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Spanish literature --- Arrabal, Fernando --- Arrabal, Fernando 1932
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Arrabal, Fernando --- Criticism and interpretation --- Criticism and interpretation. --- Arrabal (fernando)
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Spanish drama --- Théâtre espagnol --- History and criticism --- Histoire et critique --- Arrabal, Fernando --- -Spanish literature --- Arrabal Terán, Fernando --- Terán, Fernando Arrabal --- Arrabal --- Arrampal --- Аррабаль, Фернандо --- ארבאל, פרננדו --- آرابل، فرناندو --- -History and criticism --- Théâtre espagnol --- Spanish drama - 20th century - History and criticism
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The Panic Theatre is a set of plays conceived by Fernando Arrabal between 1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, in an attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is a full-time researcher at the Universitat Autònoma de Barcelona.
Arrabal, Fernando --- Arrabal --- Criticism and interpretation. --- Experimental drama, French --- History and criticism. --- French experimental drama --- French drama --- Artistic Creation. --- Avant-Garde Movement. --- Avant-Garde. --- Ceremonial Language. --- Chance. --- Confusion. --- Dramaturgy. --- European Theatre. --- Fernando Arrabal. --- Memory. --- Panic Theatre. --- Paris. --- Teatro Pánico. --- Theatrical Innovation. --- Theatricality.
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Theatre (genre litteraire) francais --- Ionesco (eugene), auteur dramatique francais, 1912-1994 --- Genet (jean), ecrivain francais, 1910-1986 --- Beckett (samuel), 1906-1989 --- Montherlant (henry millon de), ecrivain francais, 1895-1972 --- Ghelderode (ademar martens, dit michel de), auteur dramatique belge, 1898-1962 --- Supervielle (jules) --- Schehade (georges) --- Arrabal (fernando) --- Vauthier (jean) --- Frisch (max), 1911-1991 --- 20e siecle --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Critique et interpretation --- Theatre (genre litteraire) francais --- Ionesco (eugene), auteur dramatique francais, 1912-1994 --- Genet (jean), ecrivain francais, 1910-1986 --- Beckett (samuel), 1906-1989 --- Montherlant (henry millon de), ecrivain francais, 1895-1972 --- Ghelderode (ademar martens, dit michel de), auteur dramatique belge, 1898-1962 --- Supervielle (jules) --- Schehade (georges) --- Arrabal (fernando) --- Vauthier (jean) --- Frisch (max), 1911-1991 --- 20e siecle --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Discours, essais, conferences --- Critique et interpretation
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