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This book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline. The volume will appeal to scholars working on gender and violence from diverse fields. Dr Caroline Williamson Sinalo is Lecturer in World Languages at University College Cork, Ireland, author of Rwanda after Genocide: Gender, Identity and Posttraumatic Growth (2018) and co-author of Transmitting Memories in Rwanda: From a Survivor Parent to the next Generation (2022). She has published widely on the lives and experiences of survivors of violence. Dr Nicoletta Mandolini is Researcher at CECS-Universidade do Minho, Portugal, where she is working on a project on gender violence and its representation in comics and graphic novels. She is author of Representations of Lethal Gender-Based Violence in Italy between Journalism and Literature. Femminicidio Narratives (2021).
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Comparative study of police coverage made by the newspapers A Tarde, Correio da Bahia and Tribuna da Bahia, analysing the production and social reproduction of violence in everyday life in Bahia. It shows the hierarchy within the affairs of the media and discusses the role of journalistic companies and journalism professionals in society. It also reveals the atmosphere of a city still divided between big houses and slave quarters that the author calls bubbles and openings.
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Violence in mass media --- Violence in mass media - Congresses --- Violence dans les médias --- Violence --- Médias --- Au cinéma --- Analyse du discours --- Droit --- Sociologie
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"Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them, addressing issues ranging from social learning, to representations of war and terrorism, to gender and hyper-masculinity. Each chapter features original artwork presenting a story in the style of a graphic novel to demonstrate the concepts at hand. Truly unique in its approach to the subject and medium, this volume is an excellent resource for undergraduate students of communication and media theory as well as anyone interested in understanding the causes and effects of violence in media"--
Violence in mass media. --- Visual communication --- Mass media --- Violence in popular culture --- Social aspects --- Influence.
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Violence in mass media --- Mass media --- Violence dans les médias --- Médias --- Social aspects --- Aspect social --- Peur --- --Média --- --Violence --- --Information --- --Presse --- --Violence in mass media --- Violence dans les médias --- Médias --- Média --- Violence --- Information --- Presse --- Mass media - Social aspects
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À l'évocation des mots photojournalisme ou photographie de guerre, la mémoire convoque des icônes dont les plus anciennes remontent aux années 1920 et 1930. On imagine ainsi que les conflits d'avant la Grande Guerre n'ont été que peints, dessinés et gravés ; figés dans un héroïsme un peu innocent avant que les violences du XXe siècle ne soient saisies sur pellicule dans leur réalisme cauchemardesque. Des albums privés des soldats coloniaux aux fonds des premières agences d'images, ce livre, véritable archéologie de la photographie de conflit, est une invitation, et une éducation, à lire l'image-choc pour la désarmer plutôt que la subir. L'auteur se focalise sur les clichés de la violence physique et de la destruction armée, pris non pas comme de simples illustrations mais comme les supports d'une relation sociale. Dans ce monde de la fin du XIXe siècle, les conflits se multiplient de façon inédite et les abus coloniaux ponctuent les conquêtes. En les capturant, l'appareil photographique, devenu portable et abordable, transforme profondément l'économie visuelle de la violence, et ce bien avant 1914. Au-delà d'une histoire des photographies des corps brutalisés et des violences armées, cet ouvrage, loin d'une pornographie du désastre, est aussi une proposition. Comment présenter des photographies montrant les atrocités indicibles pour les penser et en faire l'histoire ? L'observateur, y compris lorsque son regard plonge au cœur des ténèbres, peut retrouver dans les photographies les hommes et les femmes du passé, et non des victimes passives et anonymes figées sur le papier.
War photography --- Political violence in mass media --- Photojournalism --- Colonies --- History --- History. --- Photographie de guerre --- Photographie de presse --- Photographie et politique --- War photography - Europe - Colonies - History - 19th century --- War photography - Europe - Colonies - History - 20th century --- Political violence in mass media - History
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Video games --- Video games and children --- Children and violence --- Violence in mass media. --- Freedom of speech --- Law and legislation --- Violence in mass media --- Games & activities --- Social science --- Political science
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Violence in mass media. --- Violence dans les médias --- Violence dans les médias --- Médias --- Aspect social --- Aspect moral
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Children and violence. --- Violence in mass media. --- Adolescent --- Agressivité --- Enfant --- Jeu --- Télévision --- Enfants et violence --- Violence dans les médias
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