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This catalogue, prepared in two parts between 1876 and 1878 and reissued here in one volume, analyses ninety-eight Hebrew manuscripts held at Cambridge University Library. Wonderfully discursive, lively and opinionated, it is the crowning achievement of Solomon Marcus Schiller-Szinessy (1820-90), the first Jewish scholar appointed by Cambridge to teach Talmudic and Rabbinic literature. Assessing not only the contents of the manuscripts, the work also examines their ownership, scribal marks and marginalia, authorship and textual traditions. The first part analyses seventy-two biblical scrolls, codices and commentaries, including thirteenth- and fourteenth-century Sefardi Bibles and outstanding editions of commentaries by Abraham ibn Ezra and Rashi, along with lesser-known but significant commentators. The second part, which was never formally published, examines a further twenty-six rabbinic manuscripts, including the famous Cambridge Mishnah - one of only three complete Mishnaic manuscripts.

Bible --- Manuscripts --- Art, British --- Religion --- Reference --- Art

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The Royal Academician Charles Leslie (1794-1859) also wrote biographies of fellow painters. His life of John Constable and a two-volume work on Sir Joshua Reynolds are also reissued in this series. On his death, the Reynolds work was completed by the journalist and dramatist Tom Taylor (1817-80), who also edited Leslie's two-volume autobiography, published in 1860. Though born in London, Leslie was an American, a child prodigy in drawing, who returned to Britain in 1811 to study painting with Benjamin West and Washington Allston. He had enormous admiration for the paintings of his contemporaries and of the previous generation, and his reminiscences are intended to preserve 'some recollections of those chiefly whom I could praise'. Volume 2 of this lively and self-deprecating work, full of good-humoured anecdotes, consists of extensive extracts from Leslie's letters and an appendix listing his paintings.

Painters --- Great Britain --- Art, British --- Art --- Biography & Autobiography

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Cornelia Parker's art is about destruction, resurrection and transformation. Always driven by curiosity, she reconfigures familiar objects to question our relationship with the world, and engage with the important issues of our time, be it violence, ecology or human rights. 0This landmark publication charts Cornelia Parker's career to date, from early work to the iconic installations Cold Dark Matter: An Exploded View 1991, for which she had a garden shed blown up, and Perpetual Canon 2004, made up of brass band instruments, steamrollered flat, to the immersive War Room 2015 and on to new work, such as Island and Flag, made in 2022. The book also explores the full range of her practice, from her monumental collective embroidery, as well as her films and a wealth of her innovative drawings, prints and photographs. No other contemporary artist has worked so closely with such a wide range of individuals, groups and institutions: the British Army, The Royal Mint, Abbey Road Studios, prisoners, school children, The Daughters of the Republic of Texas, whistleblowers and the UK Parliament among many others. Featuring a new, extended interview with Tate Britain Director of Exhibitions and Displays Andrea Schlieker, as well as insights and reflections from a selection of writers and collaborators, Cornelia Parker is an authoritative and captivating survey of one of Britain's best-loved and most acclaimed artists.00Exhibition: Tate Britain, London, UK (16.05.-16.10.2022).

Parker, Cornelia, --- Art, Modern --- Art, British --- Sculpture --- installation artists --- Parker, Cornelia

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Medicine and art --- Art, British --- Hogarth, William, --- Rowlandson, Thomas, --- Criticism and interpretation.

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Art. --- Art, British --- Arts. --- Arts, British --- Historic buildings. --- Great Britain --- England