell’amor proprio, talaltra con quelli del più verace amor di sé, sono stati convocati gli autori che, dall’antichità al XVIII secolo – da Agostino a Goldoni e da Aristotele ai philosophes – hanno contribuito all’elaborazione della poetica autobiografica e del pensiero politico dell’autore, ovvero della base stessa del suo teatro.

Égotisme --- Alfieri, Vittorio (1749-1803). --- Goldoni, Carlo (1707-1793). --- Alfieri, Vittorio, --- Rousseau, Jean-Jacques,