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Olivier Smolders représente un des visages les plus novateurs et les plus cohérents du cinéma belge contemporain. Spécialiste du court-métrage, marqué par l'esprit de dérision comme par le goût du fantastique, Smolders est aussi, dans la grande tradition de Chris Marker, Godard ou Tarkovski, un véritable écrivain. Poursuivant sa réflexion sur les arts et le cinéma, Olivier Smolders rassemble dans cet essai un florilège de fragments et de notes de travail qui ont accompagné la réalisation de Voyage autour de ma chambre, un film qui interroge d'une façon poétique la difficulté de chacun à trouver sa juste place au sein du monde. Le plaisir d'écrire avec des images et des sons s'est donc doublé de celui qui consiste à déplier parallèlement le thème du voyage selon un rythme, une structure et une économie propres à l'espace littéraire. Chemin faisant, ce livre, abondamment illustré, emprunte de nombreux sentiers de traverse qui autorisent autant de lectures diagonales.
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The relationship between books and film has been one of the key topics of cinema studies. Much of this criticism, however, has been inherited from eighteenth-century debates on poetry and painting and thus has fostered false and limiting paradigms in which words and pictures are opposed. Rethinking the Novel/Film Debate historicizes and critiques the central paradigms of this debate. Testing theory against practice, and uncovering the hidden agendas, Kamilla Elliot creates alternative critical models that can be applied to the novel/film issue in an effort to transform the field for future inquiry. In the process, she mounts a major critique of novel theory and film history and theory, demonstrating how rivalries have shaped and falsified each discipline when considered separately.
82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Adaptations cinématographiques --- Cinéma et littérature
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To understand American popular culture, we need to come to grips with the enormous role that television has played in shaping that culture over the past sixty years. In this timely and provocative book, Jason Mittell provides students with a uniquely thorough look at the medium of television.Exploring television at once as a technological medium, an economic system, a facet of democracy, and a part of everyday life, this landmark text uses numerous sidebars and case studies to demonstrate the past, immediate, and far-reaching effects of American culture on television--and television's influence on American culture. Arranged topically, the book provides a broad historical overview of television while also honing in on such finer points as the formal attributes of its various genres and its role in gender and racial identity formation.Replete with examples, this pedagogically rich text includes many end-of-chapter case studies and narratives with suggestions for further reading--and, appropriately, viewing. Illustrations and photographs--primarily DVD grabs--contextualize historical footage and older television programs that may not be familiar to younger students.
Télévision --- Aspect social --- Television broadcasting --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Social aspects
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In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Motion pictures --- Semiotics --- Semiotics. --- Motion pictures - Semiotics
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Film genres --- Genres cinématographiques --- Genres cinematographiques --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Genres cinématographiques
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82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- Cognition --- Motion pictures --- Psychology --- Philosophy --- Psychological aspects --- Cognition. --- Philosophy. --- Psychological aspects.
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Mass communications --- Sociology of culture --- Télévision --- Television programs --- Émissions --- Aspect social --- Aspect politique --- Social aspects --- Political aspects --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Télévision --- Émissions
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Industrie de la télévision --- Television broadcasting --- Histoire --- History. --- Social aspects --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- History --- United States --- Histoire. --- Industrie de la télévision
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This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.
Film adaptations --- Adaptations cinématographiques --- History and criticism. --- Histoire et critique --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Adaptations cinématographiques --- Literature --- Film --- Iconography --- History and criticism --- Music, Dance, Drama & Film
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In these innovative essays, Vivian Sobchack considers the key role our bodies play in making sense of today's image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film and other media, 'Carnal Thoughts 'shows how our experience always emerges through our senses and how our bodies are not just visible objects but also sense-making, visual subjects. Sobchack draws on both phenomenological philosophy and a broad range of popular sources to explore bodily experience in contemporary, moving-image culture. She examines how, through the conflation of cinema and surgery, we've all "had our eyes done" why we are "moved" by the movies and the different ways in which we inhabit photographic, cinematic, and electronic space. 'Carnal Thoughts 'provides a lively and engaging challenge to the mind/body split by demonstrating that the process of "making sense" requires an irreducible collaboration between our thoughts and our senses.
82:791.43 --- Literatuur en film --- Culture in motion pictures. --- Motion pictures --- Philosophy. --- Psychological aspects. --- 82:791.43 Literatuur en film --- Cinéma --- Philosophie --- Aspect psychologique --- Philosophy --- Psychological aspects --- Corps humain --- Corps (philosophie) --- Dans l'art.
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