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Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith's manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that "wasted" time differently. Unlike old media, the internet demands active engagement--and it's actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called "Wasting Time on the Internet," he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith's ideas struck a nerve, because they are brilliantly subversive--and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we're "wasting time," we're actually creating a culture of collaboration. We''re reading and writing more--and quite differently. And we're turning concepts of authority and authenticity upside--down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable--like the internet itself--Wasting Time on the Internet is the manifesto you didn't know you needed -- Provided by publisher.
Internet --- Social aspects. --- internet --- cultuurfilosofie --- conceptuele kunst --- kunst en technologie --- 791.5 --- 130.2 --- 7.01 --- 7.071 GOLDSMITH --- Goldsmith Kenneth --- kunst --- concept art --- Internet.
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kunst --- twintigste eeuw --- Frankrijk --- pop art --- concept art --- conceptuele kunst --- installaties --- Lavier Bertrand --- overschildering --- 7.071 LAVIER --- Exhibitions --- French contemporary art - 20th century.
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"By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront.
7.01 "19" --- 7.039 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Hedendaagse kunststromingen.Post-moderne kunst --- Conceptual art. --- Structuralism. --- Concept-art --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Concept-art. --- Conceptual art --- Structuralism --- Structure (Philosophy) --- Philosophy --- Whole and parts (Philosophy) --- Form (Philosophy) --- Poststructuralism --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art conceptuel. --- Structuralisme.
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Antin, Eleanor --- Exhibitions --- Antin, Eleanor - Exhibitions --- kunst --- Verenigde Staten --- twintigste eeuw --- Antin Eleanor --- 7.071 ANTIN --- dans --- video --- performances --- kunst en dans --- conceptuele kunst --- concept art --- feminisme --- lichamelijkheid --- mail art --- videokunst --- gender studies --- Antinova, Eleanora --- Antinov, Yevgeny --- Exhibitions.
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kunst --- twintigste eeuw --- België --- Broodthaers Marcel --- pop art --- conceptuele kunst --- concept art --- musea --- museologie --- 7.071 BROODTHAERS --- Broodthaers, Marcel --- Catalogs --- Avant-garde --- Art conceptuel --- 790 --- surréalisme --- art contemporain --- kunstenaars --- artistes
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791.43 --- abstracte film --- camp --- concept art --- conceptuele kunst --- dadaïsme --- expanded cinema --- experimentele film --- film --- filmgeschiedenis --- installaties --- surrealisme --- twintigste eeuw --- 798.43 --- autobiografie --- film, geschiedenis der filmkunst, overige landen --- Film --- geschiedenis --- geschiedenis. --- Geschiedenis. --- film [discipline]
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Fuyant la Roumanie de 1945, Isidore Isou arrive à Paris et fonde le mouvement d'avant-garde : le lettrisme dont il devient le principal théoricien. Basée sur le principe de purification de l'art et de décomposition totale des disciplines, son esthétique entend repenser toutes formes d'expression et a la volonté d'en découdre avec les conventions artistiques et idéologiques. Profondément utopiste, Isidore Isou imagine de nombreux concepts : l'hypergraphie, la méca-esthétique, l'art super-temporel, la discrépense,la kladologie, etc. qu'il applique au travers de ses propres créations. Après la poésie, il étend son système théorique à d'autres disciplines notamment les arts plastiques, le théâtre, le cinéma, la musique. etc. avant d'envisager de bouleverser les domaines scientifiques. Une profusion d'œuvres naît de ses recherches: poèmes imprononçables faits d'onomatopées, cadres vides â remplir, sortes de ready-mades, films'' ciselés >- dont le son est séparé de l'image...
Lettrisme --- Avant-garde --- Isou, Isidore --- kunst --- twintigste eeuw --- kunst en literatuur --- 7.071 ISOU --- concept art --- concpetuele kunst --- Isou Isidore --- lettrisme --- film --- Goldstein, Isou --- Isou, Jean Isidore --- Goldstein, Isidore --- Golstein, Jean-Isidore --- Noël, Catherine, --- Exhibitions --- Isou, Isidore - Exhibitions
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Contents: Part One: Modus of Abstraction ; Part Two: Abstraction from Nature ; Part Three: Constructivist Abstraction
Art styles --- anno 1900-1999 --- Art --- kunst --- 75.036 --- 7.036 --- concept art --- conceptuele kunst --- abstract exprssionisme --- geometrische abstractie --- constructivisme --- abstracte schilderkunst --- abstractie --- abstracte kunst --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- Art, Abstract --- Art, Modern --- Conceptual art --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Abstract art --- Art, Non-objective --- Non-objective art --- Modernism (Art) --- Themes, motives --- Subjects
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In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology, into which is woven a rich collection of original documents including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that provides an invaluable record of the thinking of the artists - an historical survey and essential reference book for the period. -- back cover.
Art [Conceptual] --- Art conceptuel --- Art povera --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Language art (Fine arts) --- Possible art --- Post-object art --- kunst --- twintigste eeuw --- installaties --- conceptuele kunst --- concept art --- Verenigde Staten --- 7.038 --- Modern [styles and periods] --- Conceptual --- Modern [style or period] --- conceptual artists --- Art --- anno 1900-1999 --- moderne kunst --- anno 1960-1969 --- anno 1970-1979 --- Art, Modern --- Art, Conceptual --- Performance art --- Earthworks (Art) --- Sky art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art [Modern ] --- 20th century --- Conceptual art. --- Art, Modern - 20th century
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Downsbrough, Peter --- Photography, Artistic --- Criticism and interpretation --- Photography, Artistic. --- Criticism and interpretation. --- Academic collection --- kunst --- fotografie --- Downsbrough Peter --- concept art --- conceptuele kunst --- twintigste eeuw --- 77.071 DOWNSBROUGH --- 7.071 DOWNSBROUGH --- 77 DOWNSBROUGH, PETER --- Fotografie--DOWNSBROUGH, PETER --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Photography [Artistic ] --- 20th century --- Downsbrough, Peter, --- Downsbrough, Peter - Criticism and interpretation
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