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"In Imagination and Science in Romanticism, Richard Sha challenges the idea that the imagination could only be applied to the literary and that its primary role was to transcend scientific concerns. Sha shows how the imagination functioned within physics and chemistry in Prometheus Unbound, neurology in Blake's Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Frankenstein. Sha also shows how the imagination was used in the scientific community, highlighting as primary examples the work of Davy, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Both fields profited from thinking about how the imagination could cooperate with reason and how hypotheses that had the possibility of actuality could benefit their work" --

English literature --- Science in literature. --- Imagination in literature. --- Romanticism --- Discoveries in science --- Littérature anglaise --- Littérature et sciences. --- Romantisme --- Découvertes scientifiques --- Imagination (philosophie) --- Imaginaire (philosophie) --- History and criticism. --- History --- Histoire et critique --- Histoire --- Shelley, Percy Bysshe, --- Blake, William, --- Coleridge, Samuel Taylor, --- Shelley, Mary Wollstonecraft, --- Blake, William --- Shelley, Percy Bysshe --- Coleridge, Samuel Taylor --- Shelley, Mary Wollstonecraft --- Thematology --- anno 1800-1899 --- Histoire et critique. --- Breakthroughs, Scientific --- Discoveries, Scientific --- Scientific breakthroughs --- Scientific discoveries --- Creative ability in science --- Research --- Literary theory --- Littérature anglaise --- Littérature et sciences. --- Découvertes scientifiques

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There has recently been a resurgence of interest in the importance of the emotions in Romantic literature and thought. This collection, the first to stress the centrality of the emotions to Romanticism, addresses a complex range of issues including the relation of affect to figuration and knowing, emotions and the discipline of knowledge, the motivational powers of emotion, and emotions as a shared ground of meaning. Contributors offer significant new insights on the ways in which a wide range of Romantic writers, including Jane Austen, William Wordsworth, Immanuel Kant, Lord Byron, Mary and Percy Bysshe Shelley, Thomas De Quincey and Adam Smith, worried about the emotions as a register of human experience. Though varied in scope, the essays are united by the argument that the current affective and emotional turn in the humanities benefits from a Romantic scepticism about the relations between language, emotion and agency.

Romanticism --- Emotions in literature. --- English literature --- Literary criticism / european / english, irish, scottish, welsh. --- History and criticism. --- Thematology