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Book
Dressing dangerously : dysfunctional fashion in film
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ISBN: 9780300184389 Year: 2013 Publisher: New Haven, Connecticut : Yale University Press,

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Book
A philosophy of fashion through film : on the body, style, and identity
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ISBN: 1350157007 9781350157002 1350157015 1350157031 1350343757 Year: 2022 Publisher: London : Bloomsbury Academic,

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Book
Documenting Fashion
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ISBN: 1474476198 147447618X 1474476163 Year: 2023 Publisher: Edinburgh, Scotland : Edinburgh University Press Ltd,

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Feuds within fashion houses, megalomaniacs and photoshoot nightmares - fashion and drama have been a perfect match for decades. Over the past ten years, we have witnessed a boom of documentaries about fashion magazine editors, fashion and media politics and the history of fashion houses.

How and why did fashion documentaries and non-fiction media become so popular? Documenting Fashion explores and reassesses the role of documentary media by tracing its history in shaping our understanding of fashion across multiple platforms and different national contexts, including industrial films, newsreels, TV shows, documentary films, digital media and photography. The essays in this collection underpin and profile a scholarly space in which a dialogue between fashion and documentary studies can evolve by drawing from different methodologies and approaches, such as media and cultural studies, ethnography, archival and museum studies, gender studies, marketing and public relations.


Book
Fashion in film
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ISBN: 9780253356130 025335613X 9780253222992 0253222990 Year: 2011 Publisher: Bloomington : Indiana University Press,

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Fashioning horror : dressing to kill on screen and in literature
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ISBN: 9781350036185 9781350036208 135003620X 1350036188 9781350036192 1350036196 9781350036215 1350036218 1350133272 Year: 2017 Publisher: New York : Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc,


Periodical
Film, fashion & consumption.
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ISSN: 20442831 Year: 2011 Publisher: Bristol : Intellect,


Book
Film, fashion, and the 1960s
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ISBN: 9780253025593 Year: 2017 Publisher: Bloomington, Indiana : Indiana University Press,

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Women in Weimar fashion : discourses and displays in German culture, 1918-1933
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ISBN: 1782044485 1282946811 9786612946813 1571138099 1571132058 1571135162 Year: 2008 Publisher: Rochester, N.Y. : Camden House,

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In the Weimar Republic, fashion was not only manipulated by the various mass media - film, magazines, advertising, photography, and popular literature - but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the 'flâneur,' the 'Feuilleton,' and 'Neue Sachlichkeit' in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity. Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.

Undressing cinema : clothing and identity in the movies
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ISBN: 0415139570 9780415139571 0415139562 9780203132203 9781134770557 9781134770595 9781134770601 9780415139564 Year: 1997 Publisher: London Routledge

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From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier* the eroticism of period costume in films such as The Piano and The Age of Innocence* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction* generic male chic in Goodfellas, Reservoir Dogs, and Leon* pride, costume and masculinity in Blaxploitation' films, Boyz N The Hood and New Jack City* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.


Book
Film and fashion amidst the ruins of Berlin : from Nazism to the Cold War
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ISBN: 9781571135766 1571135766 9781787442955 1787442950 Year: 2018 Publisher: Suffolk : Boydell & Brewer,

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This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as The Murderers Are among Us, Street Acquaintances, and Destinies of Women as well as neglected works such as The Heaven Above Us, Martina, Modell Bianka , and Ingrid . These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume-in films produced both by DEFA and by West German studios-is a productive site to explore the intersections between realism and escapism and between film and fashion. With its focus on costumes within the context of the films' production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio.

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