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Aesthetics. --- Happiness. --- Parret, Herman,

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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.

Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy

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This book is the third of a series of five volumes that exhaustively brings together the writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. This collection of essays, written between 1974 and 1977 in the middle of the time of Duchamp's rediscovery in France, was published by Editions Galilée (Paris) in 1977 and in English translation by The Lapis Press (Los Angeles) in 1990. This volume republishes the two versions face to face, including the drawings, diagrams and images of the original edition. Herman Parret presents the text in a substantial introduction and Dalia Judovitz situates it in the more general framework of Lyotardian philosophical reflection. Duchamp's 'TRANS/formers' reconstructs the 'Large glass and given', Duchamp's two major works that glorify the body in its topological conceptuality.

7.01 "19" --- Academic collection --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Appel, Karel --- Lyotard, Jean-François --- Color in art --- Appel, Karel, --- Art, Modern --- Art --- Philosophy --- Philosophie --- Francis, Sam --- Criticism and interpretation --- Duchamp, Marcel --- Philosophy [French ] --- 20th century --- Art [Modern ] --- Monory, Jacques --- Painters --- France --- Art and philosophy --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Buren, Daniel --- Adami, Valerio --- Arakawa, Shusaku --- 1 LYOTARD, JEAN-FRANCOIS --- 1 LYOTARD, JEAN-FRANCOIS Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Aesthetics, Modern --- Art criticism --- History --- Lyotard, Jean-François, --- Painting, Modern --- Themes, motives --- Adami, Valerio, --- Arakawa, Shūsaku, --- Francis, Sam, --- Colors in art --- Monochrome art --- Modern painting --- Paintings, Modern --- Arakawa, --- 荒川修作, --- Adami, Ṿaleryo, --- Romani Adami, Valerio, --- Artistes --- Philosophie. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Art and philosophy - History - 20th century --- Aesthetics, Modern - 20th century --- Art criticism - History - 20th century --- Art, Modern - 20th century --- Lyotard, Jean-François, - 1924-1998 --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation --- Appel, Karel, - 1921-2006 --- Painting, Modern - 20th century - Themes, motives --- Adami, Valerio, - 1935- - Criticism and interpretation --- Arakawa, Shūsaku, - 1936-2010 - Criticism and interpretation --- Buren, Daniel - Criticism and interpretation --- Francis, Sam, - 1923-1994 - Criticism and interpretation --- Francis, Sam, - 1923-1994 --- Duchamp, Marcel, - 1887-1968 --- Adami, Valerio, - 1935 --- -Arakawa, Shūsaku, - 1936-2010 --- Color in art.

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Philosophical anthropology --- Aesthetics --- Semiotics --- Allegorie --- Allegory --- Allégorie --- Filosofie --- Philosophie --- Academic collection

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Aesthetics, Modern --- Esthétique moderne --- Congresses --- Congrès --- Kant, Immanuel, --- Aesthetics. --- Aesthetics --- -Aesthetics, Modern --- -Academic collection --- Modern aesthetics --- Kant, Immanuel --- -Aesthetics --- Esthétique moderne --- Congrès --- Academic collection --- History --- Kant, Emmanuel --- Kant, Emanuel --- Kant, Emanuele --- Aesthetics [Modern ] --- 18th century --- 19th century --- Kant, I. --- Kānt, ʻAmmānūʼīl, --- Kant, Immanouel, --- Kant, Immanuil, --- Kʻantʻŭ, --- Kant, --- Kant, Emmanuel, --- Ḳanṭ, ʻImanuʼel, --- Kant, E., --- Kant, Emanuel, --- Cantơ, I., --- Kant, Emanuele, --- Kant, Im. --- קאנט --- קאנט, א. --- קאנט, עמנואל --- קאנט, עמנואל, --- קאנט, ע. --- קנט --- קנט, עמנואל --- קנט, עמנואל, --- كانت ، ايمانوئل --- كنت، إمانويل، --- カントイマニユエル, --- Kangde, --- 康德, --- Kanṭ, Īmānwīl, --- كانط، إيمانويل --- Kant, Manuel, --- Aesthetics, Modern - 18th century --- Aesthetics, Modern - 19th century --- Kant, Immanuel, - 1724-1804 - Aesthetics --- Kant, Immanuel, - 1724-1804 --- Esthétique. --- Critique et interprétation.