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In this book, Susan Watkins examines the writing career of the respected and prolific novelist Doris Lessing, who was awarded the Nobel Prize for Literature in 2007 and has recently published what she has announced will be her final novel.
Imperialism in literature. --- Lessing, Doris, --- Criticism and interpretation. --- Lessing, Doris May, --- Literature --- Literary Studies: Fiction, Novelists & Prose Writers --- LITERARY CRITICISM / General --- Literary studies: fiction, novelists & prose writers --- Lessing, Doris (1919-....) --- Critique et interprétation --- Doris Lessing. --- Golden Notebook. --- Nobel Prize. --- empire. --- feminism. --- gender. --- nation. --- novelist. --- postcolonial theory. --- race. --- Critique et interprétation
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Fertility, Human --- Nationalism --- Regionalism --- Fecondite --- Nationalisme --- Régionalisme --- History --- Histoire --- Europe --- Population --- EUROPE -- 930.3 --- POPULATION -- 930.3 --- NATIONALISM -- 930.3 --- REGIONALISM -- 930.3 --- NATION-BUILDING -- 930.3 --- History. --- Régionalisme --- Fertility [Human ] --- Fertility, Human - Europe - History. --- Europe - Population - History. --- Nationalism - Europe - History. --- Regionalism - Europe - History. --- Démographie --- Demography --- EUROPE --- HISTOIRE --- NATIONALISME --- FECONDITE HUMAINE --- 19E-20E SIECLES --- CONDITIONS SOCIALES --- Démographie
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‘This is an impressive study, homing in on a notable gap in writing within the apocalyptic tradition. It is engagingly written, extensive in its choice of texts and, throughout, the textual analysis is in productive dialogue with critical theory. Repeatedly, we learn how the fiction of elsewhere and the fiction of the future urgently speak to our here and now.’ — Mary Eagleton, author of Clever Girls and the Literature of Women’s Upward Mobility (2018) This book examines how contemporary women novelists have successfully transformed and rewritten the conventions of post-apocalyptic fiction. Since the dawn of the new millennium, there has been an outpouring of writing that depicts the end of the world as we know it, and women writers are no exception to this trend. However, the book argues that their fiction is distinctive. Contemporary women’s work in this genre avoids conservatism, a nostalgic mourning for the past, and the focus on restoring what has been lost, aspects key to much maleauthored apocalyptic fiction. Instead, contemporary women writers show readers the ways in which patriarchy and neo-colonialism are intrinsically implicated in the disasters they envision, and offer qualified hope for a new beginning for society, culture and literature after an imagined apocalyptic event. Exploring science, nature and matter, the posthuman body, the maternal imaginary, time, narrative and history, literature and the word, and the post-secular, the book covers a wide variety of writers and addresses issues of nationality, race and ethnicity, as well as gender and sexuality. Susan Watkins is a Professor of Women’s Writing at Leeds Beckett University. Her key publications include Twentieth-Century Women Novelists: Feminist Theory into Practice (2001), Doris Lessing (2010) and (as co-editor) Scandalous Fictions: The Twentieth-Century Novel in the Public Sphere (2006), Doris Lessing: Border Crossings (2009) and The History of British Women’s Writing Vol 9: 1945–1975 (2017).
Apocalypse in literature. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Women authors --- History and criticism. --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Women. --- Contemporary Literature. --- Women's Studies. --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity
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Despite winning the Nobel Prize for Literature, Doris Lessing has received relatively little critical attention. One of the reasons for this is that Lessing has spent much of her lifetime and her long published writing career crossing both national and ideological borders.This essay collection reflects and explores the incredible variety of Lessing’s border crossings and positions her writing in its various social and cultural contexts. Lessing crosses literal national borders in her life and work, but more controversial have been her crossings of genre borders into sci-fi and “space fiction”, and her crossing of ideological borders such as moving into and out of the Communist Party and from a colonial into a post-colonial world. This timely collection also considers a number of the most interesting recent critical and theoretical approaches to Lessing’s writing, including work on maternity and abjection in relation to The Fifth Child and The Grass is Singing, eco-criticism in Lessing’s ‘Ifrakan’ novels, and postcolonial re-writings of landscape in her African Stories.
Literature and society --- Women and literature --- History --- Lessing, Doris, --- Lessing, Doris --- Criticism and interpretation. --- Lessing, Doris May, --- Lessing, Doris (1919-....) --- Critique et interprétation
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