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Drunk on capitalism. An interdisciplinary reflection on market economy, art and science.
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ISBN: 9789400720817 9400720815 9789400720824 9786613456168 1283456168 9400720823 Year: 2012 Publisher: Dordrecht,

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Abstract

This interdisciplinary collection of essays probes the impact of the market economy on art and science in the post-Berlin Wall era. Part One: Science for Sale, A Dollar Green Science Scene, focuses on new alliances of contemporary science and education with commercial funding, and the commodification of knowledge. Among the questions addressed here are: Does proximity to economic power eclipse freedom of knowledge? When science and education become businesses, what are the risks for a sell-out of patented knowledge, an abuse of research for business purposes or a commercialization of symbolic power?    Part Two: Art for Sale, Buy Buy Art, elaborates on the multifaceted and ambiguous relationship between art and capital. Contemporary art claims to be autonomous, but art costs money and artists cannot survive on their love for art alone. How do artists respond to the rise of economic strictures in modern culture in general and the art market in particular? When works of art become investments, can art still be critical of economic injustice? What role remains for the artist in a global, late-capitalist society?


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Bastard or playmate? : adapting theatre, mutating media and the contemporary performing arts
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ISBN: 9789048513178 9048513170 9789048516742 9048516749 9089642587 9789089642585 Year: 2012 Publisher: Amsterdam Amsterdam University Press

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This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. 'Bastard or Playmate' shows how dismantling the medium of theater has led to a fertile ground for new art. This wide-ranging and vibrant book provides an excellent guide for readers unfamiliar with the field of intermediality, as well as researchers and experienced theater artists.

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