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Vonnegut, Kurt --- -Criticism and interpretation --- -Fengnigete --- Воннегут, Курт --- וונגוט, קורט --- וונגוט, קורט. רוטבליט, יעקב --- カートヴォネガット --- Criticism and interpretation --- Fengnigete --- Criticism and interpretation.
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Vonnegut, Kurt. --- Criticism and interpretation --- Vonnegut, Kurt --- -Criticism and interpretation --- Criticism and interpretation. --- -Fengnigete --- Воннегут, Курт --- וונגוט, קורט --- וונגוט, קורט. רוטבליט, יעקב --- カートヴォネガット --- Fengnigete --- Vonnegut, Kurt - Criticism and interpretation
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War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston.
War stories, American --- American fiction --- Home in literature. --- War in literature. --- American literature --- History and criticism. --- Hemingway, Ernest, --- Vonnegut, Kurt --- Fengnigete --- Воннегут, Курт --- וונגוט, קורט --- וונגוט, קורט. רוטבליט, יעקב --- カートヴォネガット --- Hemingway, Ernest --- Kheminguėĭ, Ėrnest --- Hai-ming-wei, --- Hemingvej, Ernest --- Hemingwei --- Hīminjwāy, Arnist --- Ḣeminguei̐, E. --- Ḣeminguei̐, Ernest --- Heminguej, Ernest --- Heminguej, E. --- Hemingṿey, Ernesṭ --- Haminghwāy, Arnist --- Hayminghwāy, Arnis, --- Himinghwāy, Arnist --- Himinghwāy, --- Hemingvejs, Ernests --- Hemingṿe, Ernesṭ --- Chemingouaiē, Ernest --- Heminguwei, Ānesuto --- Haimingwei, Eneisite --- Haimingwei, Ouneisite --- Haimingwei, Ennasite --- Hemingwei, Ŏnesŭtʻŭ --- Хемингуэй, Эрнест --- Хемингуэй, Э. М. --- המינגווי, ארנסט --- המינגווי, ארנסט, --- המינגוי, ארנסט --- המינגוי, ארנסט, --- העמינגוועי, ערנעסט --- 海明威, --- E. ヘミングウェイ, --- همنغواي، ارنست --- همينگوى، ارنست --- ヘミングウェイ, アーネスト, --- 헤밍웨이, 어네스트, --- 海明威, 欧内斯特, --- Chaiminkouaiē, Ernest --- Criticism and interpretation.
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