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George Herbert (1593-1633) is widely regarded as the greatest devotional poet in the English language. His profound influence can be seen in the lasting popularity of his verse. This selection of one hundred lyric poems by Herbert is designed for readers to enjoy the beauty, spirituality, accessibility and humanity of his best verse. Each poem uses the authoritative text from the acclaimed Cambridge edition of Herbert's poems, presenting them in their original spelling in a clear and elegant format. The selection includes such well-loved lyric verses as 'Love bade me welcome', 'Let all the world in ev'ry corner sing', 'I struck the board and cry'd, No more' and 'Sweet day, so cool, so calm, so bright'. A preface by Helen Wilcox, editor of the Cambridge edition, celebrates the key features of Herbert's poetry for a new generation of readers.
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This volume examines for the first time the most important methodological issues concerning Christian poetry - i.e. biblical and theological poetry in classical meters - from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.
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Christian poetry, French. --- French Christian poetry --- French poetry
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"Prudentius is often considered the greatest Latin poet of late antiquity. In this volume, O'Daly looks at Prudentius' lyric poems, the Cathemerinon, Poems for the Day, which were published early in the fifth century AD. Reflecting the religious concerns of the increasingly Christianized western Roman Empire in the age of the emperor Theodosius and Ambrose of Milan, the Cathemerinon are above all the writings of a private person, and of the ways in which his religious beliefs colour his everyday life. They speak of bird-song and morning light, they are about about the taking of food, about lighting lamps as dark sets in, and about the night's sleep. Rich in biblical themes and earratives, images and symbols (including paradise and the Fall, Exodus, Jonah, Daniel, and the Magi), they also celebrate Christ's miracles and the feasts of Christmas and Epiphany. However, while they exploit the themes of the Bible, they are also written in the classical metres of Latin poetry and make use of its vocabulary and metaphors. They achieve a remarkable creative tension between the two worlds that determined Prudentius' culture: the beliefs and practices, sacred books, and doctrines of Christianity; and the traditions, poetry, and ideas of the Greeks and Romans. A good part of the attractiveness of these poems comes from the interplay between these two worlds. The volume includes the Latin texts, English translations, and critical essays on each of the twelve poems."--Publisher's website.
Christian poetry, Latin --- Latin Christian poetry --- Latin poetry --- History and criticism --- Prudentius, --- History and criticism.
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Christian poetry, English (Middle) --- -Civilization, Medieval, in literature --- -Christian poetry, English --- Christian poetry, Middle English --- English Christian poetry, Middle --- Middle English Christian poetry --- English poetry --- Bibliography --- Langland, William --- -Bibliography --- Langland, William,
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Christian poetry, English (Middle) --- Christian women saints --- English poetry --- Middle Ages --- Legends. --- Modernized versions. --- Poetry. --- Christian poetry, English (Middle). --- CHRISTIAN POETRY, ENGLISH (MIDDLE) --- WOMEN SAINTS --- MODERNIZED VERSIONS --- LEGENDS
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Dutch literature --- Dutch poetry --- Christian poetry, Dutch --- Collections
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The "Theology in a Thousand Verses", written by Leon Magistros Choirosphaktes is a philosophical and theological didactic poem addressed to a young emperor. This edition presents a linguistically accessible text, accompanied by a translation and commentary. Die Theologie in tausend Versen des Leon Magistros Choirosphaktes, eines hervorragenden byzantinischen Diplomaten des 10. Jahrhunderts, ist ein philosophisch-theologisches Lehrgedicht, das an einen jungen Kaiser (Konstantinos VII. Porphyrogennetos?) gerichtet ist. Das Hauptziel der vorliegenden Ausgabe liegt in der sprachlichen Erschließung des in einer einzigen Handschrift (Vat. gr. 1257) nicht besonders vorteilhaft überlieferten Textes, der bis in unsere Tage verborgen geblieben ist und nun erst rund zehn Jahrhunderte nach seiner Entstehung zum ersten Mal in einer vollständigen Form gedruckt vorliegt. Das Gedicht wird von einer Übersetzung begleitet, die in erster Linie dazu dienen soll, die Wege zum Verständnis des an sich schwierigen und an manchen Stellen obskuren Textes zu ebnen. Den gleichen Zweck verfolgt auch der Kommentar.
Christelijke poëzie [Byzantijnse ] --- Christian poetry [Byzantine ] --- Poésie chrétienne byzantine --- Christian poetry, Byzantine --- Theology --- Christian poetry, Byzantine. --- Christian theology --- Theology, Christian --- Christianity --- Religion --- Byzantine Christian poetry --- Byzantine poetry --- Poetry --- Theology - Poetry --- Poésie religieuse.
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