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"Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."-- Back cover.

Minorities in motion pictures. --- Motion pictures in education.

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Minorities in motion pictures --- Motion pictures --- History and criticism

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Off-White Hollywood investigates how the 'ethnicity' of white European-American actresses has played a key role in the mythology of American identity and nation building. Negra focuses on key stars of the silent - Colleen Moore and Pola Negri - classical - Sonja Henie and Hedy Lamarr - and post-classical eras - Marisa Tomei and Cher - to demonstrate how each star illuminates aspects of ethnicity, gender, consumerism, and class at work in American culture.

Minorities in motion pictures. --- Women in motion pictures. --- European Americans --- Actresses --- Ethnic identity. --- Culture in motion pictures.

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Insurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes. Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films. The first chapters explore queer signifying in Argentinean director Lucrecia Martel's Salta trilogy and the lesbian utopia of Albertina Carri's Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo's documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018). Dr. Juli A. Kroll is Professor of Spanish at the University of St. Thomas in St. Paul, MN, where she also directs the Film Studies program. Dr. Kroll teaches Latin American literature, culture, and film studies. Her research focuses on Latin American cultural production, with emphasis on gender and sexualities.

Telecommunication services --- Film --- TV (televisie) --- film --- America --- Latin America --- Gender identity in motion pictures. --- Motion pictures --- Sexual minorities in motion pictures.

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America on Film is a lively introduction to issues of diversity as represented within the American cinema. The first synthetic and historical text of its kind, America on Film provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The volume chronicles the cinematic history of various cultural groups, examines forces and institutions of bias, and stimulates discussion about the relationship between film and American national culture./p> The book is organized with a broad historical framework, with specific theoretical concepts--including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory--integrated throughout. Each individual chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film, including The Lion King, BlacKkKlansman, Crazy Rich Asians, The Florida Project, and Wonder Woman.

Sociology of minorities --- Film --- United States --- Minorities in motion pictures. --- Motion pictures --- History. --- #SBIB:309H521 --- #SBIB:309H1320 --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History --- Minorities in motion pictures --- Minorities in films --- Social problems --- United States of America