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Apollonius Rhodius' Argonautica, composed in the third century BCE, is an epic retelling of Jason's quest for the golden fleece. It greatly influenced Roman authors such as Catullus, Virgil, and Ovid, and was imitated by Valerius Flaccus.
Argonauts (Greek mythology) --- Jason (Greek mythology) --- Medea (Greek mythology) --- Argonautes (Mythologie grecque) --- Jason (Mythologie grecque) --- Médée (Mythologie grecque) --- Poetry. --- Poésie --- Epic poetry, Greek --- Poetry --- Translations into English --- Argonauts (Greek mythology) in literature --- Greek poetry --- Jason (Greek mythology) in literature --- Jason --- Chasón --- Giasone --- Giasuni --- Iasōn --- Iasonas --- Iaszón --- Jasonas --- Jāsons --- Jasão --- Jaysun --- Jazon --- Jazono --- Xasón --- Yason --- Yī ā sòng --- 伊阿宋 --- イアーソーン --- יאסון --- 이아손 --- Язон --- Ясон --- Јасон --- Ἰάσων --- Ιάσονας --- جاسون --- Greek epic poetry --- Argonauts --- Golden Fleece (Greek mythology) --- Mythology, Greek --- Greek literature --- Epic poetry, Classical --- Médée (Mythologie grecque) --- Poésie --- Medea, --- Μήδεια, --- Mēdeia, --- Argonauts (Greek mythology) - Poetry --- Jason (Greek mythology) - Poetry --- Epic poetry, Greek - Translations into English
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"Maximus of Tyre, active probably in the latter half of the second century AD, was a devoted Platonist whose only surviving work consists of forty-one brief addresses on various topics of ethical, philosophical, and theological import including the nature of divinity, the immortality of the soul, the sources of good and evil, the injustice of vengeance, the tyranny of pleasures and desires, the contribution of the liberal arts, and the pursuit of happiness, among many others. These addresses are conveniently labeled orations, but their fluid and hybrid style resists precise generic categorization, so that they could also be called discourses, speeches, lectures, talks, inquiries, essays, or even sermons. In his orations Maximus strove to elucidate the philosophical life of virtue, especially as exemplified in the career of Socrates and in the writings of Plato, inviting his audience, sometimes addressed as young men, to share in his knowledge, to appreciate his fresh presentation of philosophical topics, and perhaps even to join him in pursuing philosophy. Drawing on the Hellenic cultural tradition from Homer to the death of Alexander the Great, Maximus offers a rich collection of the famous philosophical, literary, and historical figures, events, ideas, successes, and failures that constituted Greek paideia in the so-called Second Sophistic era. This edition of Maximus' Philosophical Orations offers a fresh translation, ample annotation, and a text fully informed by current scholarship"--
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The instructional treatises of Menander Rhetor and the Ars Rhetorica, deriving from the schools of rhetoric that flourished in the Greek East from the 2nd through 4th centuries AD, provide a window into the literary culture, educational practices, and social concerns of these Greeks under Roman rule, in both public and private life.
Rhetoric, Ancient. --- Rhetoric --- Rhetoric, Ancient --- Rhetoric.
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Of the Greek lyric poets, Pindar (ca. 518-438 BCE) was "by far the greatest for the magnificence of his inspiration" in Quintilian's view; Horace judged him "sure to win Apollo's laurels." The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar's poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar's other poems. Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths.Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His new Loeb Classical Library edition of Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.
Athletics --- Games --- Laudatory poetry, Greek --- Jeux --- Sports athlétiques --- Poésie élogieuse grecque --- Poetry --- Translations into English --- Poésie --- Traductions anglaises --- Pindar --- Traductions en anglais --- Olympic games (Ancient) --- Poetry. --- -Games --- -Laudatory poetry, Greek --- -Olympic games (Ancient) --- Ancient Olympic games --- Olympics --- Greek laudatory poetry --- Greek poetry --- Children --- Children's games --- Games, Primitive --- Games for children --- Pastimes --- Primitive games --- Recreations --- Entertaining --- Physical education and training --- Amusements --- Play --- Sports --- Recreation --- -Pindarus --- Pindare --- Pindaro --- Πίνδαρος --- -Translations into English --- -Pindar --- Píndaro --- Pindaros --- Pindarus --- Translations into English. --- Sports athlétiques --- Poésie élogieuse grecque --- Poésie --- Laudatory poetry, Greek - Translations into English --- Olympic games (Ancient) - Poetry. --- Athletics - Greece - Poetry. --- Games - Greece - Poetry.
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Of the Greek lyric poets, Pindar (ca. 518-438 BCE) was "by far the greatest for the magnificence of his inspiration" in Quintilian's view; Horace judged him "sure to win Apollo's laurels." The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar's poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar's other poems. Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths. Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His new Loeb Classical Library edition of Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.
Athletics --- Games --- Laudatory poetry, Greek --- Olympic games (Ancient) --- Poetry. --- Translations into English. --- Poetry --- Laudatory poetry, Greek - Translations into English --- Olympic games (Ancient) - Poetry. --- Athletics - Greece - Poetry. --- Games - Greece - Poetry.
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