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One of the most fascinating yet least explored questions in art history is that of status in art. The analysis of how artists and artworks achieve recognition or not, both during their lifetimes and beyond, leads us into sociology of art, a field that, regarding modern sculpture, has received little attention internationally, and is largely untouched in terms of the Catalan and Spanish contexts. This objective of this volume is to contribute to our understanding of the mechanisms of status and success in nineteenth- and twentieth-century sculpture, especially in Spain and Catalonia. The authors, experts from Europe and America, address the topic both from theoretical viewpoints, and considering the impact on the construction of artists’ careers. They also explore the possibilities of sculpture as an object on the path to artistic recognition, and the particularities of status in specific historical circumstances, such as under Franco’s dictatorship, in which art is not always put at the service of an ideology.
Escultura moderna --- Espanya --- Llibres electrònics --- Escultura contemporània --- Catalunya
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Le 4 août 1897, des ouvriers agricoles découvrent à La Alcudia, site de l’antique Ilici (Elche, au sud de la province d’Alicante), une sculpture ibérique datant du ve-ive siècle av. J.-C. et connue sous le nom de Dame d’Elche. Sa singularité et « l’étrangeté troublante de sa beauté » (Pierre Paris) attirent l’attention des archéologues européens. Très vite considérée comme le chef-d’œuvre de l’art ibérique, la statue devient une source d’inspiration pour les artistes et, sous la plume des idéologues régionalistes et nationalistes espagnols, une icône identitaire. Le but de cet ouvrage, écrit par un archéologue et une anthropologue, n’est pas seulement de dire ce qu’était la Dame dans l’Antiquité mais aussi et surtout ce qu’elle est devenue pour les hommes et les femmes de notre époque qui se sont interrogés sur elle, l’ont admirée, aimée et souvent réinventée. Descubierta por casualidad en 1897 y posteriormente presentada en el Louvre y el Museo del Prado, la Dama de Elche es considerada no sólo una obra maestra del arte ibérico sino también un icono identitario. Escrito por una antropóloga y un arqueólogo, este ensayo examina la recepción histórica, ideológica y artística de esta escultura, las interpretaciones y reacciones afectivas que la Dama ha suscitado desde su descubrimiento hasta el día de hoy, así como los usos sociales y políticos de la estatua.
Sculpture, Iberian --- Portrait sculpture, Ancient --- Art objects --- Reproduction --- Political aspects --- Dama de Elche (Sculpture) --- Arts & Humanities --- Sculpture ibérique --- nationalisme --- identité locale --- patrimoine --- sacralisation --- escultura ibérica --- nacionalismo --- identidad local --- patrimonio --- sacralización
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Sculpture, Ancient --- -Sculpture --- -Stonework, Decorative --- Art --- Bas-relief --- Statues --- Ancient sculpture --- Catalogs --- Museo del Prado --- -Museo Nacional de Pintura y Escultura (Spain) --- Madrid. --- Madrid (Spain). --- Muzeĭ Prado --- Prado Museum --- Musée du Prado --- Real Museo de Pinturas y Esculturas --- Museo Nacional del Prado --- Museo de la Trinidad --- Museo Nacional de Arte Moderno (Spain) --- Sculpture --- -Catalogs --- Catalogs. --- Sculpture antique --- Catalogues --- Museo Nacional de Pintura y Escultura (Spain) --- Madrid. Museo Nacional de Pintura y Escultura --- 프라도 미술관 --- P'ŭrado Misulgwan --- Прадо (Museum) --- Национальный музей Прадо --- Nat︠s︡ionalʹnyĭ muzeĭ Prado --- Музей Прадо --- Bảo tàng Prado --- Viện Bảo tàng Prado --- 普拉多博物馆 --- Puladuo bo wu guan --- Puladuo bowuguan --- -Ancient sculpture --- Sculpture, Primitive --- Stonework, Decorative --- -Sculpture, Primitive --- Sculpture, Ancient - Catalogs --- Sculpture - Spain - Madrid - Catalogs
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Painting, Flemish --- Painting --- Museo del Prado --- Museo Nacional del Prado [Madrid] --- -Painting, Flemish --- Museo Nacional de Pintura y Escultura (Spain) --- Madrid. --- Madrid (Spain). --- Muzeĭ Prado --- Prado Museum --- Musée du Prado --- Real Museo de Pinturas y Esculturas --- Museo Nacional del Prado --- Museo de la Trinidad --- Museo Nacional de Arte Moderno (Spain) --- Oil painting --- Painting, Primitive --- Paintings --- Prado Museum [Madrid] --- anno 1600-1699 --- Catalogues raisonnés --- Painting [Flemish ] --- 17th century --- Madrid. Museo Nacional de Pintura y Escultura --- 프라도 미술관 --- P'ŭrado Misulgwan --- Прадо (Museum) --- Национальный музей Прадо --- Nat︠s︡ionalʹnyĭ muzeĭ Prado --- Музей Прадо --- Bảo tàng Prado --- Viện Bảo tàng Prado --- 普拉多博物馆 --- Puladuo bo wu guan --- Puladuo bowuguan --- Painting, Flemish - 17th century - Catalogs --- Painting - Spain - Madrid - Catalogs --- Peinture flamande --- 17e siecle
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The Journal of Roman Studies publishes papers in the full range of the field which the Roman Society was established to promote, i.e. 'the study of the history, archaeology, literature and art of Italy and the Roman Empire, from the earliest times down to about A.D. 700'. The emphasis is on historical themes, but there are also articles on literary, archaeological and art historical topics, including issues of cultural and intellectual history that cut across these categories. Papers are intended to make a fresh and significant contribution to the understanding of the Roman world and to stimulate further discussion. Articles primarily on the archaeology of Roman Britain are published in the Society's sister journal, Britannia. The usual month of publication is November. The contents list and abstracts of the most recent volume are available on the Society's web-page, as are the contents of the five preceding volumes.
Roman history
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Inscriptions, Latin
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Inscriptions latines
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Periodicals
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Périodiques
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Rome
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Antiquities
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History
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Antiquités
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Histoire
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Antiquities.
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Inscriptions, Latin.
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Rome (Empire)
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This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less-studied field of sculpture and using Belgium as a case study. The role, importance of and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists, that supposedly constituted a 'national sculpture.' By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugene Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Sculpture --- Belgian [modern] --- nationalism --- sculpture [visual works] --- memorials [monuments] --- anno 1800-1899 --- Belgium --- Sculpture, Belgian --- Nationalism and art --- French influences --- BPB9999 --- Art and nationalism --- Art --- Belgian sculpture --- BPB2009 --- beeldhouwwerk --- België --- Bélgica --- Belgija --- Belgique --- Belgien --- Belgie --- Belgicko --- Beļģija --- Белгија --- Belgio --- Белгия --- Belgia --- il-Belġju --- An Bheilg --- Βέλγιο --- Belgjika --- Belgia Kuningriik --- Beļģijas Karaliste --- Royaume de Belgique --- Belgian kuningaskunta --- Belgické kráľovstvo --- Koninkrijk België --- Belgijos Karalystė --- das Königreich Belgien --- Βασίλειο του Βελγίου --- Kingdom of Belgium --- Кралство Белгија --- Краљевина Белгија --- Belgické království --- Reino de Bélgica --- ir-Renju tal-Belġju --- Regatul Belgiei --- Kongeriget Belgien --- Кралство Белгия --- Mbretëria e Belgjikës --- Belga Királyság --- Królestwo Belgii --- Konungariket Belgien --- Reino da Bélgica --- Kraljevina Belgija --- Regno del Belgio --- skulptuur --- billedhuggerkunst --- Bildhauerei --- sochárstvo --- kiparstvo --- rzeźba --- вајарство --- scultura --- skulptūra --- szobrászat --- γλυπτική --- skultura --- sculpture --- skulpturë --- escultura --- скулптура --- sculptură --- sochařství --- kuvanveisto --- skulptur --- вајање --- статуа --- dealbh --- Sculpture, Belgian - 19th century --- Sculpture, Belgian - French influences - 19th century --- Nationalism and art - Belgium --- België --- nationale identiteit
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This handbook provides comprehensive treatment of the current state of glass science from the leading experts in the field. Opening with an enlightening contribution on the history of glass, the volume is then divided into eight parts. The first part covers fundamental properties, from the current understanding of the thermodynamics of the amorphous state, kinetics, and linear and nonlinear optical properties through colors, photosensitivity, and chemical durability. The second part provides dedicated chapters on each individual glass type, covering traditional systems like silicates and other oxide systems, as well as novel hybrid amorphous materials and spin glasses. The third part features detailed descriptions of modern characterization techniques for understanding this complex state of matter. The fourth part covers modeling, from first-principles calculations through molecular dynamics simulations, and statistical modeling. The fifth part presents a range of laboratory and industrial glass processing methods. The remaining parts cover a wide and representative range of applications areas from optics and photonics through environment, energy, architecture, and sensing. Written by the leading international experts in the field, the Springer Handbook of Glass represents an invaluable resource for graduate students through academic and industry researchers working in photonics, optoelectronics, materials science, energy, architecture, and more.
Ceramics. --- Glass. --- Composites (Materials). --- Composite materials. --- Phase transitions (Statistical physics). --- Inorganic chemistry. --- Optical materials. --- Electronic materials. --- Building materials. --- Lasers. --- Photonics. --- Ceramics, Glass, Composites, Natural Materials. --- Phase Transitions and Multiphase Systems. --- Inorganic Chemistry. --- Optical and Electronic Materials. --- Building Materials. --- Optics, Lasers, Photonics, Optical Devices. --- New optics --- Optics --- Light amplification by stimulated emission of radiation --- Masers, Optical --- Optical masers --- Light amplifiers --- Light sources --- Optoelectronic devices --- Nonlinear optics --- Optical parametric oscillators --- Architectural materials --- Architecture --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Electronic materials --- Inorganic chemistry --- Chemistry --- Inorganic compounds --- Phase changes (Statistical physics) --- Phase transitions (Statistical physics) --- Phase rule and equilibrium --- Statistical physics --- Composites (Materials) --- Multiphase materials --- Reinforced solids --- Solids, Reinforced --- Two phase materials --- Amorphous substances --- Ceramics --- Glazing --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- Glass --- Vidre --- Ciència dels materials --- Ciència de materials --- Enginyeria dels materials --- Enginyeria --- Física --- Ceràmica industrial --- Finestres --- Fibres de vidre --- Vidrieria --- Vitroceràmica --- Escultura en vidre --- Phase transformations (Statistical physics) --- Chemistry, Inorganic. --- Electronics --- Materials.
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