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Recueil de textes publiés entre 1980 et 1990 et consacrés à la définition de la musique, à l'ontologie des oeuvres musicales et aux problèmes philosophiques liés à l'interprétation. Ils sont accompagnés de textes introductifs visant à les situer dans leur contexte intellectuel. ©Electre 2016
Music --- Musique --- Philosophy and aesthetics --- Philosophie et esthétique --- Philosophie et esthétique --- Aesthetics --- Muziek --- Filosofie en esthetica --- Music - Philosophy and aesthetics
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Musicians as authors --- Composers --- Music --- Piano Music --- Attitudes --- Philosophy and aesthetics --- History and criticism --- Sources --- Musique --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Muziek --- Filosofie en esthetica
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This book is an anthology of fourteen essays, each addressing a single key concept or term in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes include case studies with musical examples from works in the 18th, 19th and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those a bit more eclectic, to create a collection that covers a distinctive range of ideas. All essays will cover historical origins, sources and developments of the chosen idea, survey important musicological approaches, and offer a new critical angle or musical case study in interpretation.
Music --- Musical analysis --- Musique --- Analyse musicale --- Sémiotique et musique --- Philosophy and aesthetics --- Semiotics --- Philosophie et esthétique --- Musicology --- Musicologie --- Musicology. --- Philosophy and aesthetics. --- Sémiotique et musique --- Philosophie et esthétique --- Musicologie. --- Philosophie et esthétique. --- Muziek --- Filosofie en esthetica --- Musicologie (discipline) --- Music - Philosophy and aesthetics --- Philosophie et esthétique.
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