Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Today, architectural plans and drawings are always signposted with colors: pink for poché, or exterior walls, yellow for certain interior elements, and blue for details and ornament. How and why did this practice begin? The craft of architectural drawing-plans, sections, and details-was originally developed during the Italian Renaissance under the influence of engravers. The results were correspondingly monochromatic, relying on representation through line and perspective. But in the 1800s, an influx of painters-turned-architects in Holland and Germany brought color into their designs. This innovation eventually spread throughout Europe, inspiring French architectural engineers to adopt a common color system in order to more clearly communicate their designs across the kingdom, and giving architects another tool with which to impress academic juries and the public. In this book, author Basile Baudez argues that color was not an essential feature of architectural drawing until European architects adopted a precise system of representation in response to political and artistic rivalry between countries, as well as the needs of public exhibitions. He shows that French engineers learned to use color from the Dutch colleagues they worked with and then fought against during the Dutch War (1672-78), demonstrating that a color-based system was published in French manuals for military engineers and used by royal architects, and that architects who wanted to compete with paintings for the public's attention needed to use the familiar language of color. This history reveals that color came to have three functions: to imitate architectural materials, to establish concise representational conventions that could span large geographic distances, and to seduce the public, including tourists. The book will feature a large number of fascinating, previously unpublished archival drawings, and will contribute to growing interest in the origins and professionalization of architecture, as well as the history of drawing as a medium"--

Color in art. --- Architectural drawing --- History. --- Architecture --- Drawing --- Graphic arts --- architectural drawings [visual works] --- prints [visual works] --- color [perceived attribute] --- anno 1500-1799 --- Europe --- Couleur dans l'art --- Dessin d'architecture --- Histoire --- ARCHITECTURE / History / Renaissance. --- Colors in art --- Art --- Monochrome art --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Mechanical drawing --- History --- 72.017 --- 72.02 --- Europa --- Kleur (architectuur) --- Architectuurtekeningen --- Architectuurtekenen --- Couleur (art). --- Dessins et plans. --- Couleur (art) --- Accademia di San Luca. --- Agostino Veneziano. --- Amiens. --- Andrea Palladio. --- Arbitrariness. --- Architectural Design. --- Architectural drawing. --- Architectural historian. --- Architectural painting. --- Architectural style. --- Architectural theory. --- Archive. --- Avery Architectural and Fine Arts Library. --- Boarding school. --- Canaletto. --- Carlo Maderno. --- Cartography. --- Checker shadow illusion. --- Civil engineer. --- Color engraving. --- Color of water. --- Color wash. --- Country of origin. --- Croome Court. --- Ditchley. --- Drafter. --- Drawing. --- Ealing. --- Earned income tax credit. --- Engraving. --- Explanation. --- Facsimile. --- Francesco Algarotti. --- Francesco Borromini. --- Francesco da Volterra. --- Funding. --- General Idea. --- Geographer. --- Gerard de Lairesse. --- Giorgio Vasari. --- Giotto. --- Gouache. --- Guideline. --- Henry IV of France. --- Hybrid image. --- Immigration policy. --- Infrastructure. --- Inigo Jones. --- Jacques-Germain Soufflot. --- Jagodina. --- James Wyatt. --- Jean-Baptiste Le Prince. --- La Chaise-Dieu. --- Le Mans Cathedral. --- Lighting. --- Masonry. --- National Gallery of Art. --- National Policy. --- Nicholas Hawksmoor. --- North Africa. --- Of Education. --- Officer and Laughing Girl. --- Orthographic projection. --- Palace. --- Parchment. --- Paul Sandby. --- Pierre Crozat. --- Pilaster. --- Pink and Blue (Renoir). --- Populuxe. --- Print culture. --- Proportion (architecture). --- Racialization. --- Refugee. --- Renaissance architecture. --- Result. --- Rood screen. --- Rosin. --- Royal Institute of British Architects. --- Santa Maria Antiqua. --- Social capital. --- Sociology. --- Spanish Army. --- Stippling. --- Strasbourg Cathedral. --- Suburb. --- Tempio Malatestiano. --- Trajectory. --- Trapping. --- Treatise. --- Triumphal arch. --- Ugo da Carpi. --- Vellum. --- Welfare state. --- William L. Clements Library. --- Woodcut. --- Woodworking. --- Workplace. --- Writing. --- Yale Center for British Art. --- Color in art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Installation is arguably the most original vigorous and fertile form of art today. No large-scale survey or festival of contemporary art would be complete without examples of installations, and it is these that usually attract the greatest attention and cause the most controversy. Yet this is the first book ever to describe the tradition and explore the achievements and ambitions of the installation artist.Michael Archer's illuminating introduction traces the history of installations art from Duchamp's first readymade through the Pop tableaux of Kienholz, Oldenburg, Kapoor and Dine to more recent developments such as Land Art and Process Art. This is followed by a global range of installations presented and documented by Nicolas de Oliveira, Nicola Oxley and Michael Petry. All these works share a theatrical power and an insistence that the viewer be involved, from Christian Marclay's floor carpeted with LPs and Jenny Holzer's pulsating LED screens with their enigmatic messages, to Lothar Baumgarten's haunting memorial to Native American tribes and Hiroshi Teshigahara's tranquil tunnels of bamboo. The pieces are grouped into four sections, with more than 260 illustrations. Authoritative reference material includes a chronology which details the history of installation from its roots in the late nineteenth century to today and an extensive bibliography. Installation is a rich art form, often heroic in scale, sometimes with and subversive, usually impermanent. This pioneering volume captures fully the variety and scale of these many-layered works - the essential contemporary record of a vibrant, fast-changing discipline. Acconci, Vito ; Adams, Dennis ; Anselmo, Giovanni ; Antin, Eleanor ; Araeen, Rasheed ; Arc Group ; Armajani, Siah ; Artschwager, Richard ; Asher, Michael ; Barclay, Per ; Barlow, Phyllida ; Barney, Matthew ; Barry, Judith ; Berenhaut, Marianne ; Beuys, Joseph ; Bijl, Guillaume ; Birnbaum, Dara ; Bloom, Barbara ; Boccioni, Umberto ; Boltanski, Christian ; Borofsky, Jonathan ; Bosslet, Eberhard ; Bourgeois, Louise ; Brodsky, Alexander ; Broodthaers, Marcel ; Bruch, Klaus vom ; Bulloch, Angela ; Bunschoten, Raoul ; Burden, Chris ; Buren, Daniel ; Byars, James Lee ; Cadieux, Geneviève ; Calle, Sophie ; Calzolari, Pierpaolo ; Chadwick, Helen ; Chaimowicz, Marc Camille ; Christo ; Coleman, James ; Coleman, John ; Couper, Max ; Cragg, Tony (Anthony) ; Cranston, David ; Cranston, Meg ; Culbert, Bill ; Currah, Mark ; Delvoye, Wim ; Diamond, Jessica ; Dimitrijevic, Braco ; Dine, Jim ; Duchamp, Marcel ; Dye, David ; Eerdekens, Fred ; Egashira, Shin ; Fabro, Luciano ; Feininger, Lyonel ; Fend, Peter ; Finn-Kelcey, Rose ; Fischli & Weiss ; Fisher, Andrea ; Riverhead (New York) ; Fleming, Martha ; Fontana, Lucio ; Gallaccio, Anya ; General Idea ; Gins, Madeline ; Gober, Robert ; Goldenberg, David ; Gooden, Nat ; Gormley, Antony ; Graham, Dan ; Gran Fury ; Greaves, Andrew ; Group Material ; Gu de Xin ; Haacke, Hans ; HAHA ; Hamilton, Ann ; Hamilton-Fraser, Donald ; Hammons, David ; Haselden, Ron ; Hatoum, Mona ; Hay, Paul ; Head, Tim ; Hill, Gary ; Hiller, Susan ; Hillwood-Harris, Ben ; Hirst, Damien ; Holzer, Jenny ; Horn, Rebecca ; Hotel Pro Forma ; Ireland, David ; Jaar, Alfredo ; Jennings, Chris ; Jetelova, Magdalena ; Judd, Donald ; Kabakov, Ilya ; Kapoor, Anish ; Kaprow, Allan ; Katase, Kazuo ; Kawamata, Tadashi ; Keane, Tina ; Kelley, Mike ; Kesseler, Rob ; etc.

Art, Modern --- Installations (Art) --- Art --- Nicolas de Oliveira, Nicola Oxley, Michael Petry ; With texts by Michael Archer --- kunst --- twintigste eeuw --- installaties --- naslagwerk --- 7.038 --- Installation-art --- installations [visual works] --- Baumgarten, Lothar --- Broodthaers, Marcel --- Cragg, Tony --- Vercruysse, Jan --- Tatlin, Vladimir --- Lissitzky, Eliezer --- Tremlett, David --- Buren, Daniel --- Landy, Michael --- Phaophanit, Vong --- Paik, Nam June --- Kienholz, Edward --- Oldenburg, Claes --- Antin, Eleanor --- Armajani, Siah --- Coleman, James --- Kummer, Raimund --- Leccia, Ange --- Locher, Thomas --- Perejaume --- Simonds, Charles --- Duchamp, Marcel --- Station House Opera --- Araeen, Rasheed --- Barry, Judith --- Barclay, Per --- Barlow, Phyllida --- Berenhaut, Marianne --- Bosslet, Eberhard --- Brodsky, Alexander --- Bunschoten, Raoul --- Eerdekens, Fred --- Coleman, John --- Fabro, Luciano --- Fontana, Lucio --- Cranston, David --- Cranston, Meg --- Currah, Mark --- Adams, Dennis --- Diamond, Jessica --- Dye, David --- Egashira, Shin --- Finn-Kelcey, Rose --- Fleming, Martha --- Pistoletto, Michelangelo --- Morris, Robert --- Bourgeois, Louise --- Goldenberg, David --- Goodden, Nat --- Greaves, Andrew --- Gu Dexin --- Christo --- Jennings, Chris --- Keane, Tina --- Kesseler, Rob --- Kivland, Sharon --- Couper, Max --- Kawamata, Tadashi --- Smithson, Robert --- Kozlowski, Jaroslaw --- Laramee, Eve Andrée --- Leventon, Rosie --- Lafontaine, Marie-Jo --- Onwin, Glen --- Mabe, Joni --- Madsen, Loren --- Delvoye, Wim --- Feininger, Lyonel --- Mochetti, Maurizio --- Morgana, Aimée --- Beuys, Joseph --- Nogueira, Lucia --- Otterso, Joel --- Pallanka, Heike --- Peplow, John --- Petry, Michael --- Pirri, Alfredo --- Prendergast, Kathy --- Robbe, Wolfgang --- Schäfer, Hansjörg --- Skersis, Victor --- Stingel, Rudolf --- Sudell, Louise --- Terauchi, Yoko --- Teshigahara, Hiroshi --- Tisdale, Danny --- Torres Monsó, Francesco --- Long, Richard --- Trangmar, Susan --- Tunga --- Ukeles, Mierle Laderman --- Utkin, Ilya --- Boltanski, Christian --- Byars, James L. --- Wakeley, Shelagh --- Kabakov, Ilija Iosefovich --- Wilkinson, Caroline --- Steinbach, Haim --- Wood, Craig --- Wood, Julia --- Zimmermann, Peter --- Marinetti, Filippo Tommaso --- Stockholder, Jessica --- Arakawa, Shusaku --- Penone, Giuseppe --- Thek, Paul --- Klein, Yves --- Louis, Morris --- Manzoni, Piero --- Plessi, Fabrizio --- Cage, John --- Serra, Richard --- Fisher, Andrea --- Boccioni, Umberto --- Kiefer, Anselm --- Merz, Mario --- Viola, Bill --- Kelley, Mike --- Rauschenberg, Robert --- Schütte, Thomas --- Morellet, François --- Sonnier, Keith --- Acconci, Vito --- Venlet, Richard --- Graham, Dan --- Meireles, Cildo --- Raynaud, Jean Pierre --- Judd, Donald --- Anselmo, Giovanni --- Artschwager, Richard --- Barney, Matthew --- Turrell, James --- Birnbaum, Dara --- Cadieux, Geneviève --- Calle, Sophie --- Calzolari, Pier Paolo --- Chaimowicz, Marc Camille --- Dine, Jim --- Fischli, Peter --- Flavin, Dan --- Kapoor, Anish --- Kounellis, Jannis --- Kruger, Barbara --- Lawler, Louise --- Levine, Sherrie --- McCollum, Allan --- Nauman, Bruce --- Noland, Cady --- Sarkis --- Weiss, David --- Gober, Robert --- Parker, Cornelia --- Bulloch, Angela --- Orozco, Gabriel --- Bloom, Barbara --- Borofsky, Jonathan --- Bruch, vom, Klaus --- Burden, Chris --- Schwitters, Kurt --- Chadwick, Helen --- Culbert, Bill --- Fend, Peter --- Gormley, Antony --- Ireland, David --- Jetelová, Magdalena --- Katase, Kazuo --- Laib, Wolfgang --- Le Va, Barry --- Marclay, Christian --- Maria, de, Walter --- Muntadas, Antonio --- Nordman, Maria --- Rheinsberg, Raffael --- Rückriem, Ulrich --- Vostell, Wolf --- Welch, Roger --- Whiteread, Rachel --- Wodiczko, Krysztof --- Vilmouth, Jean-Luc --- Dimitrijević, Braco --- Jaar, Alfredo --- Miralda, Antoni --- Leibowitz, Cary S. --- Piper, Adrian --- Wilson, Richard --- Knoebel, Imi --- Bijl, Guillaume --- Matta-Clark, Gordon --- Kaprow, Allan --- Kosuth, Joseph --- Asher, Michael --- SITE [New York, N.Y.] --- General Idea --- ARC Group --- Gran Fury --- HAHA --- Hotel Pro Forma [Copenhagen] --- Studio Libeskind --- anno 1900-1999 --- Beeldende kunst ; installaties ; 20ste eeuw ; naslagwerken --- 7(03) --- Kunst ; encyclopedieën --- Gran Fury [New York, N.Y.] --- Lissitzky, El --- 7.038(03) --- Beeldende kunst ; 20ste eeuw ; installaties --- Kunstgeschiedenis ; 1950 - 2000 --- Installations (Art) - 20th century --- Installations (art ) --- 1990 --- -1945 --- -Installation-art --- -Installations (art ) --- -1945-