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Lord's Supper --- Eucharists. --- Philosophy.

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"Originally, I intended only a discourse concerning liberty and necessity, against the fatal necessity of all actions and events, which upon whatsoever ground or principles maintained, will serve the design of atheism, and undermine Christianity and all religion, as taking away all guilt and blame, punishments, and rewards, and plainly rendering a day of judgment ridiculous. But afterwards I considered that this which is indeed a controversy, concerning the true intellectual system of the universe, does, in the full extent thereof, take in other things; the necessity of all actions and events being maintained by several person, upon very different grounds, according to tripartite fatalism. First, the democritic fate is nothing but the material necessity of all things without a God"--Preface. (PsycINFO Database Record (c) 2012 APA, all rights reserved).

Christianity. --- Lord's Supper. --- Atheism.

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This is the first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been neglected owing to the labor involved in creating scores from the surviving individual parts. Jean-Paul C. Montagnier has examined closely the printed, engraved and stenciled choirbooks containing this repertoire, and his book focuses mainly on the music as it stands in them. After tracing the choirbooks' publishing history, the author places these mass settings in their social, liturgical and musical context. He shows that their style did not all adhere strictly to the stile antico, but could also employ the most up-to-date musical language of the period.

Mass (Music) --- Masses --- Church music --- Lord's Supper (Liturgy) --- History and criticism --- Catholic Church

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In this book, Jennifer Garrison examines literary representations of the central symbol of later medieval religious culture: the Eucharist. In contrast to scholarship that depicts mainstream believers as enthusiastically and simplistically embracing the Eucharist, Challenging Communion: The Eucharist and Middle English Literature identifies a pervasive Middle English literary tradition that rejects simplistic notions of eucharistic promise. Through new readings of texts such as Piers Plowman, A Revelation of Love, The Book of Margery Kempe, and John Lydgate's religious poetry, Garrison shows how writers of Middle English often take advantage of the ways in which eucharistic theology itself contests the boundaries between the material and the spiritual, and how these writers challenge the eucharistic idea of union between Christ and the community of believers.

Lord’s Supper in literature. --- English literature --- History and criticism. --- Lord's Supper in literature. --- Christian dogmatics --- Thematology --- Old English literature --- anno 1200-1499 --- anno 1100-1199 --- Literature --- Allegory --- Body of Christ --- Eucharist --- Exemplum --- God --- Jesus --- Laity

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Outre les fresques et mosaïques de l'Antiquité, évoquées aussi dans ce livre, nombreux sont les documents qui attestent de la longue histoire de l'eucharistie : les textes bibliques, les premiers témoignages chrétiens, les écrits des Pères de l'Église, les sacramentaires, les textes spirituels et littéraires, les décrets conciliaires et les nombreuses élaborations théologiques. Une telle variété de sources est difficilement accessible quand on ne dispose pas d'une bibliothèque étendue et spécialisée. Ce volume recueille donc en un seul ouvrage les textes essentiels concernant l'histoire de l'eucharistie en en facilitant la lecture par de courtes introductions.

Lord's Supper --- Eucharistie --- Catholic Church --- History. --- Eglise catholique --- Histoire --- EUCHARISTIE --- LITURGIE CHRETIENNE --- CHRISTIANISME --- VIE RELIGIEUSE --- HISTOIRE