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GANCE (ABEL), CINEASTE FRANCAIS, 1889-1981

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A partir des témoignages recueillis auprès d'Abel Gance et des acteurs, ainsi que des recherches sur des documents d'archives, cette étude, réalisée par un spécialiste du cinéma muet qui a reconstitué la version originale de ce film sorti triomphalement en 1927, en restitue l'histoire et le projet artistique.

Motion pictures --- Silent films --- Films muets --- History --- Gance, Abel --- Napoléon (Motion picture) --- Napoléon (film) --- Napoléon (Motion picture) --- Napoléon (film) --- Napoléon --- History. --- Gance, Abel. --- Napoleon --- In motion pictures. --- Napoléon (Motion picture : 1927)

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Abel Gance's silent masterpiece, Napoleon, was given a limited run on its debut in 1927, but soon afterwards distributors in France and America, unwilling to deal with its nine-hour running time, subjected it to savage cuts - with devastating results for the movie and for film history. The struggle across ensuing decades to restore and reintegrate Gance's film has formed a backdrop to an array of formal, contextual, and ideological battles. In this book, Paul Cuff takes account of those battles and challenges received opinion on Gance's view of both his film and its subject.

Motion pictures --- History. --- History and criticism --- Gance, Abel. --- Gance, Abel --- Napoleon --- Bonapart, Napoleon, --- Bonāpārṭa, Nepoliyana, --- Bonaparte, Napoleão, --- Bonaparte, Napoleon, --- Bonaparte, Napoleone, --- Bonaparṭeh, Napolyon, --- Buonaparte, Napoleon, --- Na-pʻo-lun, --- Nābuliyūn, --- Napoleone --- Napʻolleong, --- Napolun, --- נפוליאון --- נפוליאון, --- نابليون --- بونابرت، نابليون، --- Būnābart, Nābuliyūn, --- Criticism and interpretation. --- In motion pictures. --- Napoléon (Motion picture : 1927) --- Napoléon --- Bonaparte, Napoléon --- Bonāpārṭa, Nepoliyana --- Bonaparte, Napoleão --- Bonaparte, Napoleon --- Bonaparte, Napoleone --- Buonaparte, Napoleon --- Na-pʻo-lun --- Napolun --- ART / Film & Video. --- Abel Gance, Napoleon,.

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Motion pictures and history. --- Cinéma et histoire --- Cinéma en historiographie --- Motion pictures and history --- film --- film en geschiedenis --- historische films --- Sovjet-Unie --- Rusland --- Verenigde Staten --- filmjournaals --- filmactualieit --- nazisme --- propaganda --- Harlan Veit --- Harris André --- Ophuls Marcel --- de Sédouy Alain --- Gance Abel --- Reed Carol --- Renoir --- Renoir Jean --- Eisenstein Sergei --- Lang Fritz --- collaboratie --- pétainisme --- Pétain Philippe --- Marboeuf Jean --- 791.43 --- 791.41 --- Cinéma et histoire --- Histoire et le cinema

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«L'image-mouvement, qui a la singularité d'être à la fois un grand livre philosophique et un grand livre de cinéma, indivisiblement, part de cette idée que si, comme on le dit souvent, l'essence du cinéma c'est le mouvement, l'essence de ce mouvement n'a généralement pas été comprise (sinon intuitivement et pratiquement par les grands cinéastes). Le recours de Deleuze à Bergson balaye l'interprétation phénoménologique réductrice qui a dominé toute approche globale du cinéma depuis la guerre, en rapportant celui-ci aux données abstraites de la "perception naturelle". » (cop.) Cahiers du cinéma

Cinétique --- -Gilles Deleuze --- film en semiotiek --- deconstructivisme --- cadrering --- Griffith David Wark --- Vertov Dziga --- Gance Abel --- Bergson Henri --- Beckett Samuel --- Pasolini Pier Paolo --- Rohmer Eric --- Vigo Jean --- Grémillon Jean --- Eisenstein Sergei --- von Sternberg Josef --- Dreyer Carl Theodor --- Bresson Robert --- Minnelli Vincente --- Snow Michael --- von Stroheim Erich --- Buñuel Luis --- expressionisme --- naturalisme --- Vidor King --- Ray Nicholas --- Losey Joseph --- filmgenres --- de Mille Cecil B. --- westerns --- Ford John --- Kazan Elia --- komedies --- Chaplin Charles --- Lubitsch Ernst --- Hawks Howard --- Keaton Buster --- Herzog Werner --- Kurosawa Akira --- Mizoguchi Kenji --- Marx Brothers --- Hitchcock Alfred --- Lumet Sidney --- Cassavetes John --- Altman Robert --- Temporalité --- Sémiotique et cinéma --- -#SBIB:309H520 --- Gilles Deleuze --- tijd --- neorealisme --- Rossellini Roberto --- De Sica Vittorio --- Godard Jean-Luc --- Rivette Jacques --- Ozu Yasujiro --- Peirce C.S. --- Carné Marcel --- Mankiewicz Joseph --- Clair René --- flashback --- musicals --- Donen Stanley --- Lewis Jerry --- Tati Jacques --- Ophuls Max --- Renoir Jean --- Fellini Federico --- Visconti Luchino --- Robbe-Grillet Alain --- Resnais Alain --- Kubrick Stanley --- Duras Marguerite --- Straub Jean-Marie --- Syberberg Hans Jürgen --- Motion pictures --- Philosophy. --- #SBIB:309H520 --- #SBIB:309H524 --- 791.41 --- Artaud Antonin --- film --- filmmuziek --- filmtechniek --- filmtheorie --- filosofie --- geluid --- Italië --- Lang Fritz --- lichamelijkheid --- Nietzsche Friedrich --- nouvelle vague --- Peirce C.S --- Rouch Jean --- semiotiek --- Welles Orson --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Philosophy --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Bergman Ingmar --- beweging --- de Mille Cecil B --- montage --- Film --- Theatrical science --- Cinéma --- Philosophie et cinéma --- Temps --- Esthétique --- Au cinéma --- Cinéma --- Philosophie --- Film. --- Philosophie et cinéma. --- Sémiotique et cinéma. --- Esthétique. --- Au cinéma. --- FRANCE. --- CDL --- Motion pictures - Philosophy