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African American women --- African American women --- Health and hygiene. --- Nutrition.
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African American women --- African American women --- Women, Black --- African American women. --- African American women --- Women, Black. --- Employment --- Employment.
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A smart, sensual and witty novel about what happens when love and intellect meet on a collision course. This plot affirms Dionne Brand's place as one of Canada's most dazzling and influential artists. Theory begins as its narrator sets out, like many graduate students, to write a wildly ambitious thesis on art, culture, race, gender, class, and politics--a revolutionary work that its author believes will transform the world. While our narrator tries to accomplish this feat, three lovers enter the story, one after the other, each transforming the endeavour: first, there is beautiful and sensual Selah, who scoffs at the narrator's constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally, spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head and the spirit) upends and reorients the narrator's life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant. By effortlessly telling this short, intense tale in the voice of an unnamed narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender--and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word- and note-perfect blend of ideas that only a great artist at the height of her powers could write.
Interpersonal relations --- African American women --- Women
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Dreams and visions, prophetic words from God about ""dusty souls,"" speaking in tongues while ""in the spirit""-narratives of these and similar events comprise the heart of Every Time I Feel the Spirit . This in-depth study of a Black congregation in Charleston, South Carolina provides a window into the tremendously important yet still largely overlooked world of African American religion as the faith is lived by ordinary believers. For decades, scholars have been preoccupied with the relation between Black Christianity, civil rights, and social activism. Every Time I Feel the Spirit is about
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In childhood, bell hooks was taught that ""talking back"" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.
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