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Je m'appelle Dario Argento. Je suis né à Rome, au 197, via del Tritone. A cette adresse il y avait le Studio Luxardo, un important studio de photographie, où travaillait ma mère Elda. Habitaient également là les propriétaires et fondateurs de cette prestigieuse entreprise, Alfredo et Margherita, mes grands-parents. Dans les années 1930 et 1940 les vedettes du théâtre et du cinéma, les champions sportifs, les intellectuels et les artistes, les modèles se bousculaient pour être photographiés par nous. Avoir un portrait réalisé par le studio était un signe d'excellence. Je suis donc né sous les projecteurs.
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Argento, Dario, --- Influences --- Profondo rosso (film) --- Argento, Dario --- Influences.
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Motion pictures --- Fantasy films --- Cinéma --- Films fantastiques --- Argento, Dario --- Cinéma --- Fantastic italian cinema --- Criticism --- Argento, Dario.
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The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not replicated by English-speaking audiences on its theatrical release. With its loosely woven narrative and hyper-stylized violent set pieces, Deep Red was critically panned in the United States and the UK as cliched and exploitative Euro-schlock. Tracing the film's history of censorship, re-edited releases, and its subsequent celebration by cult film audiences, this book considers how these competing discourses have helped to transform the film's cultural status and to fashion it as an exemplar of cult cinema. The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not replicated by English-speaking audiences on its theatrical release. With its loosely woven narrative and hyper-stylized violent set pieces, Deep Red was critically panned in the United States and the UK as clichéd and exploitative Euro-schlock. Tracing the film's history of censorship, re-edited releases, and its subsequent celebration by cult film audiences, this book considers how these competing discourses have helped to transform the film's cultural status and to fashion it as an exemplar of cult cinema.
Horror films --- Films d'horreur --- Cult films --- Films cultes. --- Argento, Dario --- Argento, Dario --- Criticism and interpretation. --- Critique et interprétation. --- Profondo rosso (Motion picture) --- Profondo rosso (film)
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